As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles.

The simple but intuitive outputs make the overall configuration of the console extremely quick and easy to use.
Specifications
Inputs (total): 38
Mono Inputs (Mic/Line) with Inserts: 16
Stereo Line/Mono Mic Input Channels: 4/4
Stereo Effect Returns (Line): 4
Stereo Tape Return (Line): 1 left/right
Busses: 15
Subgroups: 4
Aux Pre-Fader (Monitor): 2
Aux Post-Fader (Effects): 2
Aux switchable Pre/Post Fader: 2
Master L/R: 2
Mono PFL: 1
Stereo PFL: 2

Outputs
Subgroups (with Inserts): 4 impedanced balanced 1/4" jacks
Aux Pre-Fader (Monitor): 2 XLR (balanced)
Aux Post-Fader (Effects): 2 impedanced balanced 1/4" jacks
Aux switchable Pre/Post-Fader: 2 XLR (balanced)
Master (with Inserts): 2 XLR (balanced)
Master B Out (switchable Mono/Stereo, pre-post fader): 2 XLR (balanced)
Tape Send (Recording): 1 Stereo (Phono)
Direct Outputs (1/4" jack): 16
Stereo Headphones: 2 Stereo 1/4" jacks
Stereo Speakers: 2 impedanced balanced 1/4" jacks

Additional Features
Connector for desk lamps: 2 x 12V/5W (4-pin XLR)
Accessories: Dust Cover (included), 12 V Desk Lamp (not included), Input Transformer (not included)
Input Impedance
Mic: 2 kohms balanced
Line: 20 kohms balanced
Input Gain
Mic: Continuously variable 0dB to +60dB
Line (mono channel): Continuously variable -20dB to +40dB
Line (stereo channel): Continuously variable: -10dB to +20dB
Line Level Inputs: 0dB
Maximum Input Level
Microphone and Line: +22dBu
Line Level Input (mono): +42dBu
Line Level Input (stereo): +22dBu
CMR at 1kHz
Mic (Gain +30dB): >80dB
Line: >40dB
CMR at 100Hz
Mic (Gain +30dB): 70dB typical
Frequency Response: 20Hz-20kHz, Mic to Mix (Gain +60dB) +0/-1dB
Noise (20Hz-20kHz)
Mic EIN ref. 150 ohms gain +60dB: -129dBu
Mic EIN ref. 150 ohms gain 0dB: -107dBu
System Noise (20Hz-20kHz)
Summing Noise (12 channels routed, faders down): -90dBu
Line to Mix Noise (12 channels routed at 0dB): -84dBu
Distortion at 1kHz
Mic to Insert (+30dB gain, +20dBu output): Typ. 0.0007%
Mic to Master (+30dB gain, +20dBu output): <0.009%
Crosstalk at 1kHz
Channel to Channel: <-80dB
Mix to Mix: <-80dB
Channel to Mix: <-80dB
Fader Attenuation: >100dB
Switch Rejection: >100dB
Output Impedance
Line Outputs: 75 ohms balanced
Headphones: to drive 32 ohms
Maximum Output Level
Master Outputs: +25dBu
Line Outputs: +22dBu
Headphones: +22dBu/600 ohms
Nominal Signal Level
Microphone: -60dBu to 0dBu
Line: 0dBu
Equalizer Mono Channel
Hi Pass Filter: 2nd order Butterworth, 80Hz
Treble: +/-15dB @ 12kHz (shelf)
Hi Mid: +/-15dB continuously variable 100Hz to 2kHz (1 oct)
Lo Mid: +/-15dB continuously variable 400Hz to 8kHz (1 oct)
Bass: +/-15dB @ 80Hz (shelf)
Eqalizer Stereo Channel
Treble: +/-15dB @ 12kHz (shelf)
Hi Mid: +/-15dB @ 3kHz (1,4 oct)
Lo Mid: +/-15dB @ 300Hz (1,4 oct)
Bass: +/-15dB @ 80Hz (shelf)
Dimensions (W x D x H): 27.5" x 22.4" x 7.6" (698 x 568 x 194 mm)
Weight: 46.5 lbs (21.1 kg)

The Verona series consists of 6 models ranging from 24 up to a massive 64 inputs, and incorporates all the features and components that make it look, sound and feel like a true Midas. It has been designed from the ground up by the same team responsible for the XL4 and the Heritage Series consoles, including the industry-standard Heritage 3000.

Anyone who has ever bought a Venice and loved it is going to be captivated by the Verona – you get more inputs, more features and that all-important Midas quality. Available as an install or touring package the Verona will handle anything from houses of worship to broadcast / recording, theatre to corporate applications, and of course concert sound.

The Verona series consists of 6 models ranging from 24 up to a massive 64 inputs, and incorporates all the features and components that make it look, sound and feel like a true Midas. It has been designed from the ground up by the same team responsible for the XL4 and the Heritage Series consoles, including the industry-standard Heritage 3000.

Anyone who has ever bought a Venice and loved it is going to be captivated by the Verona – you get more inputs, more features and that all-important Midas quality. Available as an install or touring package the Verona will handle anything from houses of worship to broadcast / recording, theatre to corporate applications, and of course concert sound.

The Verona series consists of 6 models ranging from 24 up to a massive 64 inputs, and incorporates all the features and components that make it look, sound and feel like a true Midas. It has been designed from the ground up by the same team responsible for the XL4 and the Heritage Series consoles, including the industry-standard Heritage 3000.

Anyone who has ever bought a Venice and loved it is going to be captivated by the Verona – you get more inputs, more features and that all-important Midas quality. Available as an install or touring package the Verona will handle anything from houses of worship to broadcast / recording, theatre to corporate applications, and of course concert sound.

Aptly named, the Legend 3000 represents the first of a new generation of semi-modular multi-application live production mixing consoles which combine all the hallmarks of traditional Midas sound quality with some truly unique features at unprecedented affordability.

It is designed for the tour operator, hire company or installer who cannot justify the cost of a Midas Heritage yet who are reluctant to buy a 'second division' console.

Legend includes the XL4's high performance preamps plus the XL3 EQ to deliver the trademark Midas sound, and it uses the same snapshot automation system as its larger cousins, but there are also some innovative new features that make the console particularly attractive.

Firstly, a significant cost saving has been achieved by designing the Legend around blocks of eight channels, yet the clever design means that servicing is still very straightforward. Furthermore, acknowledging that many of the Legend's potential customers need on occasions to provide a monitor mix from the FOH position, Legend delivers a truly unique solution.

Each input channel provides independent FOH and Monitor controls with dedicated EQ and faders.

There are 12 highly flexible mix sends, which may be used individually as foldback or FOH effects sends, and the user has complete freedom in how these are assigned.

The introduction of the Midas Heritage 1000 console was a landmark event for audio professionals everywhere. The Heritage 1000 brings the unmistakable sound and legendary engineering quality of the Midas brand in a light and compact modular frame.

Its sophisticated automation (like a mini XL4) makes it suitable for a variety of applications, but especially for theatres where space is often at a premium.

On top of this Midas' Heritage Theatre Control software allows sound designers the option of creating hundreds of scene snapshots in the comfort of their own home before rehearsals have even started. The standard 8-way matrix, which can be fed from auxiliaries, groups and masters, can be expanded to suit the largest zoning requirements.

The Heritage 1000 also enables traditional Midas customers to use their preferred brand of console for their smaller events, or even link to existing stocks of Heritage consoles for big, complex shows where large numbers of inputs are required (matrix outputs can be swapped for inputs).

The Heritage 2000 offers all the superb audio performance and automation features of the Heritage 3000 in a package that is entirely dedicated to FOH duties.

It is suitable for a variety of applications from rock and roll to theatre to large-scale conferences and conventions and of course OB vehicles.

As with all consoles in the Heritage range, the Heritage 2000 sports the Midas Heritage mic preamp, which is of the highest quality yet produced by Midas, as well as the EQ section.

Sophisticated automation via the on-board computer enables the console to memorise all of the input fader positions to be recalled at a later date, and also memorises the mute status of the board.

Another feature shared with the Heritage 3000 is the Stereo Imaging System (SIS) with true LCR panning and an image width control device that is unique to the Heritage Series.

The first of the Heritage Series, the Heritage 3000 has quickly established itself as the international industry standard in concert sound for FOH and monitor applications.

Defined not only by its striking colour (yes, it's purple) but also by all those things that make it so unmistakably Midas, the Heritage 3000 has proved to be a runaway success from day one.

Firstly, it's flexible - at home in a theatre, an Outside Broadcast Truck, on stage or at front of house, the H3000 offers a unique, easy to use, three position switching system that changes the consoles output functions according to the application.

Secondly it has all of the hallmarks which make it sound so distinctly Midas. They include a new mic amplifier which further improves on the XL4 design giving a CMR improvement of +30dB whilst retaining the XL4's constant HF bandwidth topology, assuring excellent amplifier stability, RF rejection and noise performance at all gains, plus the legendary fully parametric XL4 EQ.

Midas is proud of its heritage, drawing inspiration from the past. But Midas is also looking forward positively embracing the future; seeking to combine the unique skills that have been the backbone of Midas’ philosophy with new exciting concepts. Building on proven design techniques in only a way that Midas can. The New Heritage 4000 is no exception.

The Heritage 3000 quickly became the concert sound standard for live audio mixing consoles as it delivered a package that constantly met the demands of our customers. A great sounding, flexible desk that night after night stands up to the rigors of the road. The New Midas Heritage 4000 adds 16 more busses to this award-winning format and culminates in the ultimate stage monitor console.

The XL4 is the flagship of the Midas range, and rightly occupies the status of the most powerful rental desk in the world, although it also has significant broadcast capabilities (10% of sales are to broadcast facilities for use in OB trucks).

In a nutshell the XL4 is an extremely high performance analogue mixing console with digital control of almost all console switches making it's onboard snapshot automation very attractive. Powerful is an understatement: The XL4 offers 64 mic inputs (including 16 effects returns) and 45 outputs with an additional 8-way matrix section. This, plus the automation features of the XL4 makes it a highly attractive proposition for theatrical applications as well as touring and broadcast.

In terms of audio quality, the XL4 is the most sought-after desk in the world. The features that set it apart from the rest are the quality of its mic preamps with unmatched signal-to-noise ratio for virtually silent operation, and the EQ section where the sonic performance of the legendary XL3 equaliser is maintained including the full parametric mid's and traditional Midas bass and treble shelving responses. In addition the treble and bass sections now have an extended frequency range and are switchable to full parametric operation.