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YOUR LIVE MICROPHONE

Wireless
technology at its best
WE
SPECIALIZE IN WIRELESS SYSTEMS FOR CHURCHES AND LIVE SOUND
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1-877-477-6432 to get a quote on the system you need
E2
Sound Isolating Earphones
High energy speakers for full range sound.
Specifications:
Transducer
Type: dynamic high energy
Sensitivity (at 1 kHz): 105 dB SPL/mW
Impedance (at 1 kHz) 16 ohms
Output Connector: Gold-plated stereo, 3.5 mm (1/8-inch) phone
plug
Cable Length: 1.57 m (62 in.)

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E3
Sound Isolating Earphones with Extended Frequency
Response
High energy micro-speakers with extended frequency
response, for studio quality sound. Specifications:
Transducer
Type: single low mass/high energy
Sensitivity (at 1 kHz): 115 dB SPL/mW
Impedance (at 1 kHz) 26 ohms
Output Connector: Gold-plated stereo, 3.5 mm (1/8-inch) phone
plug
Cable Length: 1.57 m (62 in.)

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E5
Sound Isolating Earphones
In Ear, dual high energy micro-speakers with
wide-frequency stereo sound, great accuracy and isolation from
outside noise. Specifications:
Transducer
Type: dual low mass/high energy
Sensitivity (at 1 kHz): 122 dB SPL/mW
Impedance (at 1 kHz) 110 ohms
Output Connector: Gold-plated stereo, 3.5 mm (1/8-inch) phone
plug
Cable Length: 1.55 m (61 in.)

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| SLX
SYSTEMS |
SLXTM
Wireless Systems feature a wide variety of industry-standard
handheld vocal microphones. Options include the Beta 87A or
C, Beta 58A®, SM86, and the legendary SM58®.
SLX Wireless Systems feature Shure's patented Audio Reference
Companding for crystal-clear sound beyond the limits of conventional
wireless technology.
Automatic
Transmitter Setup
Backlit LCD with timeout feature
Frequency and power lockout
3-segment battery fuel gauge
2 AA batteries (included) provide 8 hours of continuous use
518 - 782 MHz operating range |
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| SLX4 |
The
SLX4 receiver brings unprecedented ease of use to wireless with
Automatic Frequency Selection and Automatic Transmitter Setup.
With included rack hardware and detachable antennas, it is ready
for immediate installation right out of the box.
SLX Wireless Systems feature Shure's patented Audio Reference
Companding for crystal-clear sound beyond the limits of conventional
wireless technology. Automatic
Frequency Selection
Automatic Transmitter Setup
960 Selectable frequencies across 24 MHz bandwidth
Detachable 1/4 wave antennas
Microprocessor-controlled diversity
RF presence LED
5-segment audio meter
Multi-function, backlit LCD
Low battery indicator
Frequency and power lockout
Rugged metal chassis
Volume control on rear of unit
1/2 rack design
Furnished rack hardware
Non-slip bumpers for use out of rack
XLR and 1/4" outputs |
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| WH30 |
The
Shure Model WH30 is a light yet rugged headset microphone. Designed
for vocalists and instrument-playing vocalists, the WH30 utilizes
a high quality electret-condenser cartridge suitable for all
applications where mobility, comfort, low microphone-visibility,
and high sound quality are required. Because of its cardioid
(unidirectional) pickup pattern, the WH30 provides isolation
from extraneous sound sources and high gain-before-feedback.
The
wireframe and gooseneck adjust to any head size and shape.
An integrated elastic CROAKIES®. headband comfortably
pads and secures the headset. The WH30 is supplied with two
snap-on windscreens, clothing clip, storage bag and cable-management
device.
The
WH30 headset microphone is a perfect fit for those who desire
total freedom of movement and need the high-quality audio
of a condenser microphone.
FEATURES
Tailored
frequency response enhances vocal range
Flexible gooseneck for optimum microphone placement
Isolation shock mount reduces vibration noise
Low-profile, lightweight design
Cardioid polar pattern provides maximum gain before feedback
High sound pressure level capability
Secure snap-on windscreen reduces "p" pops
The WH30 headworn microphone is available in a wired version,
as well as with The Vocal Artist HeadsetTM, The Vocal Artist
HeadsetTM UHF, LX Series, ULX Series, UC Series, and UHF Series
Wireless Microphone Systems. |
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| WB98H/C |
The
Shure Beta 98H/C (also available as the WB98H/C for use with
wireless systems) is a premium cardioid condenser instrumental
microphone that clamps onto the bell of wind instruments or
onto the rim of percussion instruments. The integrated gooseneck
and ratcheting swivel joint allows the microphone to be easily
positioned and secured in place, and an isolation shock-mount
reduces the transmission of instrument “key noise”
and other mechanical noise. A gooseneck angle brace is included
to provide better retention of the microphone placement during
more active performances. |
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| WL183
LAVALIER |
Models
WL183, WL184 and WL185 are lavalier electret condenser microphones
designed for use with a wireless body-pack transmitter. Each
microphone has a 1.2 meter (4 ft.) cable terminated with a miniature
4-pin mini connector. The furnished tie clip can be rotated
in 90 degree intervals for placement flexibility. WL183
(Omnidirectional): Recommended for general purpose sound reinforcement,
recording, or remote monitoring applications. Low handling
noise. Pickup angle is 360 degrees.
WL184
(Supercardioid): Recommended for sound reinforcement applications
requiring high rejection of ambient noise and narrow pickup
angle. Use of windscreen highly recommended. Pickup angle
is 115 degrees.
WL185
(Cardioid): Recommended for general purpose sound reinforcement
applications requiring good rejection of ambient noise. Use
of windscreen highly recommended. Pickup angle is 130 degrees.
|
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| MX692 |
The
MX692/C Wireless Boundary Microphone is the solution for superior
Shure sound and performance, providing modern audio/video operators
with a sophisticated way to address permanent installation issues.
The
frequency-agile cardioid MX692/C features over a hundred selectable
channels, and a customizable touch-sensitive logic switch.
The clean sound and low profile of Shure's Microflex MX393/C
boundary microphone combines with the flexibility of the UC1
wireless transmitter for freedom of placement, easy setup
and storage, and logic control (requires UC4 wireless receiver).
With
no holes to drill, the cable-free MX692/C will seamlessly
integrate into modern installations for maximum freedom of
placement.
Check
out our Modifying UC4 for use with an Echo Canceller/Mixer
PDF (25KB).
Features:
Integrated
functionality of Microflex boundary microphone and UC Series
wireless transmitter
Frequency agile transmitter offers over 100 user selectable
channels for UA and UB frequency bands; run up to 32 systems
simultaneously
User programmable touch-sensitive switch and status LED
9V battery-powered with 3-stage battery life LED indicator
Thread mount cartridge connection for easy field replacement
Internal antenna
Requires Shure UC4 receiver (sold separately) |
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| SM57
VIP |
The
2004 SM57 VIP Dual Microphone Kit is a complete package of microphones
and mounting hardware for use in high-profile public speaking
applications. The included hardware allows for two SM57 microphones
to be mounted horizontally or vertically on a lectern or microphone
stand. To
purchase this special limited SM57 VIP Kit, please call Shure's
Service Department toll free at 800-516-2525 or at 847-600-8699,
or contact via email at service@shure.com.
The
SM57 VIP kit includes:
2
- SM57 unidirectional dynamic microphones
1 - custom horizontal dual microphone holder with shock mounts
1 - A26M vertical dual microphone holder
2 - A26X 3-inch black extension tubes
2 - A2WS foam windscreens
2 - A81WS foam windscreens
1 - A13HDB black mounting flange
2 - 10-foot microphone cables with black right-angle XLR connector
|
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| M367MIXER |
The
Shure Model M367 is a six-input, portable microphone mixer/remote
amplifier specifically designed for professional applications
in electronic news gathering (ENG), electronic field production
(EFP) and general audio mixing. Exceptional low-noise design
makes the M367 ideal for use with digital transmission links
and digital video/audio recording media, including ISDN and
DAT. Compact and rugged, the M367 is built to withstand the
most demanding field production conditions. In addition, its
excellent performance, versatility and features make it an ideal
choice for studio, remote, or sound reinforcement use, and as
an add-on mixer for expanding existing facilities. Each
M367 handles up to six microphones or line-level signals.
Any high-quality, low-impedance, balanced microphone using
a dynamic or condenser* transducer (including wireless and
shotgun types) can be used. Additional M367 or other Shure
mixers can be linked using the rear-panel mix bus jacks.
*Self-powered or operable on 12 or 48 Vdc phantom power.
Six
balanced mic/line inputs
Two XLR outputs
Adjustable limiter threshold
Power On, input clipping and output peak/limiter LEDs
12- and 48-volt phantom power
1 kHz tone oscillator switch (mutes all inputs, level control
on master)
Mic/line switches on each input and output
Low-cut filter switches
Headphone monitor circuit
Two position Mix Bus
VU metering
Easy-access side battery compartment, with battery check function
Power via battery two standard 9-volt alkaline or 120/230V
ac (detachable power cord supplied)
Rack mountable with available A367R accessory |
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| FP23 |
The
FP23 preamplifier is a compact and rugged tool for use in today's
high definition broadcast world. Featuring resilient mechanical
and electrical construction from high quality components, the
FP23 is ideal for use in any critical location or broadcast
environment. Applications include radio, television, and film,
as well as sports programming and other production capacities.
The
FP23 is extremely durable, easy to use, and exceptionally
quiet. The versatility of battery power and the availability
of phantom power make the FP23 a necessity for any broadcast
professional.
Key
Features:
Phantom
Power: Selectable 12v or 48v power for condenser microphones
Selectable low frequency roll-off attenuates unwanted ambient
noise
High immunity to RF Interference due to transformer isolation,
RF filtering, and an all- metal chassis
Battery Operation: 2 AA alkaline batteries provide over 24
hours of operation (phantom power off)
LED Low Battery Indicator: Activates when four hours of operation
remain
Innovative battery compartment provides improved weather resistance
and easier access for faster battery replacement
Extended Range Peak Limiter: Incorporates dual opto-isolators
that make the unit virtually "clip-proof."
Up to 66 dB of gain, adjustable in eleven discrete steps for
accurate, repeatable gain settings
Premium quality input and output transformers that provide
superior sonic quality and freedom from interference |
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| FP42 |
With
full stereo capability, the FP42 is perfect for mixdown in video
editing suites. Four XLR transformer-balanced mic/line inputs
and two outputs (one for each stereo channel). Pull-pot cueing
on all inputs provides channel previewing. Low-cut filters,
mono-stereo switch, mix bus linking, headphone amplifier, tone
oscillator, switchable limiter, phantom power and dual VU meters.
Rack-mountable with A16R. Three standard 9-volt alkaline batteries
or 120/240 Vac power |
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| psm
200 |
psm
200 personal monitor systems Get
In Ear from here
Whether
you're playing live or rehearsing, you need to hear yourself
to be your best. That's what monitoring is all about. Yet
some performers still struggle with booming floor wedge monitors
and loud stage volume. Introducing the PSM 200 - the personal
monitoring break through that performers have been waiting
for. Featuring smart, versatile components that grow with
you as your needs change, the PSM 200 series is a practical
alternative to floor wedges for performers who want to start
out In Ear and stay there.
|
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| psm
400 |
psm
400 personal monitor systems Versatile
Systems for Working Musicians
PSM
400 Wireless and Wired systems make professional quality personal
monitoring available to more performers than ever before.
Each system includes everything a working musician or band
needs to receive consistent personal monitor mixes.
Designed
for performers who are tired of the limits of floor wedges,
the PSM 400 offers hands-on control and freedom to musicians
who have a limited budget for gear. With a wide range of available
options - from complete Wireless and Wired systems to individual
components - there is a PSM 400 that is right, rehearsal through
performance, for almost everyone who performs live music.
|
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| psm
600 |
psm
600 personal monitor systems Wired
and wireless personal monitoring for professional installations
and touring sound
Shure's
first entry into personal monitoring, the PSM 600 continues
to be recognized as the industry standard for full-featured
wired and wireless In-Ear systems. Rugged and reliable, they
deliver superb sound for all professional broadcast, recording,
touring and installed sound applications.
The
PSM 600 features crystal-controlled analog operation for superior
sound quality. It delivers a full frequency range and great
stereo separation. Even the deepest bass notes come through
loud and clear.
|
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| psm
700 |
psm
700 personal monitor systems Unsurpassed
wireless monitoring solutions for professional installations
and touring sound
The
PSM 700 series offers advanced controls and features that
make it easy to quickly locate and lock in the clearest frequency,
prevent distortion and minimize the number of antennas required
to send mixes. All systems and wireless bodypack receivers
are available with E5 Dual-Driver or E1 Single-Driver Earphones.
|
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| ULX
Standard |
The
Shure ULX® Standard receiver offers an
exceptional value in both performance and price, for both working
musicians and sound installers. The feature set of the versatile
ULXS4 receiver offers a direct path to full, clear audio signals,
unencumbered and unattached. Power
On Indicator
"RF" Diversity Signal Indicators
Transmitted (TX) Audio Indicators
Receiving Antenna Indicator
Group/Channel Displays
Transmitter Battery Life Indicator
MODE Button for Menu Display
SET Button for Saving Settings
Mic/Line level Switch
XLR and 1/4" outputs with level control
PS40, PS40E, PS40J or PS40UK in-line power supply with locking
DC connector
Space-saving 1/2 rack design
|
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| ULX
Professional |
The
Shure ULX® Professional wireless receiver
offers an exceptional value in both performance and price, for
both working musicians and sound installers. The expanded feature
set of the ULXP4 wireless receiver, with advanced settings and
controls including lockable settings and group scan, offers
a direct path to full, clear audio signals. Power
On Indicator
Receiving Antenna Indicators
SQUELCH Indicator
SCAN Indicator for Scanning Open Group and/or Channel Frequencies
Transmitted (TX) Audio Indicators
Group/Channel/Frequency Displays
TV Channel Display
Frequency and Volume Locks
"RF" Level Indicators
Transmitter Battery Life Indicator
MODE Button for Menu Display
SET Button for Saving Settings
Display Control Knob
Level Control
Mic/Line level Switch
XLR and 1/4" outputs with level control
PS40, PS40E, PS40J or PS40UK in-line power supply with locking
DC connector
Space-saving 1/2 rack design
Single or dual rack mounting hardware included
The Shure ULX® Professional wireless receiver
offers an exceptional value in both performance and price,
for both working musicians and sound installers. The expanded
feature set of the ULXP4 wireless receiver, with advanced
settings and controls including lockable settings and group
scan, offers a direct path to full, clear audio signals.
ULXP4 and ULXP4D Wireless Diversity Receiver
ULXP4 single receiver
ULXP4D two receivers
Automatic Frequency Selection with group scan function
Over 1400 selectable frequencies
Predictive Diversity
5-segment transmitted audio signal strength meter
5-segment RF meter
3-segment transmitter battery fuel gauge
Advanced multi-function LCD displays group and channel
Mic/Line switch
Remotable 1/2-wave antenna
Frequency and volume lockout
XLR and 1/4-inch output
Rugged metal chassis
1/2 rack design
|
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|
Beta 87C |
Note:
Beta 87C Microphone Only Available in ULX Professional
Wireless Systems 8-9
Hour Battery Life
Power On/Off Switch
Power/Battery LED-Green When ON, Red When Battery Low
Three-segment Battery Power Icon
PEAK Icon-Appears When Audio Signal Overloads
Group/Channel Displays
MODE Button for Menu Display
SET Button for Saving Settings
Adjustable Audio Gain Control
Input Attenuation Switch-Select 0dB for Voice/Low Output;
20dB for High Output
4-pin Mini Connector
Battery Cover Unscrews to Expose Battery and Gain Control
9V Battery Included
|
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| Beta
87C |
Beta
87C Microphone Only Available in ULX Professional Wireless
Systems 8-9
Hour Battery Life
Power On/Off Switch
Power/Battery LED-Green When ON, Red When Battery Low
Three-segment Battery Power Icon
PEAK Icon-Appears When Audio Signal Overloads
Group/Channel Displays
MODE Button for Menu Display
SET Button for Saving Settings
Adjustable Audio Gain Control
Input Attenuation Switch-Select 0dB for Voice/Low Output;
20dB for High Output
4-pin Mini Connector
Battery Cover Unscrews to Expose Battery and Gain Control
9V Battery Included |
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| SM87 |
The
Shure SM87 now features a new design and has
been renamed the SM87A. In response to user requests, Shure
has redesigned this microphone by just slightly thickening the
handle for a more comfortable feel. In addition, the SM87A now
includes the A25D break-resistant swivel adapter. A
favorite choice of the world's top entertainers, the SM87A
condenser microphone features a smooth frequency response
that's specifically tailored for warm, rich, vocal reproduction.
Tight polar pattern for high gain-before-feedback and rejection
of unwanted sounds
Effective three-point shock mount minimizes stand and handling
noise
Phantom power operation
Supercardioid condenser
Supplied with break-resistant swivel adapter
Frequency response: 50 to 18,000 Hz
|
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| SM81 |
The
Shure Model SM81 is a high-quality, unidirectional
condenser microphone designed for studio recording, broadcasting,
and sound reinforcement. Its wide frequency response, low noise
characteristics, and low RF susceptibility have made it a standard
for applications involving acoustic instruments, especially
guitar, piano, and cymbals. The
SM81 is ruggedly constructed. It operates on phantom power
and performs over a wide range of temperatures and humidity
conditions. It is furnished with a swivel adapter, attenuator-switch
lock, foam windscreen, and case for carrying and storage.
Other accessories are available.
20
Hz to 20 kHz frequency response
Flat response curve for accurate reproduction of sound sources
Low noise and high output clipping level
Low distortion over a wide range of load impedances
Cardioid polar pattern, uniform with frequency and symmetric
about axis, providing maximum rejection and minimum coloration
of off-axis sounds
Low RF susceptibility
Selectable low-frequency response: flat, 6 or 18 dB/octave
rolloff
0 dB/10 dB lockable attenuator switch
Phantom powering (DIN 45 596 voltages of 12 to 48 Vdc)
Rugged steel construction for durability
Field-usable over wide range of temperature and humidity conditions
|
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| SM58 |
The
Shure SM58® is a unidirectional (cardioid)
dynamic vocal microphone designed for professional vocal use
in live performance, sound reinforcement, and studio recording.
A highly effective, built-in, spherical filter minimizes wind
and breath "pop" noise. A cardioid pickup pattern
isolates the main sound source while minimizing unwanted background
noise. The SM58 has a tailored vocal response for a sound which
is a world standard. Rugged construction, a proven shock mount
system, and a steel mesh grille ensure that even with rough
handling, the SM58 will perform consistently. Outdoors or indoors,
singing, speech - the SM58 is the overwhelming choice of professionals.
|
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| SM57 |
The
Shure SM57 unidirectional dynamic microphone
is exceptional for musical instrument pickup or for vocals.
With its bright, clean sound and carefully contoured presence
rise, the SM57 is ideal for live sound reinforcement and recording.
It has an extremely effective cardioid pickup pattern which
isolates the main sound source while minimizing background noise.
In the studio, it is excellent for recording drums, guitar,
and woodwinds. For musical instruments or vocals, the SM57 is
a consistent choice of professional performers. It is also the
standard microphone used on the podium of the U.S. President
for over 30 years. Its outstanding performance, legendary reliability,
and diversity of application make this "workhorse"
the choice of performers, producers, and sound engineers the
world over. |
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|
PGDMK6 |
The
PGDMK6 drum mic kit includes three PG56 snare/tom microphones,
one PG52 kick drum microphone, two PG81 instrument microphones,
three A50D drum mounts, six 15ft. (4.5m) XLR-XLR cables and
a durable carrying case. The
PG56 is a compact drum microphone for close miking.
The PG52 is a high-performance microphone tuned to capture
low-end punch.
The PG81 is a sensitive, flat response microphone ideal for
overhead and cymbal miking.
The A50D drum mount can be used on most standard drum rims.
The flexible, yet sturdy rubber construction provides stability
and ease of installation. |
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|
PGDMK4 |
The
PGDMK4 drum mic kit includes three PG56 snare/tom
microphones, one PG52 kick drum microphone, three A50D drum
mounts, four 15ft. (4.5m) XLR-XLR cables and a durable carrying
case.
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PT7 |
PT7 Key Features:
Internal power supply
1/2 rack space
Remotable/combinable antennas
Operating Controls:
Input level knob
Operating mode (Stereo, Mono, MixMode)
Earphone volume knob
Channel selector
Group select swith
LED Indicators:
8-segment input level
Frequency group
Inputs:
(2) line-level XLR-1/4" TRS combos
Outputs:
(2) 1/4" TRS loop outs
Local earphone monitor
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