Your Sound Source.com and Muzeek World now United. Much Bigger discounts, and outstanding service- Now serving the Nation with the right gear at the right price-

CHOOSE YOUR LIVE MICROPHONE

The following Crown microphones are recommended for houses of worship. Click to open PDF file

CM-200A Handheld cardioid microphone for readers, vocalists, and instruments.
PCC-160 Extra-rugged surface-mount supercardioid microphone for altar tables, drama.
PCC-170 Stylish surface-mount supercardioid microphone for altar tables.
CM30 Hanging microphone for choir or bapistry. Microphone electronics at the end of the cable mount in electrical box.
CM31 Hanging microphone for choir or baptistry. Microphone electronics are in an XLR connector at the end of the cable.
CM-700 Stand-mounted cardioid condenser microphone with flat response, for lectern and instrument miking.
SASS-P MK II Stereo PZM microphone for recording the audience or choir.
LM-300A Slim, elegant supercardioid gooseneck microphone for the pulpit, with XLR connector.
LM-301A Slim, elegant supercardioid gooseneck microphone for the pulpit, screws onto an Atlas flange.
LM-201 Pulpit microphone with a rugged ball-and-socket swivel. Microphone capsule is shock-mounted to reduce thumps.

CM-700	CM-700 Cardioid condenser microphone with flat response for professional recording and sound reinforcement.
CM-700MP	CM-700MP Matched pair of CM-700 microphones for stereo recording. CM-SM Shock Mounts and CM-SB Stereo Bar not included
CM-200A	CM-200A Handheld cardioid condenser microphone for stage vocals, instruments. Smooth, articulate sound. CM-200ASW Same as the CM-200A but with an on-off switch.
CM-310A	CM-310A Handheld vocal microphone with extremely high gain-before-feedback and isolation. CM-310ASW Same as the CM-310A with an on-off switch.
CM-312A	CM-312A Lightweight headworn hypercardioid microphone with smooth, articulate sound. For situations where gain-before-feedback is less critical. XLR connector on battery/phantom belt pack. CM-312AE is unterminated for use with a wireless microphone transmitter of your choice.
SASS®-P MK II stereo PZM	the SASS®-P MK II stereo PZM microphone represents the pinnacle of the PZM technology at Crown. With its carefully controlled polar patterns and accurate human-ear spacing between its capsules, it produces a well-focused, natural stereo image without a "hole in the middle." The microphone is ideal for recording classical music ensembles, pipe organ, ambience, and audience reaction in stereo. It also works beautifully for miking a drum set overhead. The SASS-P MK II features a wide frequency response, ease of use, and low pickup of mechnical noise and wind noise. Included with the SASS-P MK II is a sturdy foam-lined carrying case, hand grip, mic-stand thread adapter, and windscreen. The SASS-P MK II HC is a lower cost model that omits the carrying case and accessories. It is ideal for schools, providing easy stereo recording of school bands, choirs, orchestras and soloists.
PZM-30D	PZM-30D In the PZM-30D, a switchable dual-frequency response provides a "rising" position that adds brilliance and articulation, while the "flat" position maintains a smooth and natural high-frequency response. The built-in XLR connector accepts a rugged cable. Phantom powered. PZM-6D A smaller plate makes the PZM-6D more inconspicuous than the PZM-30D, while performance is the same. Ideal for mounting on clear panels overhead or on a piano lid. The microphone offers switchable dual-frequency "rising" or "flat" response. Miniaturized electronics found in the PZM-6D's XLR-type connector housing are attached to the mic via a 12-foot mini cable. PZM-185 Budget model ideal for applications such as conferences, group discussions, interviews, broadcast, home video production, lectures, and recordings. XLR connector on 8-foot mini cable, battery or phantom powered.
PZM-10	PZM-10 A low-profile microphone featuring a cylindrical design for ceiling, wall or tabletop installations. Intelligibility is excellent, with low frequencies below the voice range rolled off to reduce the pickup of HVAC rumble. XLR connector, phantom powered.
PZM-30D	PZMs FOR MUSIC AND SPEECH RECORDING PZM-30D In the PZM-30D, a switchable dual-frequency response provides a "rising" position that adds brilliance and articulation, while the "flat" position maintains a smooth and natural high-frequency response. The built-in XLR connector accepts a rugged cable. Phantom powered. PZM-6D A smaller plate makes the PZM-6D more inconspicuous than the PZM-30D, while performance is the same. Ideal for mounting on clear panels overhead or on a piano lid. The microphone offers switchable dual-frequency "rising" or "flat" response. Miniaturized electronics found in the PZM-6D's XLR-type connector housing are attached to the mic via a 12-foot mini cable.
PCC-130/130WP	PCC-130/130W/130SPP/130WSPP The PCC-130 features exceptional performance and small size. When the situation demands that a mic be heard but not seen, the PCC-130 is an obvious choice. Its cardioid pattern reduces background noise, reverb, and feedback. The PCC-130 is also available in white as the PCC-130W. A base-mounted, 1/4-inch stereo phone plug version is also available as the PCC-130SPP, and in white as the PCC-130WSPP.
PCC-170SWO The PCC-170SWO	PCC-170SWO The PCC-170SWO includes all the features of the PCC-170SW, and adds remote sensing via a patented opto-coupled MOS switching circuit. A pair of extra leads in the microphone cable allows remote sensing of the switch closure.
PCC-160/160W	PCC-160/160W The PCC-160 has long been recognized as the industry-standard stage-floor microphone. White version (PCC-160W) also available.
LM-300A	LM-300A Supercardioid condenser gooseneck microphone. XLR connector. LM-300AL is the same but with a longer gooseneck. LM-301A Supercardioid condenser gooseneck microphone. Screws onto an Atlas flange. Separate electronics module with an XLR connector.
LM-201	LM-201 Supercardioid condenser lectern microphone with rugged ball-and-socket swivel mount. Separate electronics module. Shock-mounted microphone capsule reduces thump noises. NOTE: The LM-201L long-arm version has been obsoleted.

The following Crown microphones are recommended for live-sound applications.

CM-200A Handheld cardioid microphone for vocals and instruments. Smooth, articulate sound.
CM-310A Handheld Differoid (noise-canceling cardioid) microphone for vocals. Extremely high gain-before-feedback and isolation.
CM-311A Headworn Differoid (noise-canceling cardioid) microphone for vocals. Extremely high gain-before-feedback and isolation. Phantom/battery belt pack with XLR output connector.
CM-311AE Like the CM-311A but with a pigtail output for connecting to a wireless transmitter of your choice.
CM-312A Lightweight headworn hypercardioid microphone for vocals. Good gain-before-feedback and isolation. Phantom/battery belt pack with XLR output connector. Microphone is to the side of the mouth.
CM-312AE Like the CM-312A but with a pigtail output for connecting to a wireless transmitter of your choice.
CM-700 Studio-quality cardioid condenser microphone with flat response, for instruments or choir.
GLM-100 Miniature omnidirectional clip-on microphone for acoustic guitar, drums, flute, etc.
GLM-200 Miniature hypercardioid clip-on microphone for flute, drums, etc.
PZM-6D Inconspicuous Pressure Zone Microphone for piano lid, other boundary miking.
PZM-30D Rugged Pressure Zone Microphone for piano lid, other boundary miking.
SASS-P MK II Stereo PZM microphone for overhead drums, audience reaction.

The following Crown microphones are recommended for recording applications.

CM-200A Stand-mounted cardioid microphone for vocals and instruments. Smooth, articulate sound.
CM-700 Flat-response cardioid condenser microphone for instruments, lead vocal, or choir.
CM-700MP Matched pair of CM-700 microphones for stereo recording.
CM-700MPS Complete kit containing a matched pair of CM-700 microphones for stereo recording, CM-SB Stereo Bar, two CM-SM Shock Mounts, two windscreens, and a stereo miking template. Available on special order from Crown.
GLM-100 Miniature omnidirectional clip-on microphone for acoustic guitar, drums, flute, etc.
GLM-200 Miniature hypercardioid clip-on microphone for flute, drums, etc.
PZM-6D Inconspicuous Pressure Zone Microphone for piano lid, other boundary miking.
PZM-30D Rugged Pressure Zone Microphone for piano lid, other boundary miking.
SASS-P MK II Stereo PZM mic for overhead drums, stereo miking

HOT AUDIO & VIDEO DEALS EVERY DAY