Universal Audio 6176 6176 Vintage Channel Strip

Universal Audio 6176 6176 Vintage Channel Strip

The Universal Audio 6176 Vintage Channel Strip is designed for combining the all-tube, alluring sounds of the legendary Bill Putnam-designed 610 microphone preamp, for creating the ultimate recording channel strip, along with the signature FET compression of our 1176LN.

The smooth, yet warn tones of this mic preamp design, and there are two major reasons why the Universal Audio 6176 is found in studios around the world, the first is that it is employed to record everyone from Frank Sinatra all the way to Van Halen, and also the unique characteristics of the compressor.

The Universal Audio 6176 is making the user capable of:

• Record through the all-tube mic preamp derived from legendary Bill Putnam-designed 610 modular console
• Use the "Split" or "Join" switch for separate or series operation of the preamp and compressor
• Compress signals with the 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years
• Shape your tracks through vintage UA, "handmade in the USA," circuits

Two Classics in One

The Universal Audio 6176 is known as the signal path of choice for engineering heavyweights, a big thanks to its hallmark sound and straightforward controls, for engineering heavyweights like Joe Chiccarelli and Vance Powell, plus artists including James Mercer of The Shins, Chris Martin of Coldplay, Wyclef Jean, and Norah Jones. The ability to “Join” or “Split” the compressor and the preamp sections with the use of a simple switch are capable of giving the 6176 an added flexibility. The Universal Audio 6176 is truly a UA’s premier channel strip, and counted as one of the world's finest.

The 610B — A World Renowned Mic Preamp

The 2-610 microphone and instrument preamplifier has received praise from many corners. Michael Cooper, in his review for Mix Magazine, called it "hands-down, the most dimensional mic preamp I've ever heard". Peter Wade, engineer/producer who has worked with acts ranging from Wyclef Jean to Jennifer Lopez, said simply, "This box rocks." The 6176 mic preamp sections maintains the quality and character of the 2-610 while adding high-tension power regulation for improved bass response and a front-panel 15db pad switch.

The 1176LN — A Compressor with Tone

As legendary engineer/producer Andy Johns put it, "The 1176LN is the workhorse compressor." In fact, the 1176LN may well be the most loved compressor in history. Its trademark lightning-quick attack and release times and the tone of it's Class A output amplifier have enhanced countless recordings over the last thirty-five years. We've recreated the 1176LN for the compressor section of the 6176 with the same exacting, attention to detail and tradition we use on our 1176LN. The resulting character, heritage and tone simply cannot be found on other channel strips.

Key Features

All-tube mic preamp section derived from legendary Bill Putnam-designed 610 modular console
Signature 1176LN Class A FET compressor section — heard on countless hit records for more than 40 years
"Split" or "Join" switch allows separate or series operation of the preamp and compressor
High and Low frequency shelving EQ
Variable impedance Input, Gain, and Output levels
Mic, balanced Line, and Hi-Z inputs
Ultra-quiet operation
Stereo interconnection via 1176-SA
Hand-built in USA; backed by 1-Year limited warranty

Preamp:

Microphone Input Impedance: Selectable, 500 Ω(ohms) or 2k
Balanced Line Input Impedance: 20k Ω
Hi-Z Input Impedance: Selectable between 2.2 M Ω or 47 k Ω
Maximum Microphone Input Level: +18 dBu (2k input impedance and 15 dB Pad in)
Maximum Output Level: +20 dBm
Internal Output Impedance: 80 Ω
Recommended Minimum Load: 600 Ω
Frequency Response: 20 Hz to 20 kHz +0, -1 dB
Maximum Gain: 65 dB (500 Ω input impedance)
Signal-to-Noise Ratio > 90 dB (@ maximum gain)

Limiting Amplifier:

Input Impedance: Selectable, 15k Ω (ohms) or 600 Ω
Output Load: Impedance 600 Ω (floating)
Frequency Response: 20 Hz to 20 kHz ± 1 dB
Gain: 40 dB, ± 1 dB
Distortion: > 0.5% T.H.D. from 50 Hz – 15 kHz with limiting, at 1.1 seconds release setting. Output of +22 dBm with no greater than 0.5% T.H.D.
Signal-to-Noise Ratio: > 75 dB
Attack Time: Adjustable, from 20 to 800 microseconds
Release Time: Adjustable, from 50 milliseconds to 1.1 seconds
Stereo Interconnection: Optional, using 1176SA stereo interconnect accessory

General:

Tube Complement: (1) 12AX7A, (1) 12AT7A
Power Requirements: 115V/230V
Power Connector: Detachable IEC power cable.
Fuse: 400 mA time delay (slow blow) / 115 V200 mA time delay (slow blow) / 230 V
Power Indicator Light: 28 V bulb (type 1819)
Dimensions 1: 9" W x 3.5" H x 12.25" D (two rack unit)
Weight: 12 lb.