SR32 the best value 4-bus live sound mixers ever offered. But being basically insecure, we decided to make them even better. The VLZ Pro versions include:

XDR mic preamps with 60dB gain range, 130dB dynamic range, 192kHz bandwidth, 0.0007% THD
Best RFI resistance of any compact SR mixer in the galaxy thanks to advanced DC-pulse transformers.
New ultra-high-performance 2068 op amps for incredibly low noise and distortion
Improved cooling for even greater thermal protection in hot environments.
On stage (or in the studio), XDR microphone preamps and VLZ® give these mixers fantastic headroom, astonishing fidelity and an absolutely subterranean noise floor. The SR24•4-VLZ PRO and SR32•4 VLZ PRO also have main and submix amplifiers that use our distinctive negative gain mix architecture, which provides double the mix headroom of conventional designs.Four buses make live mixing a breeze because you can submix groups of inputs and then control them with one fader – for example all of your background vocals or all your drum mics.The SR24•4-VLZ PRO has 20 mono mic/line channels with XDR mic preamps PLUS two special line level channel strips. The SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels plus two special line level channels

SR24 the best value 4-bus live sound mixers ever offered. But being basically insecure, we decided to make them even better. The VLZ Pro versions include:

XDR mic preamps with 60dB gain range, 130dB dynamic range, 192kHz bandwidth, 0.0007% THD
Best RFI resistance of any compact SR mixer in the galaxy thanks to advanced DC-pulse transformers.
New ultra-high-performance 2068 op amps for incredibly low noise and distortion
Improved cooling for even greater thermal protection in hot environments.
On stage (or in the studio), XDR microphone preamps and VLZ® give these mixers fantastic headroom, astonishing fidelity and an absolutely subterranean noise floor. The SR24•4-VLZ PRO and SR32•4 VLZ PRO also have main and submix amplifiers that use our distinctive negative gain mix architecture, which provides double the mix headroom of conventional designs.Four buses make live mixing a breeze because you can submix groups of inputs and then control them with one fader – for example all of your background vocals or all your drum mics.The SR24•4-VLZ PRO has 20 mono mic/line channels with XDR mic preamps PLUS two special line level channel strips. The SR32•4 VLZ PRO has 28 XDR-equipped mic/line channels plus two special line level channels

The 32•8 and 24•8. Mackie's 8•Bus Series has never been equalled for sound quality.

The 8•Bus series was designed to eliminate the last barrier between you and audio creativity – the 32•8, 24•8 are capable of sound quality equal to or better than that of $100,000 console. 8•Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class – they set the standard for affordable 8-bus consoles.

Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8•Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials.

Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ – with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ – as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals.

With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8•Bus's complete talkback and phones level controls make communicating with the talent a snap. There's much more:

When you get right down to it, the 8•Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8•Bus you'll be in good company.
Available in 32, and 24 channel consoles
Loads of outputs for easy multitracking
Mackie's premium mic preamps on every channel (with phantom power for use with condenser mics)
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/oct @ 75Hz) on every channel
6 stereo (2 assignable) aux returns
Extensive routing capabilities

The 32•8 and 24•8. Mackie's 8•Bus Series has never been equalled for sound quality.

The 8•Bus series was designed to eliminate the last barrier between you and audio creativity – the 32•8, 24•8 are capable of sound quality equal to or better than that of $100,000 consoles.
8•Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class – they set the standard for affordable 8-bus consoles.

Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8•Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials.

Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ – with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ – as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals.

With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8•Bus's complete talkback and phones level controls make communicating with the talent a snap. There's much more:

When you get right down to it, the 8•Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8•Bus you'll be in good company.
Available in 32, and 24 channel consoles
Loads of outputs for easy multitracking
Mackie's premium mic preamps on every channel (with phantom power for use with condenser mics)
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/oct @ 75Hz) on every channel
6 stereo (2 assignable) aux returns
Extensive routing capabilities

Mackie 1604 VLZ ProAudio professionals view the 1604-VLZ Pro as the top compact mixer choice for any live or recording application where sound quality, ease of use, and durability are essential. Not only is the 1604-VLZ Pro perfect for live sound recording and small- to medium-sized studio recording, it also has excellent submixing capabilities with its ample number of XDR mic preamps and a large host of features.

1642-VLZ Pro compact mixer is intended to bridge the gap between the 1402-VLZ Pro and the 1604-VLZ Pro, and we must say it does so nicely! The 1642-VLZ Pro, with its compact size and rich feature set, is an ideal choice for home and project studios as well as in video post-production applications.

The 1402-VLZ Pro is the ideal compact mixer for small home project studio owner looking for an economical solution for their audio needs. Also, because of its many features and its durability, the 1402-VLZ Pro can be used for extra studio-grade preamps as aux inputs for a larger mixing console.

Mackie 1202-VLZ Pro packs the same legendary punch as Mackie’s other VLZ-Pro compact mixers. The 1202-VLZ Pro is the ideal compact mixer for home and project studios looking for an economical solution for their audio needs. Thanks to its compact size and durability, the 1202-VLZ Pro can be used in the studio and on the road.

CFX20 The First Effects Mixers That Don’t Scream ‘Cheap’

High-headroom mic preamps with RF rejection
20 channels (16 mic/line mono, and 2 stereo line channels)
32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channel
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack

CFX16 The First Effects Mixers That Don’t Scream ‘Cheap’

High-headroom mic preamps with RF rejection
16 channels (12 mic/line mono, and 2 stereo line channels)
32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channel
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack

CFX12 The First Effects Mixers That Don’t Scream ‘Cheap’

High-headroom mic preamps with RF rejection
12 channels (8 mic/line mono, and 2 stereo line channels)
32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
External and internal EFX sends
EFX to Monitor control
9-band stereo graphic equalizer
Inserts on all mic channels and main mix
True 4-bus design with direct sub outs and L/R assign
2 Pre/Post Aux sends and internal/external FX level sends on each channel
3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
4-band EQ on stereo line channels
Pan, Mute, PFL solo on each channel
Inserts and 100Hz low-cut filters on all mic/line channels
Subwoofer output from built-in 18dB/oct. 75Hz crossover
Ingenious BREAK switch
Headphone output with level control
Tape/CD inputs with level control assignable to Main Mix via Break switch
Logarithmic taper 60mm faders
48V phantom power
12V BNC lamp jack

DFX12 Mixers for hands-on musicans.
We designed the new DFX Series mixers for folks who don't have the luxury of a front-of-house sound technician. Working professionals who have to control their own mix while making music - and have to do their own set-up and tear-down.

What does that mean? It means that we've made the DFX•12 and DFX•6 extremely easy to use. For example, if you have a front-of-house sound person to control your effects levels, they can locate a small knob and tweak it.

DFX6 Mixers for hands-on musicans.
We designed the new DFX Series mixers for folks who don't have the luxury of a front-of-house sound technician. Working professionals who have to control their own mix while making music - and have to do their own set-up and tear-down.

What does that mean? It means that we've made the DFX•12 and DFX•6 extremely easy to use. For example, if you have a front-of-house sound person to control your effects levels, they can locate a small knob and tweak it.

PPM Series 808M features:

1200 real watts/2 ohms from twin 600-watt FR Series High-Current power amps
Power amps switchable as mains or main plus monitor
8 mic/line channels with master phantom power
Dual line inputs on channels 7 and 8
Inserts on channels 1-6
Active 3-band EQ on each channel
2 separate 9-band, audiophile-quality graphic EQs-- one on mains and one on monitor

PPM Series 406M features: 500 real watts/2 ohms from twin 250-watt FR Series High-Current power amps
Power amps switchable as mains or main plus monitor
6 mic/line channels with master phantom power
Inserts on all 6 channels
Active 3-band EQ on each channel
2 separate 9-band, audiophile-quality graphic EQs-- one on mains and one on monitor

Mackie D8B The best way to sell yourself on the Mackie D8B Digital 8-Bus Mixer is to ask someone who owns one. From Grammy-winning producers and engineers like Walter Afanasieff , Don Was, and Ed Cherney, to artists like Crystal Method and Naughty By Nature, the D8B is the standard for powerful, easy-to-use digital mixing.

When you sit down at a Digital 8•Bus, you'll feel as well as hear a difference. It is as intuitive and easy to use as an analog console because the D8B is the only mid-sized digital console designed by large-console automation specialists. Now, with 5.1 software and a wealth of 3rd-party plug-ins, the D8B boasts an incredibly sexy new interface, Pro Tools control capabilities, Surround monitoring and so much more