MX3282A this offers the quality, reliability and flexibility you need to master numerous live sound or recording applications. All channels offer effective equalization plus full-fledged mute, solo and routing functions. Each bus has a separate output, a PFL function, and can be routed to the main mix. Both consoles offer a switchable solo function (PFL or solo-in-place), inserts for all mono channels, subgroups and main mix, balanced channel inputs and outputs and BNC lamp connectors. The MX3282A offers 28 channels (24 mono, 4 stereo) and 8 subgroups plus stereo main bus. A total of 8 aux sends and 4 stereo returns give you extreme flexibility.

MX9000 24 fully inline channels, each with an extensive MIC/LINE and a MIX B/TAPE RETURN path. The MIC/LINE path offers balanced mic and line inputs, an INVISIBLE MIC PREAMP, pad, inserts and a 4-band EQ with two semi-parametric mid-frequency bands, 15 dB of boost/attenuation plus low-cut filter. 6 aux sends are available (pre/post switchable in pairs), plus a pan pot, solo and mute functions, full routing options and 100-mm faders. The MIX B/tape return path features a dedicated 2-band shelving EQ, pan and level controls, mute function and access to aux sends 3 to 6.

The master section offers extensive routing and monitoring options plus control of the 8 group busses and stereo main bus. The precise LED meters can display A or B channel paths and various busses. All crucial inputs and outputs are balanced, and the entire console is based on our renowned ULN circuitry for crystal-clear, noise-free audio and musical sound. The external rack-mountable PSU ensures ample headroom and prevents interference.

MX2442A features the same specs and functions as the MX3282A, but saves a lot of space when 20 channels (16 mono, 4 stereo), 4 subgroups and 6 aux sends will fill the bill. Two of its aux sends are pre/post switchable; the other four share two pots switchable in pairs and are fixed post-fader. Two stereo aux returns are supplied. Like its big brother, the MX2442A also comes with an external, rack-mountable power supply for enormous headroom and clean audio with a minimum of interference.

MX2642A “classic” rack mixer offers eight mono channels with balanced ULN mic/line inputs, inserts, direct outs and 3-band EQ with sweepable mids plus low-cut and four stereo channels with 4-band EQ. All channels feature six aux sends, solo-in-place/PFL and mute functions with status LED’s and flexible routing options. Four additional, freely routable stereo inputs, four stereo aux returns and full-fledged subgroup/master sections with comprehensive monitoring and connection options round out this powerful mixing package.

MX2004A With a total of 20 line inputs plus a 2-track input, unusual flexibility and professional audio quality, the MX2004A has become a favorite for a wide variety of applications. All eight mono channels feature our INVISIBLE MIC PREAMPS, balanced line inputs and inserts. The four stereo channels have dual 1 /4 " connectors. All channels are equipped with first-class equalizers, high-quality faders, PFL/solo-in-place and mute functions. Additional features include two aux sends and two stereo returns, an extra stereo bus plus extensive monitoring and connection options.

UB 2442 FX This is the big cajuna of the whole UB Series. You get all the features you’d expect in an ultra high-quality compact mixer: 16 balanced high-headroom line inputs with dedicated gain controls on stereo channels 13-16, 10 new state-of-the-art, studio-grade IMP “Invisible” Mic Preamps, and an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. There is also an integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets.

Because of their extensive and carefully thought-out routing possibilities, these consoles lend themselves equally to both live and studio use. The prime suspects are high-quality recording studios as well as MIDI-studio applications, small-size PA applications (solo entertainers, duos to quartets, small bands), video edits and similar setups.

The UB 2222fx is the second-largest console in the entire UB Series Mixing Consoles. There are 16 balanced high-headroom line inputs, 8 INVISIBLE MIC PREAMPs (IMPs), 3 aux sends per channel (1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). There are effective, extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels. 2 subgroups with separate outputs for added routing flexibility and 3 multi-functional stereo aux returns with flexible routing are also there. You will also find the integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets.

UB1832fx If you are looking for a capable compact mixer with a breathtaking 3D XPQ stereo surround effect and a 9-band stereo graphic EQ, this is your machine. Of course, you also get 14 balanced high-headroom line inputs, 6 INVISIBLE MIC PREAMPs (IMPs), 3 aux sends per channel (1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). There are effective, extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels. 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing are also there for your convenience. You will also find the integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets.

UB 1622FX all the important elements right here in a 19” form-factor. This compact console offers 12 balanced high-headroom line inputs, 4 INVISIBLE MIC PREAMPs (IMPs), 2 aux sends per channel (1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). You also get an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. The integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets includes reverb, delay, chorus, compressor, tube distortion and others as well as a 1 kHz test tone generator. There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing.

UB1204fx-Pro This is a mixer whose small size belies its incredible versatility and audio performance. You get 8 balanced high-headroom line inputs, 4 INVISIBLE MIC PREAMPs (IMPs), 2 aux sends per channel (1 pre fader for monitoring applications and 1 post fader for external FX devices). There are 2 subgroups with separate outputs for added routing flexibility and 2 multi-functional stereo aux returns with flexible routing round off the list of high-quality features.

DDX3216 The world´s most affordable digital 32-channel* mixer.

*hardware channels and not virtual channels

Our first digital console offers a feature set you won’t find in any other product in its class. In fact, you won’t find some of the DDX3216’s features in any compact digital console. Start with its 32 channels, 16 internal busses and 8 aux sends. Each channel features a fully parametric 4-band equalizer, sweepable high-pass filter, gate, compressor/limiter and phase inversion—all simultaneously operable. The first 16 channels additionally offer a delay function. Add four on-board effects processors that put just about any imaginable effect type at your fingertips, naturally in top quality and also simultaneously accessible.

Then full-fledged dynamic and static automation functions, extensive synchronization options and MIDI implementation, a comprehensive internal I/O patchbay, full digital compatibility and functionality. Plus unusually flexible connectivity and expandability, supported via two expansion slots for ADAT ® , TDIF, AES/EBU interfaces and more. All based on 32-bit floating-point processing (40-bit for the EQ’s).

Imagine all of this in a rack-mountable case and with an intuitive, logically laid out user interface based on excellent software and effective control elements, like motorized ALPS ® faders, assignable channel controls with LED rings, push-and-turn master controllers and a large, backlit LCD display, and you begin to get the picture. A picture that fits perfectly in so many applications, we can’t list them all here: recording, live sound, multimedia, audio for video, broadcasting, installations…
Stop by your dealer’s and test-drive our new digital console. We’re convinced that you’ll agree: life can be so simple. In a word, the DDX3216 is DANALOG—digital with an analog feel.

The new surround update transforms the DDX3216 into a full-fledged surround mixer with extensive control possibilities. Surround-specific settings such as divergence, angle and listener-source distance can be adjusted, you can implement circular movement through the room, and you can record your sound mix using internal automation. In surround mode busses 11 through 16 represent the 6 surround channels, giving you a true 5.1 mix. Besides you can alternate between the standard stereo and 5.1 surround mix or you can use the both at the same time.