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EMOTION / TRIPOWER Series: New Vocal Microphones for Outstanding Performance.

The ergonomic, triangulated bodies of the EMOTION / TRI-POWER Series microphones are not only esthetically pleasing, they also ensure optimum handling on stage. These mics combine fabulous sound, versatility, and ruggedness. With these features plus the new modular design and convertibility, the EMOTION / TRI-POWER Series covers every conceivable application. No other microphone has ever been so flexible and easy to adjust to specific applications. The proven Emotion Series D 880 and C 900 have also been changed to the new modular design so they, too can be used in wireless or hardwire modes. The choice is yours.

EMOTION/TRIPOWER


D 3700M: tailor-made mobility.
No matter if you use it with a cable or with the TM 40 transmitter module, the D 3700M gets every nuance of your vocal performance across. The new, patented Varimotion diaphragm delivers a crisp, powerful sound, while the redesigned cardioid polar pattern ensures even easier handling and higher gain before feedback. The modular design allows you to use the D 3700M in hardwire or wireless configurations. This gives you the kind of multiple-application flexibility you expect from an EMOTION / TRI-POWER microphone. The hardwire D 3700M is also available in a version with on/off switch.

D 3800M: the best vocal microphone ever!
If you are looking for a dynamic microphone with a no-compromise vocal sound, then the D 3800M is for you. The Varimotion diaphragm is the first variable-thickness diaphragm ever made. The D 3800M audibly demonstrates the unique benefits of this design. The new supercardioid polar pattern provides improved gain before feedback for superior performance on stage. The hardwire D 3800M is also available in a version with on/off switch.

C 5900M: get the best of both worlds.
The C 5900M combines the best qualities of studio and performance microphones. A supercardioid polar pattern; ergonomic, triangulated body; and spring-steel mesh grill make this microphone extremely stage-worthy. An integrated, miniature spider-type shock mount minimizes handling noise. Bass rolloff and +6 dB gain switches afford the kind of flexibility typical of studio condenser microphones.

C 900M: live vocals start here.
Dreaming of a modular condenser performance microphone at an affordable price? The C 900M makes your dream come true. With a gold-sputtered capsule, modular design for wireless or hardwire use, and the supplied snap-on Presence Boost Adapter, the C 900M is not only a highly flexible performance tool, it also delivers a no-compromise vocal sound.

D 880M: a standard improved.
Although the D 880M is an entry-level model, it provides most of the distinguishing features of the new EMOTION / TRI-POWER Series, including the modular design for hardwire or wireless use, Varimotion diaphragm, gold plated contacts on the XLR connector module, dual-membrane shock mount, and spring-steel mesh grill. Unique quality at a uniquely affordable price

C418
The small but powerful C418 drum mic conveniently clips on to almost any drum, allowing trouble-free placement. Its miniature boom arm ensures that even the most awkward drum can be easily miked.
C419
the C419 enables you to record music with ease and flexibility like never before. Its hypercardioid condenser element provides a smooth frequency response with high gain before feedback.

• Standard XLR connector

D112
the D112 bass mic. It has a special presence peak that makes your low-frequency instrument clear and distinguishable in almost any mix.


• Ideal cardioid mic for kick drum, bass guitar cabinets, low-pitched brass and other low frequency sources. Bass response is clean and powerful due to large diaphragm technology
• Frequency response (20-17,000 Hz)
• Finest reasonably priced bass drum mic available. Low-Z
• Solid bass response below 100 Hz

D409
The D 409's neutral sound with little proximity effect and a slight presence rise will make your instrument cut through the loudest mix on stage. This dynamic clip-on microphone has a powerful sound, and is perfect for wind instruments, drums and percussion instruments. Its smooth frequency response ensures uncolored audio.

Frequency range: 100 Hz to 17kHz
Polar Pattern: Hyper-cardioid
Sensitivity at 1 kHz: 1 mV/Pa
Impedance: 600 ohms
Max. SPL for 1% THD: 124 dB

CS 2 DU Delegate Station/CS 2 CU Chair Station
CS 2 DU Delegate Station/CS 2 CU Chair Station

Description:
AKG Conference Systems are fully modular and therefore highly flexible, allowing users to create a custom system for any conference application. From microphone capsules to power supplies, designers will find exactly the right components for every type of conference system. AKG Conference Systems use standard single-cable wiring for quick and easy setup and takedown of mobile systems. In addition, single-cable wiring will save time and money in fixed installations, too. Control options include analog control by the Base Station (CS 2). CS 2 DU Delegate Station/CS 2 CU Chair Station The CS 2 is the ideal solution for venues where a sound engineer is not available for every discussion, such as meeting rooms, town halls, etc. The central Base Station controls microphone channels and a priority button allows one or more chairpersons to call the meeting to order. Two types of Microphone Stations are available, the Chair Station with a priority button (any number of Chair Stations can be used in a system) and the Delegate Station. Each Microphone Station is available in a desktop version for mobile use or with an installation frame for permanent flush mounting in a tabletop. Providing two loudspeakers, two headphones outputs, and a “Voice Zoom” function, each version can be used by two persons. Bottom panel dip switches and pots on each Microphone Station allow many functions to be adjusted individually. - Voice Activation threshold - Voice Activation hold time - Microphone automute after user stops talking - Enable/disable NOM limitation - Voice Activation ON/OFF - Priority level - “Voice Zoom” ON/OFF - Loudspeaker/headphones level reset or last setting - Adjustable compression The CS 2 uses the famous Discreet Acoustics microphone capsules that connect to the Microphone Stations via a GN 30 CS (approx. 12 in./30 cm) or GN 50 CS (approx. 20 in./50 cm) gooseneck. A rugged, threaded TRS mini jack with gold plated contacts ensures a firm, wobble-free mechanical joint and excellent electrical contact. Five different ready-to-use cables in standard lengths between 4 ft. (1.25 m) and 66 ft. (20 m) are available for connecting the individual Microphone Stations together. This does not only save time but increases the reliability of the system. A range of optional accessories will solve any installation problem. With its wide variety of options, the CS 2 is more flexible than many “fully digital” systems. Plus, the AKG brand name stands for excellent sound. Feature Highlights - Quick setup and takedown even of large systems - No training required - Superior audio quality - Voice activation or manual PTT control

CS 2 Base Station
CS 2 Base Station

Description:
The Base Station controls up to 200 Microphone Stations and takes up only 1U of rack space. Base Stations can be “daisy-chained“ to add as many Microphone Stations to the system as required - there is virtually no limit. Depending on the size of the system, the Base Station requires an appropriate power supply, either a CS PS 20 for up to 40 talkers, two CS PS 20s for up to 80 talkers, or one CS PS 100 for up to 200 talkers. The CS PS 100 with its higher power rating uses a 1 U rack mount case. The Base Station provides all the inputs and outputs usually needed for a conference system, plus some more including an effects insert, headphones jacks, etc. The CS 2 Base Station provides automatic NOM (Number of Open Microphones) attenuation. System gain will decrease by approx. 2 dB every time the number of open microphone doubles, even if the microphones are connected to different units in a multiple Base Station setup. The result is a substantially lower risk of feedback even if the number of open microphones varies constantly. A selectable Voice Activation function turns the microphones on automatically as soon as they are talked into. The NOM Limitation function allows the number of simultaneously open microphones to be limited to one, two, three, four, or five. This function can be locally disabled on each Microphone Station so a specific microphone, e.g., one mounted on a lectern, will come on every time, no matter how many mics may be open already. Feature Highlights - Controls up to 200 Microphone Stations - Expansion in/out - No training required - Superior audio quality

Akg C420
Akg C420 Head-worn Mic That Fits Snug, and Feels Great!
Incredible cardioid condenser headset mic! Delivers all the punch and superior presence you could want in a comfortable headset design
D 800m
The D 800m takes the best of the previous D 800m microphone and revolutionizes onstage sound with multi-functionality! How? Now you can change your D 800m from a wired (XLR) to wireless by switching out the connector module with the optional TM-40 wireless plug-in module! When you're ready to go wired, simply switch out the TM-40 with the XLR plug-in module and you're ready!
D880 mk2
Akg D880 mk2
  • Supercardoid Vocal mic
  • Frequency range: 60 to 20,000Hz, at 1 cm: 20 to 20,000 Hz
  • Sensitivity at 1,000 Hz: 2.5 mV/Pa (-52 dBV) re 1 V/Pa
  • Impedance at 1,000 Hz: < 600 ohms
  • Recommended load impedance: >2,000 ohms
  • Max SPL for 1 % ( 3%) THD : 147 dB SPL ( 156dB SPL)
D 3700
The D 3700 features an extended frequency response with a smooth boost between 3 kHz and 15 kHz to project vocals out in front of dense mixes. A skillfully engineered combination of a high-output Maximum Flux neodymium/iron-boron rare earth transducer and a uniform hypercardioid polar pattern allows close-up work on high-level monitors without feedback.

Smoothly triangulated PowerGrip body balances perfectly in the hand, and rugged die-cast body with Iso-Damp internal suspension guarantees reliability under the most severe touring conditions. Built-in windscreen/pop filter removes easily for cleaning with a twist of the locking bayonet mounted grille.


Features:

  • Shock mount steel wire mesh cap for extra impact resistance.
  • Frequency response curve optimized for vocal use.
  • Two-layer internal windscreen for suppression of wind, pop and breath noises.
  • High gain before feedback due to hypercardioid polar pattern.
  • Ergonomically optimized body for unrivaled ease of use.
D3800
AKG D3800 lets you sound your best. This pro-quality, very affordable mic will wow the crowd at this weekend's gig!


Features:

  • An affordable, extremely road- worthy dynamic mic with studio quality sound
  • Frequency response optimized for vocal use
  • High gain-before-feedback due to hypercardioid polar pattern
  • Ergonomically optimized body for unrivaled ease of use
  • Two-layer internal windscreen for suppression of wind, pop, and breath noises
  • Transducer element protected by integrated dual safety basket and suspension system
  • SHOCK MOUNTED steel wire mesh cap for extra impact resistance
  • Excellent handling and cable noise rejection due to internationally patented MMS "Moving Magnet System"
  • Hum compensation coil for suppression of stray field interference
AKG Drum pack
The AKG Drum pack is an amazing deal! If you bought all these mics separately, you'd pay almost twice the price! Included in the AKG Drum Pack is the D112 kick drum mic and two C418 clip-on mics. The D 112 has a special presence peak that makes your low-frequency instrument clear and distinguishable in almost any mix. It really puts the "kick" back in your kick! The C418s are small, powerful, and able to conveniently clip on to almost any drum, allowing trouble-free placement. Its miniature boom arm ensures that even the most awkward drum can be easily miked.
K 11
K 11

Description:
AKG introduces the K 11 headset as an accessory for the CS2 conference system. The K 11 fits both the delegate and the chairman units.

WMS 40
The WMS 40 microtools Series guitarbug makes it incredibly easy to go wireless: just plug the GB 40 guitarbug into your instrument, using it in conjunction with the SR 40 receiver.

The GB 40 guitarbug provides input gain control, battery status indicator and a replaceable frequency color code element. The best thing about the guitarbug is its FlexJack swiveling jack plug. This allows the GB 40 guitarbug to couple with all guitars from the Stratocaster to a Telecaster to a Les Paul.


Features:

  • FlexJack™ swivel jack plug matches all guitar outputs.
  • Extended frequency response optimized for guitar and bass.
  • Operates on a single AAA size Alkaline or rechargeable battery.
  • Integrated charging contacts and optional charger for easy use of rechargeable batteries.
HT 40
HT 40 Handheld transmitter with D880 capsule...for use with the MicroTools line and more

• D 880 microphone element for brilliant voice reproduction
• Integrated antenna for optimized RF output and optimum transmission quality
• Battery life in excess of 35 hours. Uses 1.5 V AA size dry or rechargeable batteries for low operating cost
• DC/DC converter maintains constant transmission quality throughout battery life
• Controls include on/mute/off switch and battery status LED
• Replaceable color code clip for channel identification

iVM1
State-of-the-Art "In-ear" Monitor Gives You Dimensional Mix!
If you work in broadcasting, film production or live performance, the iVM1 Individual In-ear Monitor is a must! The iVM1 allows you to enjoy "up-close-and-personal," undistracted in-ear monitoring and mixing, while at the same time you hear a natural, on-stage reproduction of the sound. This takes the mix "out of your head" and into the real world.

The IVM1 System lets you experience the live, on-stage feeling of conventional monitors while eliminating the negatives. Such as feedback and loud on-stage levels from traditional wedges and side-fill monitors. It allows the monitor engineer to precisely control what is heard by each performer on stage and enables you to control your personal listening level as well.

• Freqency required upon ordering

PR40
The PR40 and your favorite wireless microphone!

The PR40 wireless receiver attaches to nearly any video camera regardless of size. Extremely small, the PR40 takes on a low profile while providing top-quality sound.
Features:
[list][*]Glass fiber reinforced body for extremely low weight and high durability.
[*]Two swiveling antennas
[*]Four-level diversity antenna management system for reliable reception
[*]On/Off switch with status LED, battery status LED
[*]RF reception indicator LED
[*]Easy battery charging using optional CU 40 charger.
[*]Audio level LED
[*]Fixed line level and adjustable headphones outputs.[/line]

WMS 40
The revolutionary WMS 40 Microtools series snap-on transmitter turns any dynamic mic into a radio mic. Just plug it into the XLR connector of your mic and the SR 40 stationary receiver will capture your vocals with the clarity of UHF technology. Includes one hand-held and one headset transmitter that can be used simultaneously. The D 880 mic is designed for lead and background vocals. The capsule's elastic suspension eliminates cable and handling noice. Features a high-output magnet and supercardioid pattern for excellent gain-before-feeback and off-axis rejection.

Features:

  • Glass fiber reinforced case
    Lowest operating cost in its class
    Operates on a single AAA or rechargable AAA battery
    Integrated charging contacts and optional charger
    Integrated antenna
    On/Off/Mute switch
    Battery status indicator
    Input gain control
    Replaceable color code element
    DC/DC converter for constant transmission quality throughout battery life
    For use with WMS 40 receivers only
WMS 40
WMS 40 AKG's lowest cost system shares the same circuitry as the more costly WMS 60/80 systems. Equipped with a SAW filter for excellent interference immunity. Balanced XLR and unbalanced TS outputs. Includes headset mic, bodypack transmitter, and receiver. 35 hours operation on two AA batteries. Optional rackmount kit. Please specify channel.

Features:

  • AKG's lowest cost system
    Same circuitry as the more costly WMS 60/80 systems
    Integrated SAW filter for excellent interference immunity
    Balanced XLR and unbalanced TS outputs
    Two front panel LEDs indicate power and RF status
    35 hours operation on two AA batteries
    Sleek Euro styling
    Optional rackmount kit
WMS 40
WMS 40MP the receiver and the MP 40 Micro Pen Transmitter, which can be clipped into a pocket like a pen. The integrated mic can also be detached and its built-in cord pulled out for mic placement that optimizes talking distance. The system offers compactness, ease of use, and a host of useful features. On/low battery LED. On/mute/off switch and input gain control. Interchangeable color-coded parts for easy channel recognition. Onboard charging connectors (no need to remove battery for recharging). Compact, rugged housing. Powered by a single AAA battery for approximately 12 hours or AAA rechargeable battery for lowest operating cost of any similar unit.

Features:

  • On/low battery LED
    On/mute/off switch and input gain control
    Interchangeable color-coded parts for easy channel recognition
    Onboard charging connectors (no need to remove battery for recharging)
    Compact, rugged housing
    Powered by a single AAA battery for approximately 12 hours or AAA rechargeable battery for lowest operating cost of any similar unit
    Transmitter can be clipped into a pocket like a pen
    Integrated mic can also be detached and its built-in cord pulled out for mic placement that optimizes talking distance
WMS40 snap on
WMS40 snap on Includes receiver and the S0 40 Snap On Transmitter which turns your favorite mic into a wireless. The transmitter simply plugs into its XLR connection -- no wire or belt pack needed. The system offers compact size, ease of use, and a host of features. On/low-battery LED. On/mute/off switch and input gain control. Interchangeable color-coded parts for easy channel recognition. Onboard charging connectors (no need to remove battery for recharging). Compact, rugged housing. Powered by a single AAA battery for approximately 12 hours or AAA rechargeable battery for lowest operating cost of any similar unit.

Features:

  • Turns your favorite mic into a wireless
    Recharge battery in place
    Approximately 12 hours operation on one AAA battery
    Super-compact, rugged housing specially designed to reduce handling noise
    On/Low battery LED for at-a-glance battery-status information
    On/Mute/Off switch
    Input gain potentiometer
    Interchangeable color-coded parts for easy channel identification
    Optimized RF and audio quality derived from the WMS SO 40 system

 


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