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The power of digital live mixing, finally within reach.
A DIGITAL CONSOLE FOR ANALOG MINDS.
The idea behind Mackie’s new TT24™ Digital Live Console was simple.
We wanted to give engineers all the benefits of live digital mixing
— like instant recall, built-in dynamics, and software control —
within reach of two hands and a modest budget. After spending considerable
R&D time and big bucks designing and refining this concept console,
we proudly introduce the real-world-ready TT24, the first digital
live console designed by analog mixer fanatics.
The TT24 is a fully digital 24-bit/96kHz mid-sized console which
gives engineers full automation and recall of levels, EQ, effects,
routing and more. And unlike other affordable digital consoles,
designed primarily as recording desks, the TT24 puts gobs of standard
analog and digital I/O right on the rear panel. Not to mention being
far easier to learn and use by the average live sound engineer.
| SR
32 |

SR32
the best value 4-bus live sound mixers ever offered. But being
basically insecure, we decided to make them even better. The
VLZ Pro versions include:
XDR
mic preamps with 60dB gain range, 130dB dynamic range, 192kHz
bandwidth, 0.0007% THD
Best RFI resistance of any compact SR mixer in the galaxy
thanks to advanced DC-pulse transformers.
New ultra-high-performance 2068 op amps for incredibly low
noise and distortion
Improved cooling for even greater thermal protection in hot
environments.
On stage (or in the studio), XDR microphone preamps and VLZ®
give these mixers fantastic headroom, astonishing fidelity
and an absolutely subterranean noise floor. The SR24•4-VLZ
PRO and SR32•4 VLZ PRO also have main and submix amplifiers
that use our distinctive negative gain mix architecture, which
provides double the mix headroom of conventional designs.Four
buses make live mixing a breeze because you can submix groups
of inputs and then control them with one fader – for
example all of your background vocals or all your drum mics.The
SR24•4-VLZ PRO has 20 mono mic/line channels with XDR
mic preamps PLUS two special line level channel strips. The
SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels
plus two special line level channels
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| SR
24 |

SR24
the best value 4-bus live sound mixers ever offered. But being
basically insecure, we decided to make them even better. The
VLZ Pro versions include:
XDR
mic preamps with 60dB gain range, 130dB dynamic range, 192kHz
bandwidth, 0.0007% THD
Best RFI resistance of any compact SR mixer in the galaxy
thanks to advanced DC-pulse transformers.
New ultra-high-performance 2068 op amps for incredibly low
noise and distortion
Improved cooling for even greater thermal protection in hot
environments.
On stage (or in the studio), XDR microphone preamps and VLZ®
give these mixers fantastic headroom, astonishing fidelity
and an absolutely subterranean noise floor. The SR24•4-VLZ
PRO and SR32•4 VLZ PRO also have main and submix amplifiers
that use our distinctive negative gain mix architecture, which
provides double the mix headroom of conventional designs.Four
buses make live mixing a breeze because you can submix groups
of inputs and then control them with one fader – for
example all of your background vocals or all your drum mics.The
SR24•4-VLZ PRO has 20 mono mic/line channels with XDR
mic preamps PLUS two special line level channel strips. The
SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels
plus two special line level channels
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| 32.8 |

The
32•8 and 24•8. Mackie's 8•Bus
Series has never been equalled for sound quality.
The
8•Bus series was designed to eliminate the last barrier
between you and audio creativity – the 32•8, 24•8
are capable of sound quality equal to or better than that
of $100,000 console. 8•Bus consoles have recorded more
platinum albums and major motion picture soundtracks than
any other mixer in their class – they set the standard
for affordable 8-bus consoles.
Excellent
for project studios and digital multitrack recording, when
combined with digital multitrack or hard disk recording systems,
a Mackie 8•Bus console can create not just major label
CDs, but major motion picture soundtracks and network quality
commercials.
Features
include low-noise/high-headroom mic preamps on every channel,
as well as channel inserts and direct outs. In the channel
strip you'll find Mackie's truly musical EQ – with Hi
and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid
EQ – as well as our Low Cut Filter, which allows you
to eliminate mic thumps and room rumble from your mix, and
use your EQ for music and vocals.
With
Mix B, "in-line monitoring" is a breeze. Six aux
sends and six aux returns allow you to use all the effects
you want. And the 8•Bus's complete talkback and phones
level controls make communicating with the talent a snap.
There's much more:
When
you get right down to it, the 8•Bus series of recording
consoles is a value at many times the price. The fact that
artists and producers of every shape and size have sworn by
them means when you buy an 8•Bus you'll be in good company.
Available in 32, and 24 channel consoles
Loads of outputs for easy multitracking
Mackie's premium mic preamps on every channel (with phantom
power for use with condenser mics)
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & "Q"
controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/oct @ 75Hz) on every channel
6 stereo (2 assignable) aux returns
Extensive routing capabilities
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| 24.8 |

The
32•8 and 24•8. Mackie's 8•Bus
Series has never been equalled for sound quality.
The
8•Bus series was designed to eliminate the last barrier
between you and audio creativity – the 32•8, 24•8
are capable of sound quality equal to or better than that
of $100,000 consoles.
8•Bus consoles have recorded more platinum albums and
major motion picture soundtracks than any other mixer in their
class – they set the standard for affordable 8-bus consoles.
Excellent
for project studios and digital multitrack recording, when
combined with digital multitrack or hard disk recording systems,
a Mackie 8•Bus console can create not just major label
CDs, but major motion picture soundtracks and network quality
commercials.
Features
include low-noise/high-headroom mic preamps on every channel,
as well as channel inserts and direct outs. In the channel
strip you'll find Mackie's truly musical EQ – with Hi
and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid
EQ – as well as our Low Cut Filter, which allows you
to eliminate mic thumps and room rumble from your mix, and
use your EQ for music and vocals.
With
Mix B, "in-line monitoring" is a breeze. Six aux
sends and six aux returns allow you to use all the effects
you want. And the 8•Bus's complete talkback and phones
level controls make communicating with the talent a snap.
There's much more:
When
you get right down to it, the 8•Bus series of recording
consoles is a value at many times the price. The fact that
artists and producers of every shape and size have sworn by
them means when you buy an 8•Bus you'll be in good company.
Available in 32, and 24 channel consoles
Loads of outputs for easy multitracking
Mackie's premium mic preamps on every channel (with phantom
power for use with condenser mics)
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & "Q"
controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/oct @ 75Hz) on every channel
6 stereo (2 assignable) aux returns
Extensive routing capabilities |
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| 1604vlz |

Mackie
1604 VLZ ProAudio professionals view the
1604-VLZ Pro as the top compact mixer choice for any live
or recording application where sound quality, ease of use,
and durability are essential. Not only is the 1604-VLZ Pro
perfect for live sound recording and small- to medium-sized
studio recording, it also has excellent submixing capabilities
with its ample number of XDR mic preamps and a large host
of features.
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| 1642vlz |

1642-VLZ
Pro compact mixer is intended to bridge the gap between the
1402-VLZ Pro and the 1604-VLZ Pro, and we must say it does
so nicely! The 1642-VLZ Pro, with its compact size and rich
feature set, is an ideal choice for home and project studios
as well as in video post-production applications.
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| 1402vlz |

The
1402-VLZ Pro is the ideal compact mixer for small
home project studio owner looking for an economical solution
for their audio needs. Also, because of its many features
and its durability, the 1402-VLZ Pro can be used for extra
studio-grade preamps as aux inputs for a larger mixing console.
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| 1202vlz |

Mackie
1202-VLZ Pro packs the same legendary punch as Mackie’s
other VLZ-Pro compact mixers. The 1202-VLZ Pro is the ideal
compact mixer for home and project studios looking for an
economical solution for their audio needs. Thanks to its compact
size and durability, the 1202-VLZ Pro can be used in the studio
and on the road.
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| CFX20 |

CFX20
The First Effects Mixers That Don’t Scream ‘Cheap’
High-headroom mic preamps with RF rejection
20 channels (16 mic/line mono, and 2 stereo line channels)
32-bit EMAC™ digital effects with 9 reverbs, 4 delays,
phaser, chorus, flange; 2 parameter controls + EFX wide spatial
expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends
on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channel
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via
Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack
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| CFX16 |

CFX16
The First Effects Mixers That Don’t Scream ‘Cheap’
High-headroom mic preamps with RF rejection
16 channels (12 mic/line mono, and 2 stereo line channels)
32-bit EMAC™ digital effects with 9 reverbs, 4 delays,
phaser, chorus, flange; 2 parameter controls + EFX wide spatial
expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends
on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channel
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via
Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack
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| CFX12 |

CFX12
The First Effects Mixers That Don’t Scream ‘Cheap’
High-headroom mic preamps with RF rejection
12 channels (8 mic/line mono, and 2 stereo line channels)
32-bit EMAC™ digital effects with 9 reverbs, 4 delays,
phaser, chorus, flange; 2 parameter controls + EFX wide spatial
expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends
on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channel
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via
Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack
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| DFX12 |

DFX12
Mixers for hands-on musicans.
We designed the new DFX Series mixers for folks who don't
have the luxury of a front-of-house sound technician. Working
professionals who have to control their own mix while making
music - and have to do their own set-up and tear-down.
What
does that mean? It means that we've made the DFX•12
and DFX•6 extremely easy to use. For example, if you
have a front-of-house sound person to control your effects
levels, they can locate a small knob and tweak it.
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| DFX6 |

DFX6
Mixers for hands-on musicans.
We designed the new DFX Series mixers for folks who don't
have the luxury of a front-of-house sound technician. Working
professionals who have to control their own mix while making
music - and have to do their own set-up and tear-down.
What
does that mean? It means that we've made the DFX•12
and DFX•6 extremely easy to use. For example, if you
have a front-of-house sound person to control your effects
levels, they can locate a small knob and tweak it.
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| 808M |

PPM
Series 808M features:
1200
real watts/2 ohms from twin 600-watt FR Series High-Current
power amps
Power amps switchable as mains or main plus monitor
8 mic/line channels with master phantom power
Dual line inputs on channels 7 and 8
Inserts on channels 1-6
Active 3-band EQ on each channel
2 separate 9-band, audiophile-quality graphic EQs-- one on
mains and one on monitor
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| 406M |

PPM
Series 406M features: 500 real watts/2 ohms
from twin 250-watt FR Series High-Current power amps
Power amps switchable as mains or main plus monitor
6 mic/line channels with master phantom power
Inserts on all 6 channels
Active 3-band EQ on each channel
2 separate 9-band, audiophile-quality graphic EQs-- one on
mains and one on monitor
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| D8B |

Mackie
D8B The best way to sell yourself on the Mackie D8B
Digital 8-Bus Mixer is to ask someone who owns one. From Grammy-winning
producers and engineers like Walter Afanasieff , Don Was,
and Ed Cherney, to artists like Crystal Method and Naughty
By Nature, the D8B is the standard for powerful, easy-to-use
digital mixing.
When
you sit down at a Digital 8•Bus, you'll feel as well
as hear a difference. It is as intuitive and easy to use as
an analog console because the D8B is the only mid-sized digital
console designed by large-console automation specialists.
Now, with 5.1 software and a wealth of 3rd-party plug-ins,
the D8B boasts an incredibly sexy new interface, Pro Tools
control capabilities, Surround monitoring and so much more
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