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YOUR LIVE MICROPHONE
EMOTION / TRIPOWER Series: New Vocal Microphones
for Outstanding Performance.
The ergonomic, triangulated bodies of the EMOTION / TRI-POWER Series
microphones are not only esthetically pleasing, they also ensure
optimum handling on stage. These mics combine fabulous sound, versatility,
and ruggedness. With these features plus the new modular design
and convertibility, the EMOTION / TRI-POWER Series covers every
conceivable application. No other microphone has ever been so flexible
and easy to adjust to specific applications. The proven Emotion
Series D 880 and C 900 have also been changed to the new modular
design so they, too can be used in wireless or hardwire modes. The
choice is yours.
EMOTION/TRIPOWER
D 3700M: tailor-made mobility.
No matter if you use it with a cable or with the TM 40 transmitter
module, the D 3700M gets every nuance of your vocal performance
across. The new, patented Varimotion diaphragm delivers a crisp,
powerful sound, while the redesigned cardioid polar pattern ensures
even easier handling and higher gain before feedback. The modular
design allows you to use the D 3700M in hardwire or wireless configurations.
This gives you the kind of multiple-application flexibility you
expect from an EMOTION / TRI-POWER microphone. The hardwire D 3700M
is also available in a version with on/off switch.
D 3800M: the best vocal microphone
ever!
If you are looking for a dynamic microphone with a no-compromise
vocal sound, then the D 3800M is for you. The Varimotion diaphragm
is the first variable-thickness diaphragm ever made. The D 3800M
audibly demonstrates the unique benefits of this design. The new
supercardioid polar pattern provides improved gain before feedback
for superior performance on stage. The hardwire D 3800M is also
available in a version with on/off switch.
C 5900M: get the best of both worlds.
The C 5900M combines the best qualities of studio and performance
microphones. A supercardioid polar pattern; ergonomic, triangulated
body; and spring-steel mesh grill make this microphone extremely
stage-worthy. An integrated, miniature spider-type shock mount minimizes
handling noise. Bass rolloff and +6 dB gain switches afford the
kind of flexibility typical of studio condenser microphones.
C 900M: live vocals start here.
Dreaming of a modular condenser performance microphone at an affordable
price? The C 900M makes your dream come true. With a gold-sputtered
capsule, modular design for wireless or hardwire use, and the supplied
snap-on Presence Boost Adapter, the C 900M is not only a highly
flexible performance tool, it also delivers a no-compromise vocal
sound.
D 880M: a standard improved.
Although the D 880M is an entry-level model, it provides most of
the distinguishing features of the new EMOTION / TRI-POWER Series,
including the modular design for hardwire or wireless use, Varimotion
diaphragm, gold plated contacts on the XLR connector module, dual-membrane
shock mount, and spring-steel mesh grill. Unique quality at a uniquely
affordable price
| C418
|
The
small but powerful C418 drum mic conveniently
clips on to almost any drum, allowing trouble-free placement.
Its miniature boom arm ensures that even the most awkward drum
can be easily miked. |
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|
C419 |
the
C419 enables you to record music with ease
and flexibility like never before. Its hypercardioid condenser
element provides a smooth frequency response with high gain
before feedback. •
Standard XLR connector |
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|
D112 |
the
D112 bass mic. It has a special presence peak
that makes your low-frequency instrument clear and distinguishable
in almost any mix.
• Ideal cardioid mic for kick drum, bass guitar cabinets,
low-pitched brass and other low frequency sources. Bass response
is clean and powerful due to large diaphragm technology
• Frequency response (20-17,000 Hz)
• Finest reasonably priced bass drum mic available.
Low-Z
• Solid bass response below 100 Hz
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|
D409 |
The
D 409's neutral sound with little proximity
effect and a slight presence rise will make your instrument
cut through the loudest mix on stage. This dynamic clip-on microphone
has a powerful sound, and is perfect for wind instruments, drums
and percussion instruments. Its smooth frequency response ensures
uncolored audio. Frequency
range: 100 Hz to 17kHz
Polar Pattern: Hyper-cardioid
Sensitivity at 1 kHz: 1 mV/Pa
Impedance: 600 ohms
Max. SPL for 1% THD: 124 dB |
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| CS
2 DU Delegate Station/CS 2 CU Chair Station |
CS
2 DU Delegate Station/CS 2 CU Chair Station
Description:
AKG Conference Systems are fully modular and therefore highly
flexible, allowing users to create a custom system for any
conference application. From microphone capsules to power
supplies, designers will find exactly the right components
for every type of conference system. AKG Conference Systems
use standard single-cable wiring for quick and easy setup
and takedown of mobile systems. In addition, single-cable
wiring will save time and money in fixed installations, too.
Control options include analog control by the Base Station
(CS 2). CS 2 DU Delegate Station/CS 2 CU Chair Station The
CS 2 is the ideal solution for venues where a sound engineer
is not available for every discussion, such as meeting rooms,
town halls, etc. The central Base Station controls microphone
channels and a priority button allows one or more chairpersons
to call the meeting to order. Two types of Microphone Stations
are available, the Chair Station with a priority button (any
number of Chair Stations can be used in a system) and the
Delegate Station. Each Microphone Station is available in
a desktop version for mobile use or with an installation frame
for permanent flush mounting in a tabletop. Providing two
loudspeakers, two headphones outputs, and a “Voice Zoom”
function, each version can be used by two persons. Bottom
panel dip switches and pots on each Microphone Station allow
many functions to be adjusted individually. - Voice Activation
threshold - Voice Activation hold time - Microphone automute
after user stops talking - Enable/disable NOM limitation -
Voice Activation ON/OFF - Priority level - “Voice Zoom”
ON/OFF - Loudspeaker/headphones level reset or last setting
- Adjustable compression The CS 2 uses the famous Discreet
Acoustics microphone capsules that connect to the Microphone
Stations via a GN 30 CS (approx. 12 in./30 cm) or GN 50 CS
(approx. 20 in./50 cm) gooseneck. A rugged, threaded TRS mini
jack with gold plated contacts ensures a firm, wobble-free
mechanical joint and excellent electrical contact. Five different
ready-to-use cables in standard lengths between 4 ft. (1.25
m) and 66 ft. (20 m) are available for connecting the individual
Microphone Stations together. This does not only save time
but increases the reliability of the system. A range of optional
accessories will solve any installation problem. With its
wide variety of options, the CS 2 is more flexible than many
“fully digital” systems. Plus, the AKG brand name
stands for excellent sound. Feature Highlights - Quick setup
and takedown even of large systems - No training required
- Superior audio quality - Voice activation or manual PTT
control |
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| CS
2 Base Station |
CS
2 Base Station
Description:
The Base Station controls up to 200 Microphone Stations and
takes up only 1U of rack space. Base Stations can be “daisy-chained“
to add as many Microphone Stations to the system as required
- there is virtually no limit. Depending on the size of the
system, the Base Station requires an appropriate power supply,
either a CS PS 20 for up to 40 talkers, two CS PS 20s for
up to 80 talkers, or one CS PS 100 for up to 200 talkers.
The CS PS 100 with its higher power rating uses a 1 U rack
mount case. The Base Station provides all the inputs and outputs
usually needed for a conference system, plus some more including
an effects insert, headphones jacks, etc. The CS 2 Base Station
provides automatic NOM (Number of Open Microphones) attenuation.
System gain will decrease by approx. 2 dB every time the number
of open microphone doubles, even if the microphones are connected
to different units in a multiple Base Station setup. The result
is a substantially lower risk of feedback even if the number
of open microphones varies constantly. A selectable Voice
Activation function turns the microphones on automatically
as soon as they are talked into. The NOM Limitation function
allows the number of simultaneously open microphones to be
limited to one, two, three, four, or five. This function can
be locally disabled on each Microphone Station so a specific
microphone, e.g., one mounted on a lectern, will come on every
time, no matter how many mics may be open already. Feature
Highlights - Controls up to 200 Microphone Stations - Expansion
in/out - No training required - Superior audio quality |
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| Akg
C420 |
Akg
C420 Head-worn Mic That Fits Snug, and Feels Great!
Incredible cardioid condenser headset mic! Delivers all the
punch and superior presence you could want in a comfortable
headset design |
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|
D 800m |
The
D 800m takes the best of the previous D 800m microphone
and revolutionizes onstage sound with multi-functionality! How?
Now you can change your D 800m from a wired (XLR) to wireless
by switching out the connector module with the optional TM-40
wireless plug-in module! When you're ready to go wired, simply
switch out the TM-40 with the XLR plug-in module and you're
ready!
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| D880
mk2 |
Akg D880 mk2
- Supercardoid
Vocal mic
- Frequency
range: 60 to 20,000Hz, at 1 cm: 20 to 20,000 Hz
- Sensitivity
at 1,000 Hz: 2.5 mV/Pa (-52 dBV) re 1 V/Pa
- Impedance
at 1,000 Hz: < 600 ohms
- Recommended
load impedance: >2,000 ohms
- Max
SPL for 1 % ( 3%) THD : 147 dB SPL ( 156dB SPL)
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|
D 3700 |
The
D 3700 features an extended frequency response with
a smooth boost between 3 kHz and 15 kHz to project vocals out
in front of dense mixes. A skillfully engineered combination
of a high-output Maximum Flux neodymium/iron-boron rare earth
transducer and a uniform hypercardioid polar pattern allows
close-up work on high-level monitors without feedback.
Smoothly
triangulated PowerGrip body balances perfectly in the hand,
and rugged die-cast body with Iso-Damp internal suspension
guarantees reliability under the most severe touring conditions.
Built-in windscreen/pop filter removes easily for cleaning
with a twist of the locking bayonet mounted grille.
Features:
- Shock
mount steel wire mesh cap for extra impact resistance.
- Frequency
response curve optimized for vocal use.
- Two-layer
internal windscreen for suppression of wind, pop and breath
noises.
- High
gain before feedback due to hypercardioid polar pattern.
- Ergonomically
optimized body for unrivaled ease of use.
|
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|
D3800 |
AKG
D3800 lets you sound your best. This pro-quality,
very affordable mic will wow the crowd at this weekend's gig!
Features:
- An
affordable, extremely road- worthy dynamic mic with studio
quality sound
- Frequency
response optimized for vocal use
- High
gain-before-feedback due to hypercardioid polar pattern
- Ergonomically
optimized body for unrivaled ease of use
- Two-layer
internal windscreen for suppression of wind, pop, and breath
noises
- Transducer
element protected by integrated dual safety basket and suspension
system
- SHOCK
MOUNTED steel wire mesh cap for extra impact resistance
- Excellent
handling and cable noise rejection due to internationally
patented MMS "Moving Magnet System"
- Hum
compensation coil for suppression of stray field interference
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|
AKG Drum pack |
The
AKG Drum pack is an amazing deal! If you bought
all these mics separately, you'd pay almost twice the price!
Included in the AKG Drum Pack is the D112 kick drum mic and
two C418 clip-on mics. The D 112 has a special presence peak
that makes your low-frequency instrument clear and distinguishable
in almost any mix. It really puts the "kick" back
in your kick! The C418s are small, powerful, and able to conveniently
clip on to almost any drum, allowing trouble-free placement.
Its miniature boom arm ensures that even the most awkward drum
can be easily miked. |
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|
K 11 |
K 11
Description:
AKG introduces the K 11 headset as an accessory for the CS2
conference system. The K 11 fits both the delegate and the
chairman units. |
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|
WMS 40 |
The
WMS 40 microtools Series guitarbug makes it incredibly
easy to go wireless: just plug the GB 40 guitarbug into your
instrument, using it in conjunction with the SR 40 receiver.
The
GB 40 guitarbug provides input gain control, battery status
indicator and a replaceable frequency color code element.
The best thing about the guitarbug is its FlexJack swiveling
jack plug. This allows the GB 40 guitarbug to couple with
all guitars from the Stratocaster to a Telecaster to a Les
Paul.
Features:
- FlexJack™
swivel jack plug matches all guitar outputs.
- Extended
frequency response optimized for guitar and bass.
- Operates
on a single AAA size Alkaline or rechargeable battery.
- Integrated
charging contacts and optional charger for easy use of rechargeable
batteries.
|
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| HT
40 |
HT
40 Handheld transmitter with D880 capsule...for use
with the MicroTools line and more •
D 880 microphone element for brilliant voice reproduction
• Integrated antenna for optimized RF output and optimum
transmission quality
• Battery life in excess of 35 hours. Uses 1.5 V AA
size dry or rechargeable batteries for low operating cost
• DC/DC converter maintains constant transmission quality
throughout battery life
• Controls include on/mute/off switch and battery status
LED
• Replaceable color code clip for channel identification |
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| iVM1 |
State-of-the-Art
"In-ear" Monitor Gives You Dimensional Mix!
If you work in broadcasting, film production or live performance,
the iVM1 Individual In-ear Monitor is a must!
The iVM1 allows you to enjoy "up-close-and-personal,"
undistracted in-ear monitoring and mixing, while at the same
time you hear a natural, on-stage reproduction of the sound.
This takes the mix "out of your head" and into the
real world. The
IVM1 System lets you experience the live, on-stage feeling
of conventional monitors while eliminating the negatives.
Such as feedback and loud on-stage levels from traditional
wedges and side-fill monitors. It allows the monitor engineer
to precisely control what is heard by each performer on stage
and enables you to control your personal listening level as
well.
•
Freqency required upon ordering |
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|
PR40 |
The
PR40 and your favorite wireless microphone!
The
PR40 wireless receiver attaches to nearly any video camera
regardless of size. Extremely small, the PR40 takes on a low
profile while providing top-quality sound.
Features:
[list][*]Glass fiber reinforced body for extremely low weight
and high durability.
[*]Two swiveling antennas
[*]Four-level diversity antenna management system for reliable
reception
[*]On/Off switch with status LED, battery status LED
[*]RF reception indicator LED
[*]Easy battery charging using optional CU 40 charger.
[*]Audio level LED
[*]Fixed line level and adjustable headphones outputs.[/line]
|
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| WMS
40 |
The
revolutionary WMS 40 Microtools series snap-on
transmitter turns any dynamic mic into a radio mic. Just plug
it into the XLR connector of your mic and the SR 40 stationary
receiver will capture your vocals with the clarity of UHF technology.
Includes one hand-held and one headset transmitter that can
be used simultaneously. The D 880 mic is designed for lead and
background vocals. The capsule's elastic suspension eliminates
cable and handling noice. Features a high-output magnet and
supercardioid pattern for excellent gain-before-feeback and
off-axis rejection. Features:
- Glass
fiber reinforced case
Lowest operating cost in its class
Operates on a single AAA or rechargable AAA battery
Integrated charging contacts and optional charger
Integrated antenna
On/Off/Mute switch
Battery status indicator
Input gain control
Replaceable color code element
DC/DC converter for constant transmission quality throughout
battery life
For use with WMS 40 receivers only
|
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|
WMS 40 |
WMS 40 AKG's lowest cost system shares the
same circuitry as the more costly WMS 60/80 systems. Equipped
with a SAW filter for excellent interference immunity. Balanced
XLR and unbalanced TS outputs. Includes headset mic, bodypack
transmitter, and receiver. 35 hours operation on two AA batteries.
Optional rackmount kit. Please specify channel. Features:
- AKG's
lowest cost system
Same circuitry as the more costly WMS 60/80 systems
Integrated SAW filter for excellent interference immunity
Balanced XLR and unbalanced TS outputs
Two front panel LEDs indicate power and RF status
35 hours operation on two AA batteries
Sleek Euro styling
Optional rackmount kit
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WMS 40 |
WMS
40MP the receiver and the MP 40 Micro Pen Transmitter,
which can be clipped into a pocket like a pen. The integrated
mic can also be detached and its built-in cord pulled out for
mic placement that optimizes talking distance. The system offers
compactness, ease of use, and a host of useful features. On/low
battery LED. On/mute/off switch and input gain control. Interchangeable
color-coded parts for easy channel recognition. Onboard charging
connectors (no need to remove battery for recharging). Compact,
rugged housing. Powered by a single AAA battery for approximately
12 hours or AAA rechargeable battery for lowest operating cost
of any similar unit. Features:
- On/low
battery LED
On/mute/off switch and input gain control
Interchangeable color-coded parts for easy channel recognition
Onboard charging connectors (no need to remove battery for
recharging)
Compact, rugged housing
Powered by a single AAA battery for approximately 12 hours
or AAA rechargeable battery for lowest operating cost of
any similar unit
Transmitter can be clipped into a pocket like a pen
Integrated mic can also be detached and its built-in cord
pulled out for mic placement that optimizes talking distance
|
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| WMS40
snap on |
WMS40
snap on Includes receiver and the S0 40 Snap On Transmitter
which turns your favorite mic into a wireless. The transmitter
simply plugs into its XLR connection -- no wire or belt pack
needed. The system offers compact size, ease of use, and a host
of features. On/low-battery LED. On/mute/off switch and input
gain control. Interchangeable color-coded parts for easy channel
recognition. Onboard charging connectors (no need to remove
battery for recharging). Compact, rugged housing. Powered by
a single AAA battery for approximately 12 hours or AAA rechargeable
battery for lowest operating cost of any similar unit.
Features:
- Turns
your favorite mic into a wireless
Recharge battery in place
Approximately 12 hours operation on one AAA battery
Super-compact, rugged housing specially designed to reduce
handling noise
On/Low battery LED for at-a-glance battery-status information
On/Mute/Off switch
Input gain potentiometer
Interchangeable color-coded parts for easy channel identification
Optimized RF and audio quality derived from the WMS SO 40
system
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