This is a 2RU, dual channel device that condenses all commonly-used EQ functions into one unit, and adds a couple of new ones that are pure KT magic! In one device, you now have access to: a dual 31-band multi-mode graphic equaliser: a dual 12-band parametric equaliser: four configurable filters per channel: up to 1s of delay per channel: and two ‘T-DEQ’ filters, which simply redefine realtime dynamic control. Quite different from frequency-conscious compression, T-DEQ allows the user to dynamically control the amplitude of a given frequency when it reaches programmed upper and lower levels. This unique function has myriad uses, in all sound reinforcement applications. Like all DSP devices from KT, there is more than enough processing power to allow all functions to be active all the time, so you’ll never have to choose a less than ideal solution.

Full time metering is provided for inputs, outputs and T-DEQ functions, and overall the control surface is simple and intuitive to use. Below the main display is a dual touch strip which allows one-step access to various functions, obviating the need to use separate rotary encoders. Helix will also link to DN6000 to provide auto-EQ functions if required, and there is a special bonus for owners of Midas Heritage and Legend series consoles too: by using some simple connections, Helix will provide ‘auto-solo’ functions, so that the channel of Helix assigned to a given input or output will appear in the control surface of a local unit automatically.

This new device manages to cram no less than FOUR channels of Helix configurable EQ into just ONE RACKSPACE – imagine, four completely independent channels of every kind of EQ you’ll ever need, in one 19” space!

Now think about the expansion possibilities: six Slaves and one Master unit would take up just eight rackspaces yet offer twenty-six channels of totally configurable EQ. That could be a complete Midas Heritage 3000 24-way monitor setup plus two channels for sidefill, all of which can be automatically solo’d from the console!

The DN9344 Slave really is four complete Helix channels too, you don’t lose any functionality at all, and like the Master unit, there is more than enough processing power on board to run every function flat out all the time if that’s what you need. The front panel metering is exactly the same as the Master, plus controls to set comms channels and a ‘ME’ LED which shows at a glance which channel is currently being adjusted.

For fixed install purposes there is provision on the rear panel to allow selection of up to eight programs from an external contact closure, and we’ve even built in physical scribble strips on the front so you can annotate the channels as necessary for a given application.

Features include:

Typical applications:

Integrated side-chain and gain reduction metering allow for continuous dynamic activity monitoring.

Auto mode provides program dependant attack and release control

This new device fulfils many applications such as houses of worship, theme bars, boardrooms and clubs.

• 50 factory presets, 50 user programmable presets
• Build your own presets using your favorite building blocks
• Change programs, parameters, and bypass via MIDI controllers
• High resolution gain reduction metering
• Wide-ranging gain control allows for +4/-10 operation
• 8-step analog input and output metering
• Digital input and output meters measure internal digital processing levels
• Hybrid display technology. Combines the best of graphics, character and icon based displays (it looks real cool!)
• OverEasy with VariKnee (VariKnee is brand new and only available in the DDP)
• ALl the classic dbx trademark sounds in gating, compression, limiting, de-essing, and sidechain EQ
• Ultra-smooth Auto mode
• Ultra wide dynamic range 24-bit A/D and D/A converters with TSE Tape Saturation Emulation on board
• Type IV output available when equipped with digital output option
• XLR and 1/4" balanced inputs and outputs
• Optional AES/EBU or S/PDIF output for assured compatibility and flexibility

Features:
[line][*]96 kHz, 24 bit A/D, D/A, and Digital I/O on AES/EBU or S/PDIF
[*]48 bit internal signal path for increased head room and low level resolution
[*]Patented TYPE IV™ A/D Conversion
system with TSE™
[*]4 band stereo compressor-gate-limiter
[*]5 band EQ - Hi and Lo shelves, 3 band
fully parametric and MS EQ
[*]Normalizer - lets you control overall
signal dynamics
[*]Stereo adjust - control your stereo image
[*]Sync input/output using dbx's own
proprietary clock chips for extremely
low jitter sync
[*]Dither outputs to 16, 20, or 24 bits
[*]Sample rate conversion - Fill Up/Down
[*]Software updateable via Internet and MIDI and RS 232
[*]4 band crossover with variable slopes
[*]GUI Control[/list]

The dbx ProVocal helps vocalists create warm and rich vocal tones in the digital domain with crystal clear digital effects, while providing dynamics processing powers that can all be controlled via the sophisticated front panel.

• 24/96 resolution A/D, D/A converters
• 45 kHz bandwidth; high dynamic range
• Multi band stereo enhancement
• Mono, stereo, and inverse user-defined dithering
• Real time sample rate conversion that supports sample rates from 32kHz to 48 kHz. The Word Clock in, AES/EBU or SPDIF inputs may act as the master clock.
• ADAT port for direct analog to lightpipe stereo conversion.
• Word clock input (RCA)
• Ultra stable digital clock
• Two block insert points including parametric EQ, dynamic EQ, De-essing w/ variable Q, MS encode/decode, digital radiance generator, stereo adjust, and external device insert. Plus precise left & right balance in the input path.
• Able to insert digital equipment into an all digtal path so you can use your vintage gear into the Finalizer digital chain.
• Able to insert digital equipment into an all analog path so you can utilize another AES/SPDIF processor with the Finalizer's analog I/O.

The EQ section features three selectable operating ranges (±12 dB, ±6 dB and 0/-24 dB) and 31 high-quality illuminated 45-mm faders. The switchable TRUE CURVE function precisely translates fader positions into an exact “What-You-See-Is-What-You-Get” frequency response. In addition, the DEQ1024 features sweepable low cut and high cut filters, an “inaudible” Noise Gate/Peak Limiter and Pink Noise generator plus stereo imager that provides unbelievable spatial enhancement and improved stereo imaging.

A digital AES/EBU and S/PDIF interface gives you ample connection flexibility and lets you select between three sample rates (44.1, 48 and 96 kHz). The DEQ1024 features both servo balanced inputs and outputs with gold-plated XLR and ¼“ TRS connectors. The built-in switch-mode power supply can operate world-wide (100 - 240 V~), ensuring noise-free audio, superior transient response and lowest possible power consumption.

In short, you get top-notch performance, analog feel, ease of use and abundant connectivity options, all of which make the DEQ1024 an ideal tool for both live and studio applications

Additional sweepable high and low cut filters for each channel remove unwanted frequencies such as floor rumble and tape hiss. Level setting is no sweat thanks to the highly accurate 8-digit LED input/output metering and input gain control. Top-drawer components such as the ultra low-noise audio operational amplifiers, servo balanced inputs and outputs with 1/4" TRS and gold-plated XLR connectors and the relay-controlled hard-bypass with an auto-bypass function offer outstanding audio performance.

Expect reliability in the long run with the high-quality illuminated 45-mm faders, detent ALPS® potentiometers and illuminated switches. Any way you look at it, the FBQ6200 has all the right stuff to become a welcome addition to your touring rack

Start with its 3 analog inputs (one suitable as a digital stereo AES/EBU input) and 6 analog outputs. You get maximum flexibility in just one rack space. Superb high-end AKM® 24-bit/96 kHz A/D and D/A converters give you ultimate signal integrity and an extreme dynamic range of 113 dB. Easy connection of external digital signals with sampling rates from 32 to 96 kHz is a breeze with the integrated sample rate converter. There are precise dynamic EQs for level-dependent equalization and extremely musical parametric EQs, selectable for all inputs and outputs, and “Zero“-attack limiters on all output channels guarantee optimal signal and loudspeaker protection.

You also get four different mono and stereo output operating modes, all with individual crossover filter types (Butterworth, Bessel and Linkwitz-Riley) with selectable roll-off characteristics from 6 to 48 dB/octave. The delays for all inputs and outputs are adjustable. This allows you to manually or automatically correct for room temperature, phase and arrival time differences. An additional sum signal is easily derived from the A/B/C inputs.

Now that remote control is such a hot topic, you’ll be glad that the future-proof ULTRADRIVE PRO software enables single or multi remote control via PC through RS-232 and RS-485 interfaces. And the link option via RS-485 network interface enables cascading of several ULTRADRIVE PROs. A Windows®-based editing software is available for download free of charge. No matter what the future brings, its open architecture assures easy software updates. A PCMCIA slot allows you to store all your settings and recall them anytime you change the location—virtually taking your ULTRADRIVE PRO with you.

But don’t be fooled by the ULTRADRIVE PRO’s sleek design. Its high-power 32-bit SHARC®-DSP and ultra-high resolution CRYSTAL®/AKM® A/D & D/A converter provide outstanding audio performance—and the servo-balanced, gold-plated XLR connectors for all inputs and outputs guarantee excellent connectivity for the years to come.

24 bit A/D - D/A conversion
32, 44.1, 48, 88.2 or 96kHz In/Out sample rate
Multi band 'Bootstrap' compression