MH4 Multipurpose Live Console
Today’s live performance mixing demands a level of versatility beyond anything previously required. Companies now need to maximise the efficiency of their inventory for all types of event, leading to an ever-increasing demand for multipurpose consoles. The new MH4 can be used for FOH, Stage Monitors, or Monitors from FOH, with a brand new bussing system that gives maximum flexibility, whilst retaining the Soundcraft principles of intuitive operation. New mic pre and EQ designs give the console true 21st-century performance, and the latest manufacturing technology has resulted in a light-weight, rugged and reliable console. With new eye-catching styling, the MH4 looks as good as it sounds.

MH3 Don’t be fooled by its modest price tag. Ideally suited for both Front-of-house and Monitor use, the new Soundcraft MH3 provides sound contractors and venues with the critical commercial advantage of complete console flexibility. All it takes is the touch of a button to place either Groups or Aux Masters onto faders, delivering intuitive and uncompromised operation in either application. The MH3 is available in five frame sizes with legendary Soundcraft sound quality delivered via a new high-headroom mic amp, classic British EQ and rigorous circuit design.
What’s more, the MH3 is a true modular console. Channels can be quickly removed and replaced in blocks of eight, making it easy to configure the MH3 to meet the user’s precise requirements and ensuring the robust reliability a life on the road necessitates. A professional, modular, dual-purpose live sound console at a truly affordable price? Welcome to the Soundcraft MH3.

KEY FEATURES

Versatile design, allowing FOH, Monitors, or Monitors from FOH configurations
Semi-modular in blocks of 8 for flexible layouts and easy serviceability
Frame sizes 24 mono/4 stereo, 32 mono/4 stereo, 40 mono/4 stereo, 48 mono/4 stereo, 56 mono/4 stereo
Flexible Auxiliary Bus structure with 2 stereo sends for in-ear monitoring
8 group busses and 12 aux busses in FOH mode
12 monitor busses (12 mono, or 8 mono + 2 stereo) in Monitor mode
Swap mode allows fader control of Aux outputs in Monitor mode
Integral 12x4 matrix, can be expanded to 12x8 with optional matrix module
3-band EQ on FX Returns 1-8, switchable to Group or Aux outputs
New Mic Amp design with high headroom and outstanding CMRR
New EQ design with focused response
LCR panning on inputs
8 VCA groups and 8 Mute groups with snapshot automation and MIDI control
Integrated control of BSS Audio Varicurve™ and dbx DriveRack™
Integral LED bargraph metering for all inputs and outputs
Optional VU output meterbridge

Series FIVE Monitor is a dedicated Monitor mixing console designed to meet the exacting requirements of today’s major tours and installations. With input channels boasting a feature set similar to that of the highly-respected FIVE Front-Of-House console, FIVE Monitor offers an equally high level of control over stage sources as its brother, but adds to this the comprehensive routing and Output control required from a Monitor console. In response to the demand for larger, more complex Output capability, FIVE Monitor is available in two frame types - 24-bus and 32-bus. The 24-bus version includes as standard a 23 x 12 Output Matrix, giving an impressive maximum Output capability of 38 balanced Outputs. The 32-bus frame has as standard a 23 x 16 Output Matrix, making a massive total of 50 balanced Outputs. The proliferation of stereo Keyboard or Submix sources, in addition to the trend towards in-ear monitoring, means that stereo Output capability is now no longer a luxury option: both FIVE Monitor frame types support stereo Outputs - 9 stereo on the 24- bus, and 17 stereo on the 32-bus console.
The 24-bus console is available with 44, 52 or 60 input channels. The 32-bus console is available with 40, 48 or 56 input channels.

For those situations which demand that Outputs feed a combination of different systems (wedges, in-ear), the FIVE Monitor offers TWO SOLO systems - regular SOLO and ALT SOLO. Via a simple switch on the Outputs, each Group and Matrix Output bus may be set to send to either of these SOLO systems, making setup of accurate SOLO configur-ations (perhaps a Main wedge on SOLO, and an engineer In-Ear set on ALT SOLO) a simple task.

In addition, via a special pair of auxiliary MIDI ports, the FIVE Monitor can send messages to a BSS FPC-900 Varicurve™ Remote Controller or dbx DriveRack™ to select particular slave EQ devices in a rack whenever a FIVE Monitor Output SOLO is activated. This accelerates considerably the process of SOLOing and editing an Output EQ. Of course, all of this is packaged in the rugged, road-proven frame of the FIVE, designed to keep weight and size to a minimum without sacrificing mechanical integrity. The package is completed by the addition of the same acclaimed all-new FIVE power supply design - the CPS2000, featuring built-in redundancy link, industry standard linear circuit design and plenty of headroom.

K2 Sometimes there’s just no substitute for experience. Live sound puts special demands on both equipment and personnel, because there’s no second take, and because anything less than total reliability can mean disaster. Then there’s the physical punishment of touring, and the need to work in a wide variety of environments.
After more the 25 years of designing and building mixers for professional live sound, Soundcraft has earned a reputation that’s second to none, because we listen to engineers at the cutting edge, and take notice. The k2 is our most cost-effective fully-featured 8-bus live console ever, taking advantage of Soundcraft’s long experience in live sound to deliver, in a straightforward package, all the facilities you need for a first-rate production.

The k2 includes many features that you’d expect only on a much bigger console - like an advanced solo system, true left-centre-right bussing, a built-in matrix, and full 4-band EQ - equipping it for a range of applications from touring with bands to fixed installations in theatres, clubs, or places of worship. The desk is available in three frame sizes from 24 to 48 mono input channels, with an additional eight stereo input channels

SERIES FIVE Over 25 years of success in mixing console design and manufacture has given Soundcraft unique insight into the demands of leading audio professionals. Through the application of this experience, and having sought the opinions of top live sound engineers and designers, Soundcraft has arrived at what it strongly believes to be its best front of house console yet. Soundcraft set out to provide a great-sounding, fully-featured and affordable live sound console. The result is the Series FIVE.
Available in frame sizes of 24 to 56 input channels, Series FIVE is ideally suited to a whole range of demanding applications from touring to theatre installation. Series FIVE’s comprehensive standard feature set includes LCR panning, aux master levels on 100mm faders, full-spec stereo modules and FX returns, plus flexible MIDI scene control. Despite the Series FIVE's high level of facilities, the console's layout is clear and reassuringly familiar. This has been achieved without compromising the audio quality.

SERIES TWO Now Soundcraft announces the Series TWO: a classic live console feature set combined with class-leading engineering and big-console looks, but at a ground-breaking price.
Series TWO embodies the classic 8-group, 8-Aux format pioneered for live sound by Soundcraft in the 1970’s, and which has since become the defacto standard in mid-range console specification.

As well as that, there are new features like sweepable high-pass filters on every input, high-resolution LED input metering, and midi-controlled snapshot muting. Outputs are augmented by left, right and centre busses, plus an 11x2 Matrix section, as well as the 8 Aux and 8 group outputs.

The latest in innovative circuit design brings the benefit of 25 years of audio experience to the Series TWO, ensuring outstanding sound quality, and the console boasts a brand new mic preamp design with ultra-low noise and distortion.
Three frame sizes : 24, 32 and 40 channel

SM20 is the latest addition to Soundcraft’s respected range of dedicated stage monitor consoles, and has been designed to take account of the continuing trend towards use of in-ear monitoring systems, brought about by the rapidly falling cost of these systems.
Drawing on elements from previous SM consoles, the SM20 packs more features into a smaller size than any of its predecessors.

The SM20 is available in three frame sizes providing 40, 48 and 56 inputs into 20 outputs, with the user-friendly control layout pioneered on the earlier SM consoles.

Unprecedented power has been added to the console inputs in the form of a sweepable high-pass filter, fully parametric mid-bands on the EQ, and globally switchable mono or stereo sends, giving any combination between 20 straight mono sends and 7 stereo plus 6 monos. Other new features include a built-in mic split facility, and MIDI control of external BSS Varicurve™ or dbx DriveRack™ equalisers.

K3 This modular 8-bus mixer has been designed to satisfy today’s requirements for high quality mid-range sound reinforcement consoles. That means advanced mute scene setting and MIDI control, plus ‘big console’ features, such as sophisticated and precise EQ, input metering, an advanced solo system, and eight pre/post auxiliaries. If your monitoring requirements are more complex then you can team your k3 Theatre up with Soundcraft’s SM12 monitor console, which provides the flexibility of 14 foldback mixes.
k3 Theatre delivers an unprecedented degree of mixing control in a versatile package that will integrate into a wide range of live and installed sound situations. It offers an extensive range of frame sizes and modules, enhancing the inherent versatility of a modular 8-bus configuration.

The Spirit 8 is the ultimate Spirit Range live console, a full-featured 8-bus desk that combines a comprehensive range of professional control and routing facilities with cost-effective and compact design. You can choose the Spirit 8 in any of four frame sizes, from 16 to 40 mono channels, all featuring eight subgroups for routing sets of channels together, giving you fewer faders to ride when balancing the overall mix.
Applications:

8-bus live mixing
FOH mixing
Touring bands
Venues and theatres
Installations
Recording direct to multitrack
16, 24, 32 and 40 channels frame sizes
8 group busses
UltraMic+™ preamp with up to 66dB gain range
+48V phantom power, individually switchable on each channel
4-band EQ with two swept mid bands
4 mute groups
Additional outputs on 10 x 2 matrix
Two stereo input channels
8 stereo returns
Phase reverse on mono inputs
18dB/octave high-pass filter
6 aux sends, configurable to give up to 4 pre or post fade sends

SPIRIT LIVE 4/2 Mixing in larger venues requires more than just extra inputs and outputs - you need effective means of controlling the way that signals are routed, along with facilities such as grouping and mutes that make it easy to deal with all those channels. The Spirit Live 42, in frame sizes from 12 to 40 channels, is designed for just these situations.
Soundcraft's UltraMic Plus preamp give a 66dB gain range, making it capable of handling a wide range of input signals. The EQ on mono channels is a 4-band configuration with two swept mids, with six aux sends. It has full mute group facilities with four mute groups controlled from the master section.

All mono inputs also feature pre-fade listen, 100mm linear faders, insert points, direct channel outputs, individually switchable +48V phantom power, phase reverse, EQ in/out switching and a hi-pass filter. The stereo inputs - two on every 12-channel frame, four on other frame sizes - feature shelving 2-band EQ and six aux sends.

In the group section, all four groups have 100mm linear faders, insert points, and individual output jacks. The six auxiliary master sends have their own rotary level controls with four stereo returns. Metering is via six 12-segment bargraphs.

It also has a 10x2 matrix in the master section, making it easier to deal with multi-speaker systems in theatre sound reinforcement. The main stereo XLR outputs are ground compensated with insert points and a separate mono output is available to feed a centre speaker cluster.

Applications:

Sound installations where 4 busses are required
Club or venue installation
FOH band console
Houses of Worship
Theatre sound
PA hire
12, 16, 24, 32 and 40 channel frame sizes

The Monitor 2 combines all the necessities of a professional monitor desk with elegant design feature aimed at speed and clarity in use - such as Split outputs that allow easy connections to a FOH mixer without using splitter leads. And because versatility is a priority in all of the Spirit Range designs, the Monitor 2 is flexible enough to perform FOH mixing where no other mixer is available.

Available in 24, 32 and 40 channel frame sizes, Spirit Monitor 2 has twelve sends including two stereo pairs specifically for in-ear monitoring. All Monitor sends are pre-post fader switchable and, in addition, each input has a built-in mic splitter, negating the need for dedicated splitter boxes on stage.

Monitor 2 has 4 band EQ section with two mid-swept frequencies on every input, plus EQ in-out switches. Other features include a DIM Switch, alleviating feedback problems by immediately attenuating each monitor outpu by 6dB, two dedicated effects returns and two house mic heeds, allowing performers with in-ear monitors to hear the audience as part of their mix.

Applications:

Monitoring in Touring, Venue and Theatre
Monitor plus FOH in small venues
4-band EQ with two swept mid bands
12 monitor sends with 1-8 mono and 9-12 stereo
UltraMic+™ preamps on all mono inputs
+48V phantom power switchable on all channels
23, 32 and 40 channel frame sizes

The LX7 combines the essential Soundcraft live mixer qualities with basic recording-oriented features, in a compact frame that's light enough for one person to carry yet easy to configure and use. This makes it especially suitable for multi-purpose use in venues such as small halls and community centres, while its direct channel outputs make the LX7 an ideal choice for bands who need a live desk that can double up in the studio.
Housed in a choice of 16, 24 or 32 channel frame, LX7 provides 24, 32 or 40 inputs - with no less than 7 separate bus outputs including mix, 4 groups and a dedicated mono bus for centre speaker clusters, side or rear fills. The output count rises to 29 with the inclusion of direct outs on the first 16 mono inputs and six auxiliary busses.

LX7's balanced mic inputs all use patented Ultramic preamps, providing 60dB of gain range and 22dBu of headroom. Each input also includes 4 band EQ with two swept mid frequency controls. In addition, EQ In/Out switch and steep 18dB/Octave High Pass Filter, allow effective audio control in difficult venues whilst the six auxiliary sends are pre-post switchable in pairs from each channel, providing a maximum of 4 pre-fader and six post-fader. This makes LX7 equally applicable for foldback - heavy performance or in situations where more effects are required.

LX7's groups section houses two further stereo inputs - with EQ, auxiliaries for keyboards or stereo recording devices - as well as two FX returns. All four groups are routable to mix and include 12 segment bargraph metering for accurate monitoring and inserts. Six auxiliary masters on rotary controls also included AFL soloing.

In the master section there is talkback provision to all pre-fade auxiliaries and the mix. Global phantom power and a two track return for pre-show music are also present. A "two-track" to mix switch allows the engineer to play CD's over the main PA whilst back-stage set-up is going on, with one press of a button. The mix is also routable to the separate mono bus if mono PAs are required.

LX7 is built in a rugged wedge-shaped steel chassis with an internal power supply, professional all-metal jackfield and connectors on the rear of the console. All inputs and outputs are balanced.

Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft’s 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles.

“The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre’s we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market,” reports Blyth in a rare interview. “We’re conscious that we must provide the best possible audio quality at the best price for the customer — we do not allow compromise — and it starts at the mic preamp.

“The GB30 EQ, owing its heritage to the work we did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency ‘mush’ and delivering a clearer sound. We’ve a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time.”

Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and six auxes for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs.

The LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theatres and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.

Applications:

Gigging Bands
Small installations
Small venues
Theatres
Houses of Worship
Live and studio recording
100mm faders
+48V phantom power
16, 24 or 32 channel frame sizes
Up to 40 inputs (including stereo inputs and returns)
18dB/octave high-pass filter
6 aux sends, 4 of them pre/post switchable
Group and mix inserts
12-segment LED metering
Integral PSU

The FX16 offers a combination of powerful live and recording features, with enough channels and direct outputs to enable use with 16-track recording systems.

Spirit FX16 is a flexible 4-bus mixer capable of producing Digital sound quality for live and recording applications. It features a specially designed 16 program Lexicon Effects Section with dual effect capability (including Chorus and Reverb, Chorus and Delay , and Reverb and Delay) and fully editable and storable programs and parameters. The console itself includes 16 mic/line inputs and 26 inputs to mix in total (including FX returns and tape return to mix). In addition to the mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. FX16's 16 Direct Outs are individually fader pre-post switchable so they are equally useful for recording in the studio or at a gig. In keeping with the multipurpose nature of FX16, both Solo In Place and PFL solo are available, for studio monitoring and channel gain set-up applications respectively.

All FX16's 16 mic/line inputs are equipped with UltraMic™ preamp which provides a full 60dB of gain range and +22dBu of headroom, meaning that the FX16 input stage can handle virtually any mic or line device. In the EQ section, a "truly British 3-band EQ" with swept mid benefits from custom designed pots which give greater control across carefully chosen frequencies. There are 4 Auxiliary Sends, including a dedicated Lexicon effects send, 1 pre-fade send and 2 pre/post-fader selectable send which are equally useful as extra foldback send in monitor-heavy live applications, or as effects sends in studio mixdown situations. In addition, there are four Stereo returns, a separate Mono Sum Output and 2 Subgroup Outputs.

100mm faders are used throughout, giving more accurate control during complex mixes than standard 60mm designs, and all pots have been custom designed to give even and consistent response around their entire sweep. The use of the latest PCB surface mount technology means that FX16 fits all of these features into a rugged, compact frame which can be optionally rack-mounted into a 10U space via FX16's rotating connector pod which allows leads to be connected conveniently behind the rack.

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These days there's simply no excuse for a live mixer to give anything away to a studio mixer in terms of audio quality. With its combination of live and recording-oriented features, plus all the usual benefits, the FX8 is ideal for both stage and studio use, and is particularly suitable for live recording.
FX8 is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It features a specially designed 16 program Lexicon Effects Section with dual effect capability (including Chorus and Reverb, Chorus and Delay , and Reverb and Delay) and fully editable and storable programs and parameters., The console itself includes 8 mic/line inputs and 18 inputs to mix in total (including 4 stereo inputs and tape return to mix). In addition to the mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. FX8's 8 Direct Outs are individually fader pre-post switchable so they are equally useful for recording in the studio or at a gig.

All FX8's 8 mic/line inputs are equipped with UltraMic™ preamp which provides a full 60dB of gain range and +22dBu of headroom, meaning that the FX8 input stage can handle virtually any mic or line device. In the EQ section, a "truly British 3-band EQ" with swept mid benefits from custom designed pots which give greater control across carefully chosen frequencies. There are 2 Auxiliary Sends, including a dedicated Lexicon effects send, 1 pre-fade send and 1 pre/post-fader selectable send which is equally useful as an extra foldback send in monitor-heavy live applications, or as an effects send in studio mixdown situations. In addition, there are four Stereo inputs, a separate Mono Sum Output and 2 Subgroup Outputs.

Designing good audio mixers has never been easy - but with the widespread use of ultra-quiet digital recorders, and improvements all through the live and studio audio chain, today’s mixers have to stand up to closer sonic scrutiny than ever before. At the same time, mixing has become less a process that takes place at the console alone, and more one that involves outboard effects, samplers, and synchronisation of audio and video recorders. It’s a big task for a mixer to keep in touch with all of that - which is why Soundcraft created Ghost, the ultimate affordable analogue recording console.
Simply put, Ghost is the only desk that delivers the audio precision, quality and all the control features of a big studio desk without the usual prohibitive price ticket. The EQ, for instance, is directly comparable to that of the classic Soundcraft 3200 and Europa consoles. No compromises.

An all-new mic preamp, ProMic, has been developed just for Ghost. Its performance alone puts Ghost into a different league from other consoles of similar price.

The killer punch, however, is delivered by Ghost’s integral computer-based machine control and mute automation. Derived from the innovative Soundcraft DC2020 post-production console, the machine control in Ghost makes it far more than just another mixer. It actually forms the heart of an automated recording setup with countless benefits in ease of use and production efficiency.

Digital 328 represents a revolution in low cost professional audio, bringing all the functionality and sonic excellence of digital mixing to a brand new audience, with its unique console based interface, 328 finally bridges the gap between analogue and digital mixers, retaining the spontaneity and ease of use of an analogue console yet providing all the advantages of digital, such as instant total recall or all digital parameters, moving fader automation and onboard Lexicon effects.
Although other digital mixers offer an amazing array of functions, it can often be a nightmare to access them. In contrast we've designed the Digital 328 to operate like your old analogue 8-bus console and not like a computer with faders, so that you can take it out of its box and get started without even opening the manual.

Unlike other digital mixers, there's instant access to any channel, group or master feature with one button press, and you can see that feature's status from the front panel without having to rely on an LCD display. The key to it all is the 328's unique "E-strip", the lighter-coloured bank of encoders and switches that runs across the centre of the console.

Soundcraft 328XD combines sophisticated moving fader automation with legendary Soundcraft sonic performance and onboard interfacing to virtually all formats.
Designed for the way you work
Not just an amazing console in it's own right, the 328XD is designed to integrate completely with desktop packages. Using the 328XD as a hardware controller and combining its mixing engine with that of a desktop sequencer produces one huge, awesome production centre. Indeed, with its 56-bit internal processing, it makes sense to run desktop audio channels through the 328XD at mixdown.
Also see:

Supported Hardware

Expansion Options

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MIDI-OX - Download it at www.midiox.com
Interfaces to ADAT, TDIF, S/PDIF and AES/EBU as standard (no cards)
E-Strip technology - See parameters the way you want to
Legendary Soundcraft EQ and Dynamics processing
Up to 42 inputs at Mixdown, plus 8 groups, and 16 direct outputs.
16 Mic/Line and 5 stereo inputs
16 digital inputs ( or tape returns ) in ADAT™ Optical and TDIF™ formats
Integrated meterbank for all inputs and outputs
2 high resolution superb quality Lexicon effects units
100mm motorized faders, comprehensive dynamic automation
24-bit ADCs and DACs (128x oversampling) & 56-bit internal processing
MIDI Controller mode to remote control your sequencers & synths.

Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 20 inputs as standard and 18 outputs (including Auxs and Direct Outs). In addition to mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. There are also four stereo inputs for keyboards or other stereo instruments. SX's 8 Direct Outs are fader pre/post switchable so they are equally useful for recording in the studio or at a gig.
12 mic/line inputs are equipped with Soundcraft's UltraMic™ preamp giving a full 60dB or gain range and +22dBu of headroom, meaning that the SX input stage can handle any mic or line device. In the EQ section, the classic British 3-band EQ with swept mid benefits for custom designed pots which give greater control across carefully chosen frequencies. There are 2 auxiliary sends, 2 of which can be assigned pre- or post-fader making them equally useful for monitor-heavy live mixes or effects-heavy recording. In addition, there is a separate Mono Output and 2 subgroup outputs.

100mm faders are used through giving more accurate control at mixdown and all pots have been custom designed to give even and consistent response around the entire sweep. The SX fits all of these features into a rugged, compact frame with integral carry handle which can be optionally rack-mounted in to a 10U space.

B 800 Finding the right desk for demanding professional broadcast applications has never been easy. The varied requirements of live TV broadcast, production and live radio work, and OB installations means that only highly customised versions of existing mixers have been suitable - especially when space is at a premium. The Soundcraft B800 changes this.
The B800 is a specialised yet highly flexible modular broadcast mixer, drawing on Soundcraft’s experience of designing and customising consoles for the broadcast audio market. Extensive configuration options available within modules mean that the features and flexibility you would previously have expected only on a customised desk are available within the B800's compact frame. In terms of audio routing, remote control and signalling facilities, the B800 sets a new standard for versatility, and compact, ergonomic efficiency.

B 400 Radio production, live, and outside broadcast each demand specific qualities in a mixing console, and addressing these disciplines in a single desk requires flexibility and uncompromised fidelity. The Soundcraft B400 takes these tasks in its stride while offering the additional benefits of inherent reliability, serviceability and Soundcraft’s unique experience in the field of broadcasting.
Based on the highly successful B800, the B400 delivers a level of configurability unrivalled in its class. Input frames can comprise any combination of Mono, Stereo and Stereo Telco modules. 8 Mono or 4 Stereo Groups can be specified while the individual Monitor, Communications and Stereo Master Modules, fitted to the B400 as standard, offer a range of facilities to satisfy the most demanding engineer.

The B100 is designed for use when high quality stereo recording or editing is required. A compact unit, it is equally suited to studio or mobile work. Standard features include a built-in loudspeaker, a phase meter and insert points on mono and master outputs.

RM105 Designed for use in local radio and other broadcast applications where ease of use must be married with an added level of functionality, the Soundcraft RM105 is a fully modular on-air console which provides a versatile and cost-efficient studio control package. The RM105’s frame can be specified to be 8, 12 or 20 channels wide. Mono, Stereo, Telco and Source Select input modules are available, in addition to a Master Module which is included as standard.

The RM1d is Soundcraft’s first digital On-Air radio console. Designed for quality-conscious self-op studios, it combines the benefits of an all-digital signal path with the simplicity of control previously associated with analogue consoles. A pool of assignable digital and analogue inputs are provided. • 6-fader and 12-fader-plus-script-tray frames. New V3 Software Now Available, Click here.
4x mono mic/line inputs with switchable 48V (8x on 12-fader)
Analogue inserts on two of the mic/line inputs (4x on 12 fader)
2x analogue stereo line inputs (4x on 12-fader)
4x AES/EBU inputs plus 1xS/PDIF input (8x AES, 2x S/PDIF on 12-fader)
4x analogue clean feed outputs (6x on 12 fader) allow telco operation
Analogue outputs for Main Programme x2, Aux, PFL, Control Room and Studio
Headphone outputs for C/RM, Studio and Guest
4x stereo analogue External Monitor Source inputs
2x AES/EBU and 1x S/PDIF outputs (4x AES and 2x S/PDIF on 12-fader)
Fader start/cue lamp relays output on all channel faders
Each input channel has gain trim, dynamics processor, 3-band EQ, 2x mono (or 1x stereo) Aux send and Pan control, via central assignable strip
All console settings can be stored in configuration memories (Presets)
Integral meterbridge, with VU or PPM meter options plus dual timers and Cue speaker