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Appsys Mic Preamp Remote Gain Controller
Remote Gain Control for (almost) every preamp!
Digital snake systems like our ADAT Multicore Extender have many advantages. But with these systems, the mic preamps are usually located on stage, and you cannot adjust the gain locally from FOH - this can be an issue if you just wanted to "give some dB le
The Octa - Mic ADC is an optional analog-to-digital converter module for RME's Octa - Mic 8-channel microphone preamp. When installed, the ADC module adds eight channels of pristine 192k - Hz digital output. - Available as double ADAT output (S/MUX up to 96k - Hz) and simultaneously as four AES outputs (up to 192k - Hz) via a DB-25 connector, the
The I64 MADI Card provides the QS with a 64-Channel MADI input and output. Coaxial and optical output operate in parallel to the AES/EBU and ADAT output, therefore deliver the same data.
The I64 MADI Card features an optical as well as a coaxial MADI input. The input is switched automatically, according to where a valid input signal is detected
The DMC-842-M from RME is an 8-channel AES42 interface and control device for digital microphones. AES42-2001 is an extension of the current AES digital audio standard that provides the framework for interfacing and controlling professional digital microphones (not to be confused with the consumer type of USB equipped microphones).
Micstasy is an 8-channel hi-end mic/line preamp and AD-converter combining typical RME features with a number of previously unseen features. It can be used analog (Mic/Line In to Line Out) and digital (Mic/Line In to Digital Out), with both signal paths operating simultaneously. Special highlight: the device is fully remote-controllable via M