Breathe some fire into your music with the FireworX from T.C. Electronic! This beauty takes the art of Effects Processing further! In addition to the standard-type effects/reverbs you'll find in other processors, FireworX contains some of the most radically explosive effects you've ever heard. FireworX pours it on with effects like Vocoder, Ring Modulator, Resonator, Fractal Noise Generator, Distortion, Reverse Delays, and tons more! User presets can be named alpha-numerically. Comes with a 3 year warranty!

• Analog Connectors: XLR balanced (pin 2 hot)
• Digital Connectors: XLR (AES/EBU), RCA Phono (SPDIF), Optical (Toslink, ADAT)
• Sample Rates: 44.1 kHz, 48 kHz
• MIDI In/Out/Thru

Push the boundaries of what you thought was possible with sound! The System 6000 offers you multi-channel, top-quality dynamics processing tools never before available in any audio processing system. It combines elements of TC Electronic's famous M5000; a newly-developed, multi-channel version of VSS technology; and state-of-the art mastering technology with a stunning new multi-channel processing platform. What this means for you is room/environment simulation at an unbelievable level of realism, the kind that completely draws your listeners into the sound. You get multi-channel, multi-band Dynamics processing, with four-band processing of multi-channel audio, including expander, compressor and final sample accurate brickwall limiter. Sample rates up to 96kHz are covered. MD2 algorithm from M5000 has been improved to MD3, incorporating dual mono modes, sample accurate brickwall limiter and 96kHz operation. Multi-channel pitch change processing is also available. The System 6000 represents an exciting opportunity for any audio professional eager to explore the possibilities of multi-dimensional sound. Comes with 8 channels of AES/EBU digital I/O (four stereo pairs) via a DB25 connector. You also get 3 expansion slots for adding two, four, or up to six channels of analog I/O.

This is the M6000 Mainframe with 8 channel DSP providing:
• 8-Channel Digital I/O on DB25 conector (Includes proper AES Cable),
• PC Card slot
• Disk drive and Three empty slots for analog expansion.
• Includes ICON (TC ICON is the networkable remote control for 1-99 frames: includes 1U rack mounted host communications computer with Universal 120/240 volt internal power supply and Ethernet connection to the Mainframe and TCTalk connection via 10 meter cable to the Icon Remote

For the first time in nearly ten years, a high quality real spring reverb is available for professional sound recording. The Real Reverb employs innovative new circuit technology with two Accutronics, classic, full size, 6 spring reverb tanks. The result is all the great sound of analog reverb without the problems usually associated with them.

The unit features two channels each with its own reverb tank. Channel one has a short decay time and channel two has a longer one. Each channel can be run separately or can be linked. The unit has reverb phase and low cut filter switches, as well as, input sensitivity, overload indicator, mix and output level controls for each channel. The circuit features an innovative design that for the first time keeps the frequency response of the drive and receiving transducers flat and the noise is lower than ever. The inputs and outputs are fully balanced, three pin or TRS, using Analog Devices 2142 and 2143 audio devices. The power supply is fully regulated at plus or minus 18 volts for maximum head room and quick transit attack and it uses a custom built, shielded, toroidal transformer for low noise. Each Accutronics reverb tank is individually shielded with mu metal to reduce noise from stray magnet fields. Only the finest components are used for the highest quality reproduction. Spring reverb for the digital age is here.

Orville/R "Blank Front Panel" Processor Introduced
Start with the unprecedented quality and power of the Eventide Orville(TM) Harmonizer® Brand Multichannel effects processor. Then subtract all the front panel controls, and a take a hefty discount off the price. Now you've got the Eventide Orville/R model. The blank-front-panel Orville/R is designed for use with Eventide's innovative Eve/Net remote control system. Eve/Net controllers handle any combination of standard Orville and Orville/R multichannel units, as well as Eventide's DSP7000 line of stereo effects processors, to provide as many digital and/or analog effects channels as desired. The flexible Eve/Net system is thus ideal for multi-studio and multichannel surround sound facilities.

Orville/R offers all the highly acclaimed effects capabilities of the standard Orville model, including UltraShifter(TM), the world's best pitch shifter, and reverb programs that won Studio Sound Magazine's Best Outboard Reverb award, plus hundreds of others. "With Orville, Orville/R and the Eve/Net remote control system, Eventide now offers the most flexible, most economical and highest performance multichannel effects system in the industry," commented Eventide audio sales manager Gerry Griffin.

Eventide proudly introduces its new eight-channel processor, the H8000 Ultra-Harmonizer® brand effects processor. Designed for ultimate flexibility, the H8000 provides the highest quality audio performance combined with over one thousand of our best preset-algorithms culled from over thirty years of developing effects for live sound, broadcast, post-production, and music recording.

Eight channels of AES/EBU, ADAT and stereo S/PDIF digital I/O: 24-bit
Over fifty new 5.1 presets, including 5.1 reverbs, and effects
Plus over a thousand of our best preset-algorithms, including our award-winning reverb, lush choruses, FM panners, sample-and-hold filters, vibratos, modulating delays, multiband compression, phase shifting, micro pitch shifting, vocoding and much more
New search engine functionality for easier preset sorting
Monolithic Tandem™ which allows one large algorithm to run using two DSP chips, providing the user with maximum horsepower for huge, complex algorithms including 5.1 reverbs and effects
Complex editing simplified with "Building-Block Effects Architecture"
"Anything-to-Anything" routing capability
Featuring UltraShifter™, our most natural-sounding, formant-corrected pitch changer, optimized for voice, which includes automatic pitch correction
MIDI, BPM, and Tap Tempo lock your effects in time with the beat
174 second mono sampler, or 87 seconds of phase-locked stereo with advanced looping, editing, and layering capabilities
Supported by VSIG™, our PC graphic editor/development tool
Pristine analog: Stereo XLR and ¼" TRS inputs, s/n >110dB

Eventide Introduces the DSP7000, Its Most Powerful Stereo Effects ProcessorThe 7000 has four times the processing power of the previous-generation DSP4000, plus a host of new features and capabilities.
Over 500 factory presets are included, taking full advantage of the superior processing power of the DSP7000, for the lushest reverbs and the most accurate, high quality pitch change programs ever. This high performance stereo processor features 24 bit conversion at 96kHz for flawless audio performance. The DSP7000 provides both analog and digital I/O with separate gain controls and metering for each domain. It offers the user extensive programmability and remote control capability. Over 150 user presets can be stored internally, and hundreds more can be stored on removable PCMCIA cards.

Control functions on the DSP7000 are similar to the DSP4000, but enhancements make it even easier and more intuitive to use. The new Eventide DSP7000 accommodates presets and preset library cards developed
for the DSP4000 series Ultra-Harmonizer units. Eventide's PC-based Vsigfile graphic editor can be used to create new effects for the DSP7000, and factory software upgrades can be downloaded to the unit from an internet-connected PC.

The DSP7000 can be used with Eventide's new EVE/NET™ remote control unit, a price/performance breakthrough in full function signal processor remote controls. With EVE/NET, up to four stereo DSP7000 and
multichannel Eventide Orville™ effects processors can be controlled in any combination from one or two remote locations.

The Reverb 2016 recreates the legendary reverb algorithms of Eventide's SP2016 - Stereo Room, Room Reverb and High Density Plate. Every aspect of the original effects has been duplicated including every detail of the user parameters. While the algorithms are identical to the originals, the hardware implementation is state-of-the-art, with features that include a high performance 24 bit DSP, 24 bit analog audio I/O, digital I/O and MIDI interface.

The Reverb 2016 is built to reverb - it's not a multi-effects box. It was designed from the perspective that reverb is used nearly always and warrants a dedicated box with an optimal user interface. The Reverb 2016 UI is extremely easy-to-use featuring dedicated controls for each of the effect's parameters. The controls and display are intuitive. The UI is optimized for the studio and for live performance. Up to 99 user presets can be stored.

the MPX550 offers high-end professional features and "Lexicon Sound" at an affordable price. Like its predecessors, the MPX 550 is a true stereo processor that includes 24-bit analog-to-digital and digital-to-analog conversion. It relies on the proprietary LexiChip engine to perform 24-bit internal processing. Its 255 carefully-crafted presets feature legendary Lexicon reverb, as well as dual programs that combine two independent effects in four routing configurations. Tempo can be set using audio input, a dual footswitch, the front panel Tap button, or an external MIDI device. A powerful editing tool called Learn Mode allows patching of up to five front panel controls. To this, the MPX 550 adds impressive features such as balanced analog inputs and outputs, a large front panel display, four Edit knobs for simple parameter adjustment, and an internal power supply.

In addition to the world-class effects provided by the popular MPX 200:

Compressor - Provide compression and limiting with ratios from 1:1 to 10:1.

Dynamics - It offers peak expansion, compression, and tape saturation effects, as well as metering options that provide precise visual indication of peak expansion, gain reduction, and input and output levels.

Live-FOH (Front of House) - Designed for live performances, with controls that are more convenient for live sound engineers to operate. All presets are Dual Mono to accommodate sound reinforcement systems used in most small to mid-size venues.

The 300 Series Digital Effects System offers some of the most flexible digital processing you've ever seen! We're talking 480 algorithms and Time Code Automation crammed in a 2U rackspace! Standard reverbs include the Random Hall, Random Ambience, Stereo Adjust (the mastering algorithm) and Rich Plate and Stereo Pitch Shift running in Single mode. Stereo Mode uses both DSP chips in tandem. Split Modes utilize each processor individually providing Stereo Cascade and Mono Split Modes. Loads of features and full MIDI automation!

• Programs: 64
• Effects: Reverbs, Delays, Pitch, etc
• Other: Dynamic MIDI, SMPTE event list, Real time control over all parameters without zipper noise, True stereo operation, Mix digital and analog inputs, digital format conversion, MUCH, MUCH MORE...
• Inputs: Two XLR balanced, AES/EBU, EIAJ/SPDIF, optical
• Outputs: Two XLR balanced, ...same as above...
• SMPTE input: XLR balanced
• Display: 2 x 20 LED, 2 x 9 segment in/out level, MIDI LED, sample freq. LED's

A world-class Lexicon reverb, 24-bit DSP processing, and a simple user interface - indispensable for anyone doing Pro Tools digital audio. Chamber, Plate, Inverse and Gate.

Now you can have that legendary "Lexicon Sound" within your Pro Tools mixing environment with LexiVerb! This amazing TDM plug-in combines world-class Lexicon reverb, 24-bit DSP processing, and a simple, yet powerful, user interface to create an indispensable tool for anyone doing Pro Tools digital audio. Four Lexicon algorithms: Chamber, Plate, Inverse and Gate, are available with 100 presets. This one is simply a MUST!

ATR-1 is the hardware version of the original Auto-Tune software (doesn't it usually work the other way around?), an amazing automatic, realtime pitch correcter.

Now, all the non-DAW people can have perfect pitch with the ATR-1! Operation is a snap. Just run any solo vocal or instrument track into the Auto-Tune and, presto, your signal is instantly and automatically corrected to the proper pitch. Better yet, all the expressive nuances of the original performance are maintained without distortion or unsightly artifacts. In addition to studio use, the Auto-Tune is also perfect for use in live situations! Imagine - no more embarrassing sour notes on stage!