Blackmagic Design BMD-SWATEMPSW2ME4K ATEM 2 M/E Production Studio 4K

Vendor: Blackmagic Design
Description Blackmagic Design BMD-SWATEMPSW2ME4K ATEM 2 M/E Production Studio 4K The Blackmagic Design BMD-SWATEMPSW2ME4K, also called ATEM 2 M/E Production Studio 4K from Blackmagic Design, is a live event multi camera production switcher that...
$4,335.00
Title

Blackmagic Design BMD-SWATEMPSW2ME4K ATEM 2 M/E Production Studio 4K

The Blackmagic Design BMD-SWATEMPSW2ME4K, also called ATEM 2 M/E Production Studio 4K from Blackmagic Design, is a live event multi camera production switcher that is professionally designed along with 20 video inputs built into a 2RU chassis. Designed capable of supporting NTSC/PAL/HD and Ultra HD 4K (3840x2160) video formats, the switcher is intended for connecting to a wide range of cameras and sources, capable to deliver a single program stream in SD, HD, or Ultra HD video. All this is done live and in real time that comes without any rendering required. The switcher comes featuring a reference video input designed for synchronizing the switcher to other equipment with the use of tri-level or blackburst sync. Each input also comes featuring its own frame synchronizer, which is designed for allowing you to use cameras that do not feature Genlock as well as input video from computer sources.

The switcher is designed for providing a 20 6G-SDI video inputs and one 4K HDMI input, which is designed for sharing a channel that comes with one of the 6G-SDI inputs. Outputs comes with including with three 6G-SDI Program outputs, one HDMI Program output, six 6G-SDI auxiliary outputs. All inputs and outputs are SD/HD/UHD switchable, along with the exception of dedicated down-converted HD Program output for monitoring UHD footage on an SDI-equipped HD monitor. Two independent multi-view outputs are available, in both SDI and HDMI, so you are made capable to monitor up to 16 cameras across two screens.

The switcher comes featuring luma and chroma keyers for real time effects and composites in Ultra HD, with 10-bit processing. Two downstream keyers are made for giving you the ability of using two graphics/logos/titles/lower thirds from up to twenty stored graphics in a wide variety of formats. Additionally, the switcher comes featuring a built-in SuperSource layer switcher which, in addition to the two full M/E's, keyers and DVE, designed for providing an additional four independent DVE channels designed for letting you to re-size and position live cameras, video replays, broadcast graphics, and more.

A built-in 22-input audio mixer is professionally designed for handling the embedded HDMI and SDI audio from the 20 active video inputs as well as audio from the balanced or unbalanced analog audio inputs designed for providing you the flexibility and creative audio options. Audio output comes embedded in the SDI and HDMI stream, as well as available with the use of balanced audio outputs. The control panels connect using the Ethernet port and are made for providing the control of all the features of the switcher. Illuminated front panel buttons on the switcher is designed for giving you the ability to locally select the aux output, while a 2-inch LCD screen built into the front of the unit is allowing you to see the aux output for instant confirmation of the correct output.

Either a Mac or PC running the included ATEM software controls the switcher's operation and settings. For those who like the feel of a physical control panel, the optional ATEM 1 M/E and 2 M/E Broadcast Panels can be used.

Video

  • The ATEM 2 M/E Production Studio 4K switcher supports 4K Ultra HD video (3840 x 2160), which is four times the resolution of Full HD. The video format is set by the user and must be the same across each input, as the switcher cannot scale different input formats to match the project format.
  • The switcher features 20 single link 6G-SDI and one HDMI 4K input, which allows you to connect SD/HD/Ultra HD and computer-based signals to the switcher. However, the HDMI input is shared with one of the SDI inputs, so you can only have a maximum of 20 inputs.
  • The switcher takes reference video in for sync timing, either blackburst or tri-level sync, so that it can interface with other post production equipment.
  • Each input incorporates its own frame synchronizer, which enables you to use cameras that do not have genlock capability or to input computer sources such as Keynote or PowerPoint Presentations.

Audio

The switcher includes a built-in audio mixer for mixing and balancing embedded audio from all 20 video inputs as well as the two audio inputs, each with two channel support. This lets you manually mix sources or you can set mixer inputs to "audio follow video" so your audio crossfades as you switch between sources.

Video Outputs

  • The switcher features two program outputs for the final video, delivering SD/HD/Ultra HD via three 6G-SDI port and one HDMI 4K connector.
  • The switcher features six SDI auxiliary outputs capable of delivering the program out feed with or without the downstream keyer effects in SD, HD and Ultra HD. Control of the Aux output is by front mounted panel buttons, and built-in LCD screen for immediate confirmation of the Aux output.
  • Two independent multi-view outputs available via an SDI or HDMI connectors so you can see up to 16 cameras across two screens.

Effects

Transitions
The ATEM 2 M/E Production Studio 4K switcher features four built-in transitions.

  • Cut: ATEM instantly changes from current program source to the preview source precisely at the moment you hit the button. Cuts can be performed by directly selecting sources on the program bus or more commonly by pressing the cut button to transition to the next source lined up on the preview bus.
  • Mix: Dissolves from one image to another. You can program a pre-set transition rate, or use the included software control panel or available hardware panels to manually transition from one shot to another.
  • Dip: Is similar to the mix/dissolve, except it first it transitions to a color/graphic or video source and then to the next shot.
  • Wipe patterns: With 18 built-in wipe patterns, you can create over 100 different transitions, and the patterns can be inverted or softened and you can customize the color of the border. You can also insert up to three live video streams into the borders.

Key Frameable Transitions

The built-in DVE allows you to create key frame based DVE moves, flying graphics and animated stingers.

Keyers

  • The switcher features four upstream keyers and a DVE, allowing you to layer live video, title, graphics and animation over live video. You can choose from chroma, luma, linear, and pattern keys at Ultra HD resolution with 10-bit processing.
  • Two downstream keyers allow you to add graphics, lower thirds, titles and logos for a polished live production.
  • The DVE allows you to create a picture-in-picture effect.

Control Interface

  • The switcher features back lit front panel control buttons for manual control.
  • The switcher uses an Ethernet connection to interface with control surfaces such as the optional ATEM 1 M/E and 2 M/E Broadcast Panels.
  • You can also control the switcher by using the included ATEM Software Control software from a Mac or Windows computer over Ethernet. You can control all production settings of the switcher as well as directly import graphics from your computer into the switcher's media pool.
  • You set the format for each project you are working on, from SD to HD to Ultra HD, selecting resolution and frame rate. This is accomplished by using either the included software for Mac/PC or via the ATEM 1 M/E or ATEM 2 M/E Broadcast Panel.
  • Using the Ethernet port on the switcher allows you to connect control surfaces directly to the switcher or you can control the switcher across a network.
  • The switcher features a USB port that is used for software updates and to set the switcher's chassis IP address, which can only be done by using a computer running the ATEM Switcher Utility connected to the switcher's USB port.

Rack Mount

The switcher is 2RU in height and has built-in rack mount ears for mounting in a production road case or in a post production facility.

Standards
Ultra HD Support 3840 x 2160p 23.98/24/25/29.97
HD Format Support 720p 50/59.94
1080i 50/59.94
1080p 23.98/24/25/29.97/50/59.94
SD Format Support NTSC: 525/29.97 - 4:3/16:9
PAL: 625/25 - 4:3/16:9
HDMI Input Resolution Supported Input resolutions for computer:
720 x 480i 59.94 Hz
720 x 576i 50 Hz
1280 x 720 50/59.94 Hz
1920 x 1080 50/59.94 Hz
3840 x 2160 23.98/24/25/29.97 Hz

Note: Also supported are: 24, 30, and 60 Hz inputs when switcher is in 23.98, 29.97, and 59.94 Hz formats respectively.
SDI Compliance SMPTE 259M, 292M
Connectivity
Video Inputs 20 x SDI (10-bit SD/HD/Ultra HD switchable)
1 x HDMI Type A (10-bit SD/HD/Ultra HD switchable)
2 Channel embedded audio for SDI and HDMI inputs
Audio Input Digital
20 x Embedded audio via SDI or HDMI

Analog
2 x XLR
2 x RCA
Extra Audio Inputs
1 x XLR Timecode
1 x XLR Talkback
Audio Output SDI Audio Output
2 Channels embedded into SDI outputs
Analog
2 x XLR Program
2 x XLR Montior
Extra Audio Outputs
1 x XLR Timecode
1 x XLR Talkback
Sync Input 1 x SDI, Tri-Sync or Blackburst
Frame Synchronizer 20 x Internal frame synchronizers (all inputs)
Program Output 3 x SDI (10-bit SD/HD/Ultra HD switchable)
1 x HDMI Type A (10-bit SD/HD/Ultra HD switchable)
1 x SDI (Ultra HD to HD downcoverted output)
Preview Output 1 x SDI (10-bit SD/HD/Ultra HD switchable)
Auxiliary Output 6 x SDI (10-bit SD/HD/Ultra HD switchable)
Multi View Output 2 x SDI
2 x HDMI
Multi View Output 1 x SDI
1 x HDMI
Ethernet 1 x 10/100/1000 BaseT input. Allows direct connection between control panel and chassis, or via network
Tally Output Added via Ethernet connection to Blackmagic Designed GPI and Tally Interface product (sold separately)
GPI Added via Ethernet connection

Note: GPI and Tally Interface product are optional and are not included
USB Interface 1x USB 2.0 port
Processing
Color Space Conversion Hardware based, real time
Processing Delay <2 lines
Video Sampling 4:2:2
Color Space REC 601
REC 709
REC 2020
Color Precision 10-bit
Audio Mixer 22 input mixer (2 channels per input)
Selectable On/Off/Audio-Follow-Video
Level and Peak metering
Master gain control
Dedicated analog outputs for monitoring
Built-in Media Players
Quantity 2
Channels 2 x per Media Player (fill and key)
Still Image Capacity 32 with fill and key
Clip Capacity Quantity
2 with fill and key

Maximum Clip Length
Ultra HD: 180 frames
1080p/i: 720 frames
720p: 1600 frames
NTSC/PAL: 3600 frames
Image File Formats Still
PNG, TGA, BMP, GIF, JPEG, and TIFF

Video
TGA sequence

Audio
WAV, MP3, AIFF
Multi-View Monitoring
Display Minimum monitor resolution: 1366 x 768
Number of Windows 2 Multi-view display with 10 x windows for:
Preview
Program
16 x assignable displays
Tally Red for program and green for preview indication

Note: Requires optional Blackmagic Design GPI and Tally interface product
Window Source Labels Yes
Front Panel Controls
Buttons 42 LED buttons for Aux switching
LCD Display LCD display of Aux output
Control Panel
Compatibility ATEM 2 M/E Broadcast Panel (preferred)
ATEM 1 M/E Broadcast Panel
Software Compatibility ATEM Software Control Panel

Mac
OS X 10.8 Mountain Lion
OS X 10.9 Mavericks or later
Windows
Windows 7 64-bit
Windows 8 32/64-bit

Configuration
Set via ATEM Software Control Panel, excluding ATEM chassis IP address which is set via the ATEM Switcher Utility connected via USB to chassis
Extras
Layers 13 total
Keyers 4 x Upstream
2 x Downstream
7 x Linear/Luma
1 x Stinger
4 x Chroma
1 x DVE, with 3D borders and drop shadows
Generators 7 x Pattern
2 x Color
Power
Power Supply 2 x built-in power supply
110/240 VAC, 50/60 Hz

Note: IEC power cord required, not included
Power Consumption 150 W
General
Operating Temperature 32 to 104°F (0 to 40°C)
Storage Temperature -4 to 140°F (-20 to 60°C)
Relative Humidity 0 to 90% non-condensing
Rack Size 2 RU
Dimensions (W x H x D) 19.00 x 3.54 x 9.25" (48.26 x 8.99 x 23.46 cm)
Weight 9.0 lb (4.1 kg)