News & Blog Detail

• Bose DS40F Flush Mount Ceiling Speaker Churches, Restaurants, and hospitality

  Posted In: MuzeekWorld Blog | November 14th, 2011 | Comments:

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  Bose DS40F a very Versatile, high-performance, full-range, flush-mount loudspeaker designed for foreground and background music and speech reproduction in a wide range of installed applications. High output and 125° conical pattern with a frequency range down to 70 Hz. Great for Churches, Restaurants, Schools, retail and offices. You can even use these in your home

  http://www.muzeekworld.com/products/details/40511/Bose+DS40F+White+Freespace+Flush+mount+Ceiling+Speaker+70+Volt

• Yamaha Digital Mixers M7cl-48, Ls9-32 DM2000

  Posted In: MuzeekWorld Blog | November 12th, 2011 | Comments:

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  Purchase a Yamaha digital mixer and receive a FREE meterbridge! Free Meterbridge for the M7cl-48, Free meter bridge for DM2000, Free Yamasha card for the Ls9-32

  call 877-477-6432 ex 101  for complete details

• Bose Freespace 360 Ground Speakers

  Posted In: MuzeekWorld Blog | November 12th, 2011 | Comments:

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  Bose 360′s are used in Schools, Hotels, restaurantrs, Churches..almost anywhee there is a need for ground speakers at an affordable price:

  • Full-range environmental loudspeaker with one downward firing 4.5″ (114 mm) advance composite environmental full-range driver for in-ground or above-ground mounting
  • Domed port grille reflects sound into the listening area for clear, consistent performance
  • Cabinet shape acts as acoustic diffuser directing mid- and high-frequency energy out towards listeners. Base of loudspeaker acts as a tuned, multi-chambered ported enclosure
  • Multi-tap line transformer provides easy-to-change tap settings
  • Tamper-resistant design
  • Internal speaker protection circuit safeguards drivers

• Bose Powermatch Pm8500 8 channel Power amplifier / processor in one

  Posted In: MuzeekWorld Blog | November 12th, 2011 | Comments:

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  Bose PowerMatch PM8500 Power amplifier

  • PowerMATCH™ Class-D Amplifier – New, patent-applied design combines Class-D efficiency with a dual-feedback circuit that continuously monitors and controls both the current and voltage of the output devices. This combination provides the PowerMatch amplifier with the highest-quality output power, audio performance, reliability, and efficiency.
  • QuadBridge™ Output Mode – Outputs can be configured as single, dual, or quad channel modes, which allows 4 kW of power to be allocated between 2 to 8 channels. These software-selectable configurations range from 8 channels at 500 watts, 4 channels at 1000 watts, 2 channels at 2000 watts, or mixed combinations. Dual or quad modes can drive either low-impedance or 70 V or 100 V loads.
  • PeakBank™ Power Supply – Regenerative 4-quadrant power supply with fast-tracking PFC supports high efficiency, while improving the peak burst power for superior transient response and current reserve for bass impact.
  • 8 x 500 W from Single Household AC Mains – The PM8500 delivers 4 kW rated power from a single AC mains outlet, with greater than 75% conversion efficiency.
  • Optimized Loudspeaker Processing – Integrated audio DSP for loudspeaker EQ, crossover, delay, and limiting. When used with RoomMatch™ and other Bose loudspeakers, the presets provide all required signal processing with optimized protection limiting of self-powered loudspeakers.
  • Software Setup and Network Monitoring – All models have USB for Bose ControlSpace^® Designer programming, with PM8500N adding Ethernet network control and monitoring.

• Roland V Piano

  Posted In: MuzeekWorld Blog | November 9th, 2011 | Comments:

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  Roland V Piano with Stand , Free Shipping

  Astounding Piano Sounds and Feel in a Customizable Keyboard!

  Roland’s 88-key V-Piano gives you more than just an incredibly rich and expressive playing experience; it puts the authentic, natural sound and detail of a real piano into a standalone digital unit you simply have to hear to believe! The V-Piano lets you create your own “dream” piano, offering amazing presets as well as sound choices that extend to the smallest details (right down to the hardness of the hammer felts!). You get astoundingly natural feel and response from the keys, and an easy-to-use control panel makes it easy to get stunning sound after stunning sound from the V-Piano!

  Hear it to believe it
  The V-Piano soars above the limitations of past technologies with its revolutionary “living” piano core, allowing every note to respond and evolve naturally, seamlessly, and perfectly without requiring samples. With the V-Piano, there is no velocity switching, and it provides a smooth, natural decay that must be heard to be believed.

  Advanced technology that’s easy to command
  High technology doesn’t have to equate to high complexity for the pianist. With its clean control panel and logically designed user interface, the V-Piano is amazingly fast and friendly to navigate. Even deep-level editing is easy to access and understand. You’ll be customizing and creating new sounds within minutes of first touching the instrument.

  Create your custom dream piano
  With the V-Piano, you can choose from beautifully crafted vintage grand-piano presets or you can create your own custom dream collection. Vary the hardness of the virtual hammer felts. Experiment with exotic string configurations and tunings. Put a world-famous grand under your fingertips or play a futuristic piano that has never been heard before.

  PHA-III Ivory Feel keyboard
  Even the most demanding pianist will appreciate the V-Piano’s new PHA-III Ivory Feel keyboard with Escapement. This advanced keyboard technology reproduces the real feel of ivory for the natural keys and ebony for the sharps, and provides a true grand-piano touch and response. Even the subtle click feel when the “hammer” is released from the key (escapement) is reproduced.

• Yamaha M7CL 48 Digital Mixer Training

  Posted In: MuzeekWorld Blog | November 6th, 2011 | Comments:

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  Please let us know if you have any question post and pre sales. We offer  training on all Yamaha mixers

• Soundcraft Si Compact 24 channel Mixing Console at an Affordable price

  Posted In: MuzeekWorld Blog | November 1st, 2011 | Comments:

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  Drawing on the heritage of Soundcraft’s acclaimed Si Series digital live sound mixers, the Si Compact packs powerful digital mixing facilities along with stunning Lexicon effects into a small footprint console. All this and more without compromising a powerful feature set.

  

  The Si Compact 24 features 24 recallable mic preamps plus 4 stereo returns for a total of 32 inputs to mix. Each input is fully equipped with compressors, gates, parametric EQ, high pass filter and delay.

  All Si Compact consoles have buses and output processing to match the versatility of the inputs, all mix and matrix busses feature a compressor and parametric EQ and graphic EQ always available on every one of the 25 mix buses.

  To complement the channel processing, the Si Compact offers four stereo Lexicon FX processors providing a wealth of sounds and user adjustable parameters.

  Flexible onboard expansion I/O options ensure the Si Compact integrates effortlessly with other system components; along with 24 mic inputs there are two pairs of stereo analog line in, AES in and out, 16 analog line outputs, headphone monitor out and a 64×64 channel expansion card slot capable of utilizing any of the Si series option cards, including AES, AVIOM, CobraNet and MADI. The MADI card, as well as being an interface to multi-track recording systems enables linking the Si Compact to the Soundcraft/Studer stageboxes which extend the I/O power and flexibility; but all this power is nothing without control and here lies the core strength of the Si compact; a comprehensive but simple to use control surface.

  As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of EMMA Lite, the same DSP platform that has helped propel the Si Series to industry standard status; this is united with all the reliability, show management, naming of channels, storing & naming cues and and other features that you expect, but what really sets Si Compact apart from all the others is the simplicity of operation.

  • TOTEM – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
  • BSS GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you never ‘run out’ of processing.
  • 1 Control = 1 Function – With each control dedicated to a given function there is never any ‘layering’ of controls or navigating through screens; this allows the Si Compact controls to be labeled on the surface just as they would have been on any analog mixer.
  • Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs, allowing instant acces to the core functions.
  • Soundcraft FaderGlow – Illuminates the fader slots according to function with clearly defined colors for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you’ll never be lost again.
  • Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen and context menus.

  Key Features

  • 24 Mono Inputs
  • 4 Stereo Channels
  • 14 Mono Aux Busses
  • 4 FX Busses
  • 4 Matrix Busses
  • LRC Mix Busses
  • 4 Stereo Lexicon Effects Engines
  • 4 Mute Groups
  • Harman HiQnet Integration

• Soundcraft Gigrac 1000 Powered Pa System

  Posted In: MuzeekWorld Blog | November 1st, 2011 | Comments:

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  The Soundcraft GIGRAC 1000ST is an integrated stereo audio mixer and amplifier designed for sound reinforcement and P.A. applications. The mixer features a total of 8 line level and 8 microphone input channels with XLR / phone jack combination connectors. All microphone inputs are capable of providing +48V phantom power to condenser microphones. An integrated mono amplifier is capable of driving 500 watts per channel at 4 ohms. A 3-band EQ is provided on all input channels and dual 7-band graphic EQs provides signal contouring of the entire mix before output. An internal effects processor provides quality reverb chorus and delay effects.

  he GIGRAC 1000ST is a great P.A. solution for musicians on the road schools and houses of worship

• Roland V System digital Mixers new R1000 48 track Hard Disk Recorder

  Posted In: MuzeekWorld Blog | October 25th, 2011 | Comments:

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  When integrated with the V-Mixing System, the R-1000 is a powerful tool that will help musicians improve their performance, enable sound techs to deliver a better mix and provide a better interaction between musician, band leader and sound tech.

  Fully Integrated System

  The R-1000 integrates seamlessly with your customer’s existing V-Mixing System. It installs easily between the Digital Snake and V-Mixer with Cat5e cables allowing the R-1000 to see all 160 channels of audio flowing from Snake to V-Mixer and audio patched to the REAC A and B output patchbays on the V-Mixer.

  The R-1000 is seamlessly controlled right from the V-Mixer’s interface for easy patching and arming of tracks for recording along with song selection, marker editing and transport controls.

  * Firmware updates for all V-Mixer consoles will be available from RolandSystemsGroup.com shortly.

  Instant Virtual Rehearsal

  

  Because the R-1000 is seamlessly integrated with the V-Mixing System, recorded multi-track audio can be played back instantly without any re-patching of digital snake inputs from stage or changing to a special mode.

  Now musicians can “hop off stage” and instantly hear their rehearsal performance to check for tuning, tempo and an overall understanding of how their playing fits in the mix. Musicians also benefit by not having to replay their instrument so the sound tech can “dial them in”. One pass by a singer can be looped over and over saving their voice while the sound tech works on mixing their vocal.

  For sound techs, they can work on the mix later, on their own schedule without needing the band present. The R-1000 also becomes an excellent training tool for new operators or experienced operators wanting to experiment with a new mixing technique.

  Virtual Preamp Control

  When engaged, the Virtual Preamp mode allows the sound tech to work on the audio tweaking of a channel including the gain stage on the pre-amp. As the sound tech is working on a virtual rehearsal with tracks playing from the R-1000, an adjustment made to the preamp on the V-Mixer channel will cause the R-1000 to attenuate the signal to simulate changing the preamp on the input. This will also change the physical Digital Snake preamp in the background so it is at the correct level for the next performance.

  * Virtual Preamp control is not available for console inputs

  Easiest to Use Recorder on the Market

  PC recording is popular for live sound applications but it is still burdened by common computer support issues. The R-1000 is a dedicated hardware appliance built for recording. Roland is the industry leader in hardware recording with hundreds of thousands of hardware multi-track recorders in use around the world. Simple operation from the built-in touch screen interface, Mac or PC RCS (Remote Control Software) and deep control integration from the V-Mixer make the R-1000 simple and accessible to any level of user.
  R-1000: 48-Track Recorder/Player
  Dedicated 48-Track Audio Recorder and Player
  Ideally Suited for Many Configurations and Applications

  The R-1000 is an intuitive stand alone, dedicated recorder/player designed to work with the V-Mixing System in any live event or production. You can also connect and use the R-1000 with any digital console that has MADI output capabilities by using the Roland S-MADI REAC MADI Bridge.

  The R-1000 is based on REAC (Roland Ethernet Audio Communication) and eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it with Cat5e/6 (Ethernet/LAN) cable.

  Records in Standard Broadcast WAV Format
  Records up to 48 tracks of 24-bit audio in BWF format
  Removable Hard disk drive ensures smooth integration with DAWs
  Approximately 20 hours recording (44.1/48 kHz) using 500GB HDD
  Stable and reliable capturing live audio
  Multitrack Playback for a Variety of Applications
  Plays up to 48 tracks of 24-bit audio via REAC
  Data can be loaded from external devices
  Marker function enables playback at any designated point
  Analog monitor output and a headphone output
  Flexible Enough to Fit into any Configuration
  Connect with any V-Mixer and control directly from the console
  Connect with any REAC Digital Snake product
  Versatile feature set including video sync, timecode, GPI and RS-232C
  USB ports for backing up data and connecting PC for further software control
  Use with any MADI equipped console in combination with optional S-MADI
  Ideal for Virtual Sound Checks, Rehearsals, Playback and Training
  Connect the R-1000 inline between V-Mixer and Digital Snake for selectable playback or record
  Channels can be set to “pass thru” live from the digital snake inputs, record live input or playback from recorder
  Run a complete sound check to tune the room in a new venue with no need for musicians to come early
  Select the musicians (channels) missing from a rehearsal and continue anyway
  Select all or group of channels for selective audio engineering training

• Yamaha LS9 Refrence Guide

  Posted In: MuzeekWorld Blog | October 19th, 2011 | Comments:

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  StageMix provides remote control of LS9 functions via a simple, intuitive graphical interface from anywhere within wireless range. The software has been specifically designed to allow engineers to adjust monitor mixes from the performers’ positions on stage, directly controlling mix parameters via the iPad rather than having to rely on verbal directions to a second engineer.
  The result is better mixes in less time: a huge advantage during high-pressure pre-show setup. StageMix does not provide remote control of all LS9 parameters, but is focused on the requirements for adjusting monitor mixes on stage.

• Yamaha Ls9-16 and LS9-32 Digital consoles at a low cost

  Posted In: MuzeekWorld Blog | October 19th, 2011 | Comments:

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  Lightweight and Compact for Superior Portability and Handling

  While maintaining the functionality, sound quality, and operability of high-end Yamaha digital mixers such as the PM1D, the LS9 series consoles are small and light enough to be easily transported and set by a single person (LS9-32 = 19.4 kg, LS9-16 = 12.0 kg). Either of these remarkably manageable consoles can deliver advanced features and performance for a wide range temporary live sound systems as well as permanent installations.

  Choose the Model that Suits Your Needs
  The LS9 series includes the 32-mic/line input 64-channel LS9-32 and the 16-mic/line input 32 channel LS9-16. With it’s greater input capacity and bus complement the LS9-32 is an idea choice for larger live sound applications with complex input and output requirements, while the LS9-16 offers maximum handling and operating ease for events and smaller live sound applications.

  No-compromise Analog Circuit Design Delivers the Best Sound in this Class
  The Yamaha PM1D digital mixing console and PM5000 analog console were acclaimed by leading sound engineers around the world for their stunning sound quality. The LS9 series consoles inherit the same type of superior sonic performance thanks to painstaking parts selection and detailed attention to the design of every circuit detail . right down to the power supply and grounding. Of course special attention has been paid to the critical had amplifiers, with outstanding results. Much of the technology developed for the top-end models mentioned above has been unreservedly applied to ensure that these mixers come out at the top of their class.

  Intuitive Interface

  Each input channel features a 100-millimeter fader, ON/OFF key, CUE key, and 6-segment LED level meter that allow analog-style hands-on operation of the primary channel functions. Yamaha’s popular Selected Channel interface allows smooth, intuitive access to the more detailed channel functions via a color LCD display and an array of logically arranged encoders. And no matter what display is showing, you can instantly return to the main display by simply pressing the HOME key. This interface has been refined and proven over many generations of Yamaha digital mixing consoles.

  16 or 32 Mono Input Channels Plus 4 Stereo Input Channels expandable up to 32 or 64 channels in Two Layers
  The LS9-32 has a total of 33 faders and the LS9-16 has 17. The LS9-32 faders control the 32 inputs and stereo output, while the LS9-16 faders control the console’s 16 inputs and stereo output. Since the LS9-32 can handle a maximum of 64 channels while the LS9-16 can handle a maximum of 32 channels, both models feature switchable channel layers with the second LS9-32 layer allowing direct control of channels 33 through 64, and the second LS9-16 layer providing access to channels 17 through 32. Input sources can be freely patched to the channels as required, and a single source can be patched to two channels, for example, with one in the first layer being used for front-of-house feed and another in the second layer for monitoring. Direct LAYER keys allow instantaneous switching between layers. Both consoles also feature four stereo inputs. When you consider the compact dimensions of these consoles, this much input capacity and versatility is a remarkable accomplishment.

  Extensive Channel Functionality
  The LS9 consoles feature recallable head amplifiers that cover a wide 72-dB input range, phantom power, phase switching, a high-pass filter, 4-band full parametric equalization, panning with LCR capability.all the basics. But there’s much more. You can choose from two EQ response types, and each channel features two dynamics processors that can be used for gating, compression, ducking, expansion, and even de-essing. There’s even an attenuator (with boost) that makes it possible to take full advantage of he console’s extra digital word length for extraordinary sound quality. No analog console has ever offered this amount of control.

  16 Mix Buses, 8 Matrix Buses, Plus Stereo and Mono Buses with LCR Mode

  The LS9-32 has 16 analog “omni” XLR outputs on the rear panel, while the LS9-16 has 8. For easy expansion the LS9-32 has two Mini-YGDAI cards slots, and the LS9-16 has a single slot. The expansion slots make it easy to expand the consoles with high-quality analog I/O, or digital I/O in a range of formats. The 16 mix buses can function in either AUX (VARI) or GROUP (FIX) mode. When the AUX (VARI) mode is selected the send point can be set PRE EQ, PRE FADER, or POST FADER. 8 matrix buses are provided in addition to the mix buses, and these can be used for side fill or recorder sends, or anywhere additional sends are required. For easy, efficient monitor mixing a SENDS ON FADER feature instantly assigns to send levels to the consoles faders. The output busses feature many of the same functions as the input channels, including 4-band full parametric EQ and dynamics, for extended output processing capability.

  Virtual Rack with Top-quality Effects

  There’s no need for external effect racks with an LS9 console, both models provide a Virtual Rack that’s packed with a complete range of effects that will cover just about any processing requirements. Up to 4 multi-effect processors can be used simultaneously, and you can use as many as 8 graphic equalizers. The internal effect library offers 48 preset effects . including the acclaimed REV-X reverb effects. In addition to the standard 31-band single-channel GEQ units, you also have 2-channel Flex15GEQ units that allow up to 16 15-point GEQ units to be used simultaneously. Both GEQ types allow convenient band adjustment via the console faders, and the channel ON keys can be used to instantly reset the corresponding band to zero boost/cut.

  Recall Safe and Recall Focus.Right Down to Head Amp Gain

  The LS9 scene memory allows instant store and recall of all console parameters, including head amp gain. The Recall Safe function can be used to exclude specified channels from scene recall operations, making it possible to leave sound effect or MC channels unaffected by scene recall, for example. There’s also the Recall Focus function that makes it possible to specify which function group will be affected by scene recall: head amp, virtual rack, input patch, output patch, input channel, or output channel.

  USB Memory Recorder/Player for Convenient Recording and BGM or Effect Playback

  The LS9 consoles feature a built-in 2-track USB memory recorder and player that eliminates the need for external 2-track devices for many applications. It’s easy to make live recording direct from the console, and it’s also a convenient way to play background music or sound effects. The USB memory player is compatible with MP3, AAC, and WMA file formats at 96, 128, or 196 kbps.

  Detailed Access Management
  LS9 series consoles allow convenient, detailed access management, which can be especially important in fixed installations. User keys (standard USB memory devices) can be issued with different access levels for different users. Access can be controlled in detail, from full console to just a fader or two, as required.

  LS9 Editor Software for Enhanced Operability and Programmability

  The LS9 Editor is a free software viewer/editor application for Windows-based computers. It can be used online in real time for convenient, flexible metering as well as Selected Channel parameter display. LS9 Editor is also a great way to pre-program console setups offline for significantly enhanced efficiency. In permanent installations different operators can keep their own setups individually, and load them in the console as required via a USB memory device. The Editor program is also a great way to manage safe data backups.
  

• Yamaha Ls9 digital Mixers

  Posted In: MuzeekWorld Blog | October 19th, 2011 | Comments:

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  The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles. We offer Consoles at affordable prices, where you can save money. churches get the best price structures from us as end users. please call for best pricing

  32 or 16 mono mic/line input channels plus 4 stereo input channels, expandable up to 64 or 32 channels in two layers.
  16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode.
  Top-peformance analog mic/line preamplifers.
  Compact and light enough for one person to move and set up easily.
  Yamaha Selected Channel interface allows smooth, intuitive access to detailed channel functions via a color LCD display and logically arranged encoders.
  Extensive gating,compression, and equalization facilities.
  Built-in USB memory recorder/player for recording or BGM playback.
  Virtual Rack packed with effects and EQ for just about any processing requirements.
  Scene memory for instant store and recall of all console parameters, including head amp gain.
  Advanced access management includes user keys (standard USB memory devices) that can be issued with different access levels for different users.
  LS9 Editor Software for enhanced operability and programmability.

• JBL Dual 18 inch 4000 Watts of Power

  Posted In: MuzeekWorld Blog | October 12th, 2011 | Comments:

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  Dual JBL 2269H 4″ dual voice coil – dual magnetic gap Differential Drive® woofers with Vented Gap Cooling. Used in Sophisticated dance clubs
  Anywhere high energy subs are required, churches, touring..

• JBL New Marquis Series MD64 Speaker designed for Clubs

  Posted In: MuzeekWorld Blog | October 12th, 2011 | Comments:

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  JBL’s Marquis Dance Club Series is a state-of-the-art family of loudspeaker systems designed specifically for the Dance Club Market. MD46 is a high-power 60° x 40° dual 15″ low-frequency system utilizing dual 2265H Differential Drive transducers, CMCD82H 8″ mid-range driver, 2432H 3″ diaphragm compression driver, and dual ST400 super tweeters. All of the Marquis Series loudspeakers offer unprecedented fidelity, clarity, and breathtaking purity. 2500 watts of power

• Analogway New Smart Quad SQD200

  Posted In: MuzeekWorld Blog | October 12th, 2011 | Comments:

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  NEW Hi-Resolution Seamless Switcher with Quadravision mode for Command and Control Centers, Videoconferencing, Medical Facilities, Courtrooms and Boardrooms
  > 11 inputs (including 2 x DVI-I and 2 SD/HD-SDI)
  > Display of 4 computer or video sources on the main output
  > 12 different pre-programmed templates can be done
  > Numerous effects and seamless transitions
  > A Video Output (SD or HD-TV formats) is included
  

• Aviom A16II Church Monitor Mixing

  Posted In: MuzeekWorld Blog | October 4th, 2011 | Comments:

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  The A-16II allows individual performers to create custom monitor mixes tailored to their individual needs. Designed for use in live performance or in the studio, the A-16II Personal Mixer gives each performer control over channel volume, grouping, pan, stereo spread, and master volume and tone. Every Personal Mixer in a system can create a unique monitor mix for a performer. Users can save and recall up to sixteen custom mixes as presets in their Personal Mixer.

  Stereo output for wired or wireless
  The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors.

  The A-16II Personal Mixer is fully compatible with all Pro16® Series products, including Aviom’s digital interface card for Yamaha® digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign®, Soundcraft®, Innovason®, etc. Look for the A-Net Active™ logo, and see our Partners page for additional information.

  Daisy-chain and power
  Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.

• Aviom A16II Monitor Mixing System

  Posted In: MuzeekWorld Blog | October 4th, 2011 | Comments:

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  Aviom’s Pro16 Personal Mixing system is an easy and economical way to improve monitor mixes, lower stage volume, speed soundchecks, improve the sound in a performance space, and make recording sessions and rehearsals more efficient and more fun. For performers and recording artists in houses of worship, on concert stages, in orchestra pits, in the studio, and on the set, Aviom Personal Mixers give musicians precise, independent control over their monitor mixes.

  Aviom Personal Mixers are easy to learn, simple to use, and flexible enough to integrate into any setup regardless of what type of console you are using or whether performers are using floor wedges, headphones, or in-ear monitors.

  Improve monitor and cue mixes
  Improve sound on stage and in house
  Streamline soundchecks
  Perfect for in-ear monitors
  Simple user interface; no technical skills required to use
  No computer programming

  How It Works

  An Aviom personal mixing system distributes up to 16 channels of audio—typically a combination of inserts, direct outs, and auxes or groups—to individual performers’ Personal Mixers, which performers use to customize their monitor mix. All audio is distributed over standard Cat-5e cables, using Aviom’s A-Net® digital audio connectivity technology.

  An Aviom personal mixing system can be easily tailored to meet the exact needs of any ensemble, facility, or organization. The system is fully modular, nearly infinitely expandable, and very easy to set up, so getting started building a system is simple and straightforward.

• Aviom ALLFRAME Multi modular I/O System

  Posted In: MuzeekWorld Blog | October 3rd, 2011 | Comments:

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  Product Details

  The AllFrame Multi-Modular I/O System replaces traditional analog I/O boxes with a modular digital solution. It’s the ideal answer for permanent installations in theaters, schools, conference centers, and the like, as well as touring and portable live sound. By digitizing the audio input signal where it connects to the network, the AllFrame system keeps analog cabling to a minimum, reducing system complexity and labor costs while delivering improved performance and flexibility.

  Instead of soldering, terminating, and testing scores of analog connections, installing conduit, and pulling separate cables for each audio signal, the AllFrame requires only a single Cat-5e or fiber connection. The unit can be powered over the Cat-5e cable or from a dedicated DC power line, using an external power supply (sold separately).

  Each AllFrame device supports Cat-5e cable runs up to 400ft (120m) between devices, with no loss of fidelity. With integrated fiber optic connectivity, cable runs can be extended to over a kilometer (multi-mode fiber) or tens of kilometers (single-mode fiber).

  As part of Aviom’s revolutionary Pro64 Series, the AllFrame Multi-Modular I/O System provides robust and flexible audio connectivity. Because Pro64′s Auto Mode supports any combination of serial and parallel wiring topologies—without affecting signal flow at any point—I/O points can be placed anywhere an application requires.

• Bose Room Match speaker

  Posted In: MuzeekWorld Blog | September 21st, 2011 | Comments:

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  RoomMatch™ RM5505
  array module loudspeaker

  RoomMatch™ RM5505 array module delivers superb audio quality for fixed-installations in almost any room size, shape, acoustic requirement or budget. Overcoming the acoustic limitations of both line array and point-source conventional designs, RoomMatch™ modules form a new class of curvilinear array that allows seamless audio quality, with consistent front-to-back and side-to-side tonal balance.

• Symetrix 788 Room combiner

  Posted In: MuzeekWorld Blog | September 21st, 2011 | Comments:

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  Selectively combine or separate automixing, paging and background music in up to eight (8) rooms in hotels, banquet halls, schools, and conference venues.
  Hospitality and meeting centers demand easily operated, yet sophisticated audio systems. Complete signal processing, automixing and combining of eight (8) microphones and four (4) background music (BGM) sources into as many as eight (8) rooms, each with comprehensive loudspeaker management. Combinations of audio, page, and BGM routing, including non-adjacent spaces, are assigned in the setup software.
  For real time user control the Symetrix ARC-SWK wall panel (sold separately) is perfectly suited for audio source selection and volume control. Multiple ARC-SWK’s dynamically synchronize as spaces are combined and separated. Preset room combinations can be recalled from the 788’s front panel, the ARC-2i wall panel, or a third-party control systems. “Soft wall” sensors accommodated with eight (8) analog control inputs for a simple triggering of combinations.
  Software Wizards effortlessly guide connection, wall panel programming, and graphical layout of the rooms and their relationships.

• Jupiter by Symetrix, iPhone audio Controlled systems

  Posted In: MuzeekWorld Blog | September 6th, 2011 | Comments:

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  Symetrix Audio Jupiter :
  Control the sound via your iPhone!
  A sound system can make or break a night club, and loudspeaker management is one of the most crucial determining factors. A properly built system will optimize signals for each speaker type, while handling time alignment, room equalization, and FIR filtering to correct for speaker cabinet anomalies. Symetrix speaker management tools are built from an extensive pallet of filters, EQs, crossovers, delays, and other dynamics modules. We support direct integration with Smaart™ measurement software for even greater accuracy and setup speed. Symetrix makes it easy to bring excitement and atmosphere to you nightclub’s sound system.

• Community Dual 18-Inch High-Efficiency Subwoofer ON SALE

  Posted In: MuzeekWorld Blog | August 31st, 2011 | Comments:

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  Community Dual 18-Inch High-Efficiency Subwoofer ON SALE!

  The incredible TLF218 dual 18-inch subwoofer is highly efficient and designed for use with any full-range loudspeaker system. Its ground-shaking performance is enhanced by Active-Air cooling and BCL (Balanced Cone Loading) technology. Active-Air cooling utilizes the bass ports to move outside air over the motor structures of each driver, while BCL technology improves the linearity of the device by equalizing the front and rear air loads. Both features combine to reduce operating temperatures and avoid diminishing output at higher volumes. The TLF218 is designed for easy rigging and portability. Rugged feet and recessed cups facilitate stacking, while the non-obtrusive Ergo-Grip handles insure easy handling. The cabinet is constructed of 13-ply Baltic birch plywood with Community’s abrasion-resistant Tuf-Coat™ finish.
  

• Community High Performance Stage Monitors on SALE!

  Posted In: MuzeekWorld Blog | August 31st, 2011 | Comments:

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  High Performance Stage Monitors

  Community’s M-Class stage monitors allow musicians, orators and vocalists to perform with confidence. This unique family of versatile and low profile monitor systems serves a vast range of demanding applications such as houses of worship, scholastic and corporate auditoriums, nightclubs, and numerous other venues that require clarity of speech, musicality and high power output. From the subtlety of the spoken word in a house of worship to energetic musical performances, Community M-Class has you covered. All M-Class monitors are available in black or white paint finishes.

  M12

  The premium, high performance M12 monitor is ideal for any application where low visibility is a key requirement, including televised and corporate events, houses of worship, as well as theater and stage performances. The M12’s high frequency driver is mounted to a molded one-piece asymmetrical horn with a 90-degree pattern at the top and 40 degree at the bottom, allowing full-range monitor output close up or at a distance. This unique pattern delivers even coverage while keeping energy away from stage walls. The M12 is available in low-luster black or white paint finishes, with the HF horn molded into the faceplate to either the right or left of the LF driver for “mirror-image” pairs.

  MX41E

  The MX41E is a small and versatile two-way full-range bass reflex floor monitor engineered for live performance. Available in a 90 x 40 (MX41E-94) or 60 x 40 (MX41E-64) degree coverage pattern, the horns are rotatable for narrower horizontal coverage. Designed for professionals, the MX41E features a Ferrofluid–cooled LF driver, solid birch plywood enclosure, 16-gauge perforated steel grille, heavy-duty steel handles, steel input panel with a Passive/Bi-amp switch, and Neutrik input connectors. The MX41E is voiced for live sound, providing excellent sound projection, exceptional vocal performance, and balanced musical reproduction.

  NEW! MX8 and MX10

  The ultra low profile MX8 and MX10 feature stylish looks and excellent performance capabilities. Using Community’s proprietary coaxial drivers and DYNA-TECH™ driver protection system, these compact monitors provide professional performance at affordable prices. Conical waveguides eliminate the transition anomalies that occur in most square and rectangular horns, resulting in exceptionally smooth phase and frequency response curves. Their coaxial design means that all of the sound emanates from the same point source. These innovations reduce feedback, improve intelligibility, and provide uniform coverage exactly where it’s needed.

• Club Cubase

  Posted In: MuzeekWorld Blog | August 31st, 2011 | Comments:

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  Club Cubase is a free interactive support group for users of all Steinberg software and hardware who meet at regularly scheduled times to share tips, tricks and insights into the world’s most advanced digital audio workstation. There are chapters in cities all over North America where the informal and supportive atmosphere benefits both seasoned Cubase pros as well as the newest users. There is usually no charge for these meetings.

  Check out these dates:

  New York NY, September 1, 2011, at 6 p.m. at Guitar Center Manhattan
  Steinberg representatives will be on hand to answer any of your Steinberg related questions.

  Salt Lake City UT, September 3, 2011, at 10 a.m. at Guitar Center Salt Lake City
  This month’s topics will include an in-depth look at HALion 4 and discussing other virtual instrument concepts.

  Washington DC, September 3, 2011, at 2 p.m. at Washington Music Center
  This month we will take a look at some of the new Audio Warp time stretching features found in Cubase. We will learn how to change the tempo of multiple audio files including turning a track with tempo changes into a steady tempo. Steinberg representatives will be on hand to answer any of your questions.

  Orlando FL, September 5, 2011, at 6:30 p.m. at YRS MIDI Systems
  YRS MIDI Systems is located at 172 Oxford Rd., Fern Park, FL 32730.

  New Jersey, September 6, 2011, at 7 p.m. at Guitar Center Totowa
  Steinberg representatives will be on hand to answer any of your Steinberg related questions.

  Detroit MI, September 15, 2011, at 7 p.m. at the Recording Institute of Detroit
  The Recording Institute of Detroit is located at 14611 East Nine Mile Rd. Eastpoint MI 48021.

• Shure Beta 58A

  Posted In: MuzeekWorld Blog | August 30th, 2011 | Comments:

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  The Shure Beta 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide.

  The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.

• Shure PSM 900 In Ear Monitors

  Posted In: MuzeekWorld Blog | August 30th, 2011 | Comments:

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  The PSM®900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and category-leading features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button.

  Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity.

• AVID Digidesign SC48 Digital Mixers

  Posted In: MuzeekWorld Blog | August 26th, 2011 | Comments:

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  Get Studio-Quality Sound Live

  When it comes to live productions, VENUE live sound systems deliver amazing sound quality, reliability, efficiency, and ease of use. From intuitive mixing consoles and software to direct Pro Tools integration and creative studio-grade processing at your fingertips, VENUE is shaping the future of live sound.

  Get the amazing sound quality and rock-solid reliability of VENUE all in one compact console. VENUE SC48 is a fully integrated live sound system that combines all I/O, digital signal processing, and tactile control into a single console, making it the most affordable and portable VENUE system yet. The console not only features the celebrated characteristics of VENUE, including studio-quality plug-in support, seamless integration with Pro Tools LE systems, and complete show file portability, it offers several innovative new workflows that streamline the mixing process, allowing you to concentrate on mixing the show instead of operating the board.

• Roland Jupiter 80 On sale

  Posted In: MuzeekWorld Blog | August 25th, 2011 | Comments:

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  Roland jupiter-80 Metamorphosis of Sound

  http://www.roland.com/products/en/JUPITER-80/

  One of the most revered prefixes in the history of synthesis returns. Welcome the arrival of the JUPITER-80—a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL technology. The JUPITER-80’s expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the all-new JUPITER-80!
  Powerful integrated SuperNATURAL synthesis engines designed for legendary vintage synth sounds to realistic organic acoustic sounds and more. Single Tone is equivalent to the performance of powerful single synthesizer—stack four of these to create a mind-blowing “Live Set”
  Tone Blender tweaks multiple parameters of tones in realtime for complex, emotive sonic movement during performance
  Fast, friendly operation with intuitive front panel and color touchscreen optimized for live performance
  76-note semi-weighted synth keyboard, and 256 polyphonic voices (varies according to sound-generator load)
  USB-memory Song Player/Recorder for backing tracks or quick idea capture Easy integration with computers via built-in USB-MIDI/Audio interface

• Bose L1 Compact Systems

  Posted In: MuzeekWorld Blog | August 25th, 2011 | Comments:

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  L1® Compact system

  

  • Bose® Spatial Dispersion™ loudspeaker technology delivers sound evenly across the stage and throughout the audience—even to the extreme sides
  • Two ToneMatch® channels with fixed presets for a handheld microphone and an acoustic guitar
  • Integrated bass speaker in power stand
  • Two setup positions: collapsed for smaller spaces or extended for larger ones
  • Ideal for musical performances, mobile DJs, classrooms, business presentations and other events

  Introducing the L1 Compact portable line array system. Carry it in one trip. Set it up in one minute. Fill the room with Bose sound.

  The L1 Compact system combines conventional PA and monitors into one sleek unit. Positioned behind or to the side of a performer, DJ or presenter, it delivers wide, even sound coverage throughout the stage area and audience—even off to the extreme sides. It’s our smallest, lightest, easiest-to-set-up L1 system, weighing just 29 pounds.

  Big sound. Small package.

  Now you can have quality Bose sound for almost any gig, event or occasion. The L1 Compact system is small enough to fit in your trunk or back seat, and its innovative modular design makes setup easy and fast. You can arrange it in either a collapsed configuration for smaller spaces or a taller, extended configuration for larger ones. No extra gear to haul. No heavy speakers to hoist onto stands. No speaker cables.

  A different loudspeaker

  The L1 Compact system’s slim loudspeaker distributes sound clearly and evenly throughout the room, thanks to Bose Spatial Dispersion technology. The speaker’s unusual vertical shape makes it distinctly different from conventional PA speakers―and has a very positive effect on sound coverage. Even audience and band members off to the extreme sides hear the same clear, tonally balanced sound as those in front.

  The L1 Compact loudspeaker array is smaller than those in L1 Model I and II systems, but it produces comparable horizontal sound coverage. L1 Model I and Model II loudspeakers project sound further with less dropoff of volume than the L1 Compact array.

  Integrated system

  With the L1 Compact system, you don’t have to carry a separate amplifier, mixer or bass cabinet: They’re already built in. The system’s power stand includes an integrated bass speaker and amplifier, plus a built-in mixer providing a total of four inputs and two outputs.

  Channel 1 is a microphone input with a customized ToneMatch preset for a handheld dynamic microphone. The preset automatically optimizes a handheld microphone’s tone when used with the L1 Compact system. Channel 2 accepts up to three inputs at once, including a guitar, keyboard or other instrument, DJ mixer, MP3 player, laptop or projector. It features a customized ToneMatch preset to optimize the sound of an acoustic guitar.

  The L1 Compact system: audio performance, simplified setup and one-trip portability. Only from Bose.

• RCF TTL36-AS Subwoofer

  Posted In: MuzeekWorld Blog | August 25th, 2011 | Comments:

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  RCF

  TTL36-AS

  ACTIVE LINE ARRAY SUBWOOFER MODULE

  

  The TTL36-AS is the ideal flyable bass complement for the TTL55-A array system.

  The clam-shell design guarantees the maximum output per size while the 2 x 4.5” voice coil vented 18” woofer design offers the minimum of power compression. The TTL36-AS is perfect to create flown systems for theatrical and indoor requirements. For very large outdoor systems is the perfect complement to reinforce the TTL55-A bass performance in combination with the ultra powerful TTS56-A subwoofers.

• RCF TT Series Touring speakers

  Posted In: MuzeekWorld Blog | August 25th, 2011 | Comments:

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  TTL55-A

  ACTIVE THREE-WAY LINE ARRAY MODULE

  

  The TTL55-A is a high power, three way, active line array module engineered to deliver an incredible output for use in indoor or outdoor large spaces. The system is designed to be easily scalable from few modules for medium and small theatres to full size arrays for very large outdoor stadia and public spaces.

  The three new designs for the six neodymium transducers that power the system represent the result of many years dedicated in pioneering new solutions using the best materials available on the market. The integration of the 3500 W four channel digital amplification and the advanced digital processing set a new standard for distortion, noise and thermal efficiency.

• HME DX210 2.4GHz Intercom system NEW!!

  Posted In: MuzeekWorld Blog | August 24th, 2011 | Comments:

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  HME DX210 2.4GHz Wireless Intercom System The HME DX210 is a newly-designed, two-channel intercom system that has advanced the capabilities of the legendary DX200. The DX210’s wired intercom interface is now compatible with Clear-Com’s 2-wire systems, and provides two separate 2-wire and 4-wire interconnections. The powerful 1RU base station supports up to 16 full-duplex and 44 half-duplex beltpacks and/or wireless headsets by linking four base stations. The DX210 is paired with the rugged BP210 beltpack and All-in-One WH210 Wireless Headset COMMUNICATOR®s, which have two intercom buttons (IC1/IC2) with ISO. The system is also backward compatible with the DX200 COMMUNICATOR models such as BP200, WH200 and WS200 (Wireless Speaker Station). One of the features in the HME DX210 is a digital auto-nulling circuit, which allows users to eliminate the return audio of the wired 2-wire intercom automatically.  The system offers 2-wire circuit protection to prevent feedback from un-terminated 2-wire channels. The DX210 also has an assignable AUX input for program. The DX210 allows for relay (GPO) actuation with ISO function from either base station or any one of the appropriately configured COMMUNICATORs. The DX210, as with all DX Series systems, features Spectrum-Friendly™ Technology to avoid frequency conflicts and Digital Frequency-Hopping Spread Spectrum (FHSS) technology for interference-free communication.

• Posted In: MuzeekWorld Blog | August 24th, 2011 | Comments:

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  Tempest900 900MHz Wireless Intercom System Tempest900 is the new wireless intercom system that operates in the 900 MHz frequency band, available in 2- and 4-channel versions and comes fully-loaded with the same set of features, functions and operations as the Tempest2400; including the ability to operate in Normal, Split and Shared Modes. The difference is that Tempest900 may provide improved coverage in areas where more structural penetration is required and in large enclosed areas where multipath interference would otherwise be a factor. A single Tempest900 in Normal Mode can support between one and five full duplex wireless users. But, by using a BaseStation in Split or Shared Mode, it can support an unlimited number of users who need to monitor the conversation and can share talk capacity. A total of five Tempest900 BaseStations can be co-located and connected together via their Partyline or 4-wire intercom connections offering a maximum of 25 Tempest full duplex wireless BeltStations operating in close proximity while maintaining excellent system performance.

• Biamp Nexia SP Processors

  Posted In: MuzeekWorld Blog | August 23rd, 2011 | Comments:

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  Nexia SP - DSP Speaker Processor

  Nexia SP is a digital signal processor with 4 line inputs and 8 independent mix outputs. Intended for speaker processing applications requiring line inputs feeding a larger number of discrete outputs, Nexia SP includes a broad selection of audio components, routing options, and signal processing.

  The internal system design is completely user definable via PC software, and can be controlled via dedicated software screens, RS-232 control systems, and/or a variety of optional remote control devices. Multi-unit Nexia systems can be created utilizing Ethernet and NexLink digital audio linking.

  

• Posted In: MuzeekWorld Blog | August 23rd, 2011 | Comments:

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  The EON 210P is a self-contained, portable pa system featuring multiple input channels with individual tone controls, multiple digital effects and convenient output routing capabilities that allow the user to integrate the system into any number of audio environments. With its lightweight and ergonomic design the EON 210P is perfect for situations where ease and portability are just as important as quality and flexibility.

  

• Check out our new iPhone App!!

  Posted In: MuzeekWorld Blog | August 21st, 2011 | Comments:

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  Download the free Muzeek World iPhone App to search, browse, and purchase from our entire inventory of the latest in Audio, Video and Lighting Equipment

  http://itunes.apple.com/us/app/muzeekworld/id415993360?mt=8

• Allen Heath iLIVE iPAD free software try it out

  Posted In: MuzeekWorld Blog | August 21st, 2011 | Comments:

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  iLive MixPad is an engineer’s mixing tool providing easily portable wireless mobile control for the iLive digital mixing system. It is the perfect companion to the iLive Surface or Editor, giving you the freedom to walk the room or stage and control the sound right where it is needed.  It provides a very visual and intuitive multi-touch virtual control surface giving you quick access to the mix sends and channel processing, full signal metering and the ability to configure custom strip layouts to work the way you prefer. See the More Info tab below for more on what you can control with iLive MixPad. Purchase the full MixPad App from the Apple Store. Morehere. Get the Offline MixPad App from the Apple Store. This free version does not connect to the iLive and it does not save any settings, but it does let you get a feel for how the application looks and works. More here.

• Posted In: MuzeekWorld Blog | August 19th, 2011 | Comments:

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  The KB1 is an innovative product. In this sense it fits perfectly into the K-array brand: innovation and quality.
  What makes it special is that it is immediately recognisable as a product which was developed in an environment (K-array) which is orientated towards the “professional” sector.
  Some solutions which have been adopted are unique in the entire panorama of products on offer, and are the same as those used in stage setup during concerts (e.g. the medium-high speaker has the ability to electronically vary the height of sound diffusion); the completeness of the instrumentation: the capacity to load different presets simply and at any time from a PC, the control of entry sound through an integrated professional digital mixer, and the ability to electronically modify the extent and the coverage of the sound vertically, make the instrument versatile and applicable in any situation with notable levels of quality; the materials are those present only in concert systems of high calibre: steel, aluminium and wood are high-quality materials, used in professional level products. This system is going to go on sale, inquire for pricing

• Posted In: MuzeekWorld Blog | August 17th, 2011 | Comments:

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  What’s New in Version 2.0

  Control of Head Amp Gain for each Input Channel.

  Scene Memory Management – Store, Recall, Scene Titles and Comments.

  This version of StageMix is for use with M7CL FIRMWARE V3.5 OR HIGHER

  StageMix provides remote control of M7CL functions

  StageMix provides remote control of M7CL functions via a simple, intuitive graphical interface from anywhere within wireless range. The software has been specifically designed to allow engineers to adjust monitor mixes from the performers’ positions on stage, directly controlling mix parameters via the iPad rather than having to rely on verbal directions to a second engineer.
  The result is better mixes in less time: a huge advantage during high-pressure pre-show setup. StageMix does not provide remote control of all M7CL parameters, but is focused on the requirements for adjusting monitor mixes on stage.

  Mixer Window

  

  Zoom

  The main page of the StageMix is called the “Mixer” window. It shows the EQ curve, CUE and ON buttons, fader and level meters, and channel names for eight adjacent channels.
  Across the top of the screen, all Input, Mix and Matrix level meters and faders are displayed in blocks of eight. This is the “Navigation/Meter Bridge”. Press any of these blocks to select which channels are viewed in the fader strips below.

  SENDS ON FADERS

  

  Zoom

  The color of this button matches those used on the M7CL console. [CUE] and [ON] buttons appear below, allowing the currently active Mix or Matrix bus to be Cued and turned On/Off.

  EQ Editing

  

  Zoom

  Parametric EQ
  One band of EQ can be adjusted at a time. Press one of the green circles to select the band, and it will be highlighted yellow. EQ bands in StageMix are labelled as follows:
  - HP = HPF (input channels only)
  - 1 = Low Band
  - 2 = Low-Mid Band
  - 3 = High-Mid Band
  - 4 = High Band

  

  Zoom

  Graphic EQ
  The upper section of the GEQ setup screen shows GEQ curves and gain levels of all 31 bands. White dot indicates the level position of each band. You can set up each band level by faders shown below it. Settings can be done up to 10 bands at once. Slide the screen to select different bands.

  Head Amp Gain

  

  Zoom

  The head amp gain for each input channel can be controlled using the faders in StageMix. Press the [HA GAIN] button in the lower left portion of the Mixer window to enter HA GAIN mode. This button will turn red and the background behind the channel faders will become red to indicate that StageMix is in HA Gain control mode.

  Scene Memory

  

  Zoom

  From this screen, the parameters on the console can be stored to the Scene Memory, which can also be recalled to the console when selected. Scene Titles and Comments that are shown on this screen can be edited easily by tapping on them.

  Functions

  Controllable Parameters

  Sends on Faders

  Input Channel Faders

  Input Channel On/Off

  Input Channel Parametric EQs

  Input Channel Cue

  Mix Master Faders

  Mix Bus On/Off

  Mix Bus Parametric EQs

  Mix Bus Cue

  Last Cue/Mix Cue Mode

  Clear All Cues

  Graphic EQs

  Head Amp Gain

  Phase Setting

  Scene Memory

  Display Only Parameters

  Input Channel Names

  Input Channel Meters

  Mix/Matrix Bus Names

  Mix Bus Meters

  EQ Input Meter

  EQ Output Meter

  Phantom Power Status

  * Apple and the Apple logo are trademarks of Apple Inc., registered in the U.S. and other countries. iPad is a trademark of Apple Inc

• Audix Live sound Microphone

  Posted In: MuzeekWorld Blog | August 17th, 2011 | Comments:

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  Audix SCX25-A

  Live and Studio Condenser Microphone

  The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shockmounted within an intricate machined brass ring, the SCX25A capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.

  With a smooth uniform frequency response from 20 Hz – 20 kHz, the SCX25A is very consistent when responding to on and off-axis signals, exhibiting excellent phase coherence and minimal proximity effect. The SCX25A is characterized with a wide cardioid polar pattern which enables the sound engineer the opportunity to blend the sound of the instrument or vocal with the sound of the room. Other features include a one-inch (25 mm) gold vapor capsule, miniaturized electronics, and an extremely small footprint. The SCX25A will handle sound pressure levels in excess of 135 dB and will provide up to 20 dB of ambient noise rejection.

  In addition to vocals, the SCX25A is ideally suited to capture acoustic instruments such as piano, guitar, vibes, woodwinds, brass, percussion toys, drum overheads, orchestra and symphony sectionals.

  The SCX25A, which is manufactured to exacting standards and tight tolerances, features a precision machined brass body, innovative capsule suspension system, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector, and heavy duty nylon clip.

  Applications

  • Studio vocals, lead and backing, Voice over, Choir, Ambient room
  • Piano, drums, overheads, sax, guitar
  • Innovative design with isolated capsule suspension system
  • Miniaturized pre-amp. Extremely small footprint (only 4 inches long)

  Specifications
  Type	Condenser
  Polar Pattern	Cardioid
  Frequency Response	20Hz – 20kHz
  Impedence	200 ohms
  Sensitivity	@1k 28 mV/Pa

  Reviews

  

• FSR Wall Plate FLEXIT

  Posted In: MuzeekWorld Blog | August 16th, 2011 | Comments:

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  The Flex-LT is a self contained control system that has a vast number of features and a price point that everyone can afford. The Flex-LT mounts in a wall or sits on a desk and presents the user with an easy-to-use and understand color touch screen. Through the touch screen the user can choose what source is being displayed, change the volume, control the various sources, turn lights on and off, raise or lower the shades or screen and much more!

  Using the built in scheduler, the Flex-LT can automatically shut off displays that have been accidentally left on when the room is not in use. It can also alert the support staff if there is an issue in the room such as the lamp life getting too high in order to reduce the down time of the room.

  The Flex-Able configuration utility features an easy to use method to get the most out of the system. The contractor is presented with an easy to follow drag ‘n drop programming methodology; no need to learn another programming language. Flex-Able eases device control by offering IR libraries or if a library is not available, the Flex-IR learner is a snap to use.

• Aviom A16II Mixers Church and their Aviom Setups ask us how!

  Posted In: MuzeekWorld Blog | August 16th, 2011 | Comments:

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  The Industry Standard in Personal Mixing

  Aviom’s Pro16 Personal Mixing system is an easy and economical way to improve monitor mixes, lower stage volume, speed soundchecks, improve the sound in a performance space, and make recording sessions and rehearsals more efficient and more fun. For performers and recording artists in houses of worship, on concert stages, in orchestra pits, in the studio, and on the set, Aviom Personal Mixers give musicians precise, independent control over their monitor mixes.

  Aviom Personal Mixers are easy to learn, simple to use, and flexible enough to integrate into any setup regardless of what type of console you are using or whether performers are using floor wedges, headphones, or in-ear monitors.

• Improve monitor and cue mixes
• Improve sound on stage and in house
• Streamline soundchecks
• Perfect for in-ear monitors
• Simple user interface; no technical skills required to use
• No computer programming

How It Works

An Aviom personal mixing system distributes up to 16 channels of audio—typically a combination of inserts, direct outs, and auxes or groups—to individual performers’ Personal Mixers, which performers use to customize their monitor mix. All audio is distributed over standard Cat-5e cables, using Aviom’s A-Net^® digital audio connectivity technology.

An Aviom personal mixing system can be easily tailored to meet the exact needs of any ensemble, facility, or organization. The system is fully modular, nearly infinitely expandable, and very easy to set up, so getting started building a system is simple and straightforward.

• Roland Jupiter 80 Synthesizer NEW!

  Posted In: MuzeekWorld Blog | August 15th, 2011 | Comments:

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  ROLAND JUPITER-80: Synthesizer

  Metamorphosis of a Legend

  One of the most revered prefixes in the history of synthesis returns. Welcome the arrival of the JUPITER-80—a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL® technology. The JUPITER-80’s expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the all-new JUPITER-80!

  • Powerful integrated SuperNATURAL synthesis engines designed for legendary vintage synth sounds to realistic organic acoustic sounds and more
  • Single Tone is equivalent to the performance of powerful single synthesizer—stack four of these to create a mind-blowing “Live Set”
  • Tone Blender tweaks multiple parameters of tones in realtime for complex, emotive sonic movement during performance
  • Fast, friendly operation with intuitive front panel and color touchscreen optimized for live performance
  • 76-note semi-weighted synth keyboard, and 256 polyphonic voices (varies according to sound-generator load)
  • USB-memory Song Player/Recorder for backing tracks or quick idea capture
  • Easy integration with computers via built-in USB-MIDI/Audio interface

  etamorphosis of a Legend

  Past, Present, and Future Sound

  The JUPITER-80 nods to its past with lethal, multi-layered SuperNATURAL® synthesizer tones so fat you’ll need a knife to cut through it, but that’s only the beginning of what this powerhouse synth will do. Gigging musicians will love the stockpile of essential sounds onboard, including Roland’s famous SuperNATURAL grand pianos, strings, brass, and much more. The JUPITER-80 puts a fast-access user interface under your fingers—a dream for live performance. Its heavyweight design, complete with metal side panels, recalls the legendary JUPITER but with a modern twist.

  Tone Blender

  You will love the deep possibilities of the stackable SuperNATURAL architecture and unique features such as Tone Blender, which tweaks values of multiple parameters simultaneously and lets you “Capture” any new combination and save it as a Live Set. Create complex, emotional textures that respond, react, and evolve like nothing you’ve heard before. Tone Blender can also dramatically enhance your live-performance capabilities by letting you assign its multiple parameters to controllers such as the D Beam.

  Powerful Live Sets Featuring Four-Tone Structure and Registrations

  JUPITER-80’s sound engine handles four x tones with dedicated DSP per tone as a basic unit “Live Set” for manual performance. Layering of Upper and Lower Live Sets, plus a specialized “SOLO” part, means the incredibly massive nine-tone-stack sound. Customized complex settings can be saved as Registrations, and easily recalled during live performance

  FOR MORE INFO AND SPECIAL PRICING CALL US 877-477-6432 ex 101

• Posted In: MuzeekWorld Blog | May 24th, 2011 | Comments:

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  BOSE L1^® Portable Systems ( On sale till End JUNE) call 877-477-6432

  These self-powered, portable loudspeaker systems deliver wide coverage and high quality amplification of live and recorded music, speeches, A/V presentations and other events requiring professional sound. They feature exclusive Bose® audio technologies, vertical line arrays and sleek, modular designs.

  All L1 systems produce nearly 180 degrees of horizontal coverage using proprietary Bose Spatial Dispersion™ technology. Music and speech can be heard clearly anywhere in the audience, even off to the extreme sides. In addition, the volume level and tone remain consistent over a longer distance than with conventional loudspeakers. People in front don’t have to endure high SPL—as is often the case with conventional PA systems—and those in back don’t struggle to hear.

  The L1 Compact system is ideal for audiences of up to 100. The Model I and Model II systems reach audiences of up to 500. Each model offers you a different level of integrated I/O, overall performance and portability.

  The slim, upright L1 profile blends easily into a room and allows for clear sight lines. And the systems’ lightweight, interlocking components make for quick and easy setup, breakdown and transport.

  To learn more about specific L1 models, please download the pdf documents listed in the left margin. For additional information, visit the L1 section of Bose.com.

  Click on the link below to view a comparison chart, and see which better fits your needs

  http://pro.bose.com/pdf/pro/technical_papers/an_l1_systems.pdf

• FSR EAGLE 300 SEAMLESS SWITCHER SCALER

  Posted In: MuzeekWorld Blog | May 24th, 2011 | Comments:

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  The Eagle 300 is a multi-layer seamless switcher intended for live event applications. FSR has accumulated 8 years of experience with seamless switchers and the Eagle 300 is the result of that experience and our commitment to answer our customer’s needs.

  The Eagle 300 is based on a modular concept allowing the system to be matched to the customer’s application while maintaining an affordable upgrade path. The three primary components are the System Controller, Video Processor and a Matrix Switch. Each Video Processor can be populated with up to 3 Mix / Effects cards allowing up to 6 layers of Picture-in-Picture and Key effects with a native resolution background and a down stream key on screen at any one time.

  Up to 6 Video Processors can be used with a single controller for multi-screen applications as well as ultra-wide screen edge blended displays.

  CALL 877-477-6432 for more info and special pricing

• Yamaha PM5D Digital Mixing Console

  Posted In: MuzeekWorld Blog | April 15th, 2011 | Comments:

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  The Scalable Standard for Digital Live Sound

  Since its release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today’s live sound scene as well.

  It’s no exaggeration to state that the PM5D Digital Mixing Console took the digital revolution to a new level. What’s more, it offers a system solution that can enhance the entire sound production process from input to output through seamless integration with digital systems including Yamaha’s DME series digital mixing engines and AD8HR 8-channel A/D converters with remote controllable preamps. But for applications that require serious I/O capacity there’s the PM5D-EX: a PM5D console plus a DSP5D Digital Mixing System that gives you the I/O and processing capacity of two PM5D consoles controlled from a single control surface, plus the added advantages of digital cabling over long distances when necessary. There’s virtually no limit to the possible configurations and applications, thanks to open architecture with the flexibility and expandability you need to handle just about any live sound and recording application.

  

• Bose Freespace 3 System, DS16F Ceiling Speakers and DS40F Ceiling Speakers

  Posted In: MuzeekWorld Blog | April 6th, 2011 | Comments:

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  FreeSpace^® 3 System

  This high-performance, Virtually Invisible^® loudspeaker system is engineered for reproducing voice and music in background and foreground applications. The FreeSpace^® 3 system combines flush-mount, surface-mount and pendant-mount speakers to work with different room décors and layouts. It is designed for a variety of business applications including retail, restaurant and hospitality operations.

  The Acoustimass^® bass module delivers deep, clear bass without audible distortion. The 200-watt Acoustimass bass module can be used as part of any new background music system, or to add bass to an existing music system.

  FreeSpace^® DS 16F Loudspeaker

  

  The Bose^® FreeSpace^® DS 16F flush-mount loudspeaker reproduces music with smooth natural sound. As with all of the FreeSpace loudspeakers, its styling, performance and value make this loudspeaker well suited for background music and speech reproduction in a wide range of business environments, from retail and restaurant operations to hotels, office buildings and airports. The FreeSpace DS 16F is well suited for applications where meeting important speech intelligibility standards is required.  The loudspeaker can be installed quickly and simply due to its integrated mounting arms. Its versatile design makes it suitable for almost any ceiling installation: flush mounted above the ceiling, pendant mounted in open ceilings or installed in plenum spaces.  The FreeSpace DS 16F ceiling loudspeaker includes an innovative thumb wheel that lets users easily adjust the integrated transformer tap settings. Its sleek styling blends easily with interior designs and it can be painted to match almost any decor, making it an elegant choice for any commercial environment.

  The FreeSpace DS 16F is acoustically compatible with the FreeSpace DS 16S and DS 16SE loudspeakers and can be integrated on the same loudspeaker line. It meets numerous standards for combination music and evacuation systems around the world and is backed by a five-year transferable limited warranty.  The FreeSpace^® product family is designed specifically for business environments that require high quality sound systems for background and foreground music, and paging applications. The FreeSpace product family includes loudspeakers and electronics built for the demands of a business environment—operating throughout the day, every day. These products are engineered with patented and proprietary technologies developed specifically for delivering music and speech with warmth and clarity. As a result, Bose^® FreeSpace sound systems deliver better performance, greater reliability, easier installation and reduced downtime.

  FreeSpace® DS 40F Loudspeaker FreeSpace® DS 40F loudspeakers deliver background and foreground music with fullness, notable presence and detail, as well as clear, natural sounding speech reproduction. They are well-suited for a wide range of indoor commercial applications, such as: retail stores, restaurants, bars/nightclubs, houses of worship, hospitality venues, public spaces, offices, meeting rooms, hallways, entrance ways, lobbies and concourses. These 40-watt loudspeakers can be easily flush mounted in ceilings up to 26 feet (8m) high. They are engineered with a single 4.5″ (114.3mm) driver known for robustness and durability, and deliver full range performance from 80 Hz to 16 kHz. Clean, sleek styling visually blends into ceilings while providing exceptional acoustic presence, full bass and clear detail. FreeSpace DS 40F loudspeakers are acoustically compatible with FreeSpace DS 40SE surface-mount loudspeakers and can be combined on the same loudspeaker line. The DS 40F can be installed quickly and simply due to its integrated mounting arms. This versatile design makes the DS 40F suitable for almost any ceiling installation: flush mounted above the ceiling, pendant mounted in open ceilings or installed in air handling (plenum) spaces. It meets numerous standards for combination music and evacuation systems around the world and is backed by a transferable limited warranty.

• Roland R-1000 48 Channel Digital Dedicated 48-Track Audio Recorder and Player @ Muzeek World

  Posted In: MuzeekWorld Blog | April 6th, 2011 | Comments:

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  R-1000: 48-Track Recorder/Player

  Dedicated 48-Track Audio Recorder and Player

  Features

  Ideally Suited for Many Configurations and Applications

  The R-1000 is an intuitive stand alone, dedicated recorder/player designed to work with the V-Mixing System in any live event or production. You can also connect and use the R-1000 with any digital console that has MADI output capabilities by using the Roland S-MADI REAC MADI Bridge.

  The R-1000 is based on REAC (Roland Ethernet Audio Communication) and eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it with Cat5e/6 (Ethernet/LAN) cable.

  • Records in Standard Broadcast WAV Format
    • Records up to 48 tracks of 24-bit audio in BWF format
    • Removable Hard disk drive ensures smooth integration with DAWs
    • Approximately 20 hours recording (44.1/48 kHz) using 500GB HDD
    • Stable and reliable capturing live audio
  • Multitrack Playback for a Variety of Applications
    • Plays up to 48 tracks of 24-bit audio via REAC
    • Data can be loaded from external devices
    • Marker function enables playback at any designated point
    • Analog monitor output and a headphone output
  • Flexible Enough to Fit into any Configuration
    • Connect with any V-Mixer or other REAC products
    • Versatile feature set including video sync, timecode, GPI and RS-232C
    • USB ports for backing up data and connecting PC for further software control
    • Use with any MADI equipped console in combination with optional S-MADI

  Live Recording System (REAC)
  This live recording system uses the REAC port of the V-Mixer (SPLIT/BACKUP) connected to the REAC port (TO MASTER) of the R-1000. Up to 40 channels of 24-bit audio from the V-Mixer is recorded to the R-1000 and once finished can be opened in any DAW software such as Cakewalk SONAR/V-STUDIO by accessing the HDD.

  
  View PDF

  Backing track Playback/Sound Check System
  The R-1000 can be used as a 48Ch multi-track playback system for live concerts and productions. Utilizing the benefit of bi-directional audio with REAC, the R-1000 can be connected between the V-Mixer and the Digital Snake for virtual sound checks, rehearsals and training exercises.

  
  View PDF

  Live Recording/Playback System (MADI)
  Enjoy a 40-channel live recording/playback system with any MADI-equipped digital console by using the S-MADI Bridge with the R-1000. Use two S-MADI units to record/playback up to 48 channels.

  
  View PDF

  Large Event Mixing and Recording
  96 channels of mixing with compatibility with over 20 other REAC components including digital snakes, personal mixing, multi-channel recording/playback and MADI bridge.

  
  View PDF

• Roland M-480 Digital Live Mixer

  Posted In: MuzeekWorld Blog | April 6th, 2011 | Comments:

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  M-480: 48-Channel Live Digital Mixing Console

  The Flagship Console of the V-Mixing System

  Features

  With superb sound quality, powerful functions, expandability and intuitive operation; the V-Mixing System continues to introduce new possibilities to the live mixing market. Now after its 2007 debut and as a direct response to actively listening to our users, the next generation V-Mixer has arrived. Equipped with a newly developed mixing engine, the M-480 provides an enhanced level of powerful and flexible audio processing.

  The M-480 is the first V-Mixer to support a cascade connection that enables 96 channels of mixing by connecting a second unit – all via one simple Cat5e/6 cable. Supporting live events, mobile production, broadcasting, and sound installation the V-Mixing System with the M-480 V-Mixer at its heart provides a premium level of innovation for any live mixing venue.

  M-480 Main Features

  • 48 mixing channels plus 6 stereo returns for a total of 60 channels
  • Main (LCR) outputs, 16 AUX buses, 8 matrices
  • Configurable to 90 inputs and 90 outputs depending on Digital Snake configuration
  • 4-band advanced parametric EQ, and delays on all inputs and outputs
  • Compressors and Gates on all mixing channels
  • Six built-in stereo (dual-mono) multi-effects and twelve graphic EQs
  • Supports integration with Personal Mixing System and Multi-Channel Live Recording and Playback
  • Cascade connection supports large format applications for 96 mixing channels

  M-480: 48-Channel Live Digital Mixing Console

  The Flagship Console of the V-Mixing System

  Features

  With superb sound quality, powerful functions, expandability and intuitive operation; the V-Mixing System continues to introduce new possibilities to the live mixing market. Now after its 2007 debut and as a direct response to actively listening to our users, the next generation V-Mixer has arrived. Equipped with a newly developed mixing engine, the M-480 provides an enhanced level of powerful and flexible audio processing.

  The M-480 is the first V-Mixer to support a cascade connection that enables 96 channels of mixing by connecting a second unit – all via one simple Cat5e/6 cable. Supporting live events, mobile production, broadcasting, and sound installation the V-Mixing System with the M-480 V-Mixer at its heart provides a premium level of innovation for any live mixing venue.

  M-480 Main Features

  • 48 mixing channels plus 6 stereo returns for a total of 60 channels
  • Main (LCR) outputs, 16 AUX buses, 8 matrices
  • Configurable to 90 inputs and 90 outputs depending on Digital Snake configuration
  • 4-band advanced parametric EQ, and delays on all inputs and outputs
  • Compressors and Gates on all mixing channels
  • Six built-in stereo (dual-mono) multi-effects and twelve graphic EQs
  • Supports integration with Personal Mixing System and Multi-Channel Live Recording and Playback
  • Cascade connection supports large format applications for 96 mixing channels

  More Info

  Advanced Processing Power
  The processing power of the M-480 supports the widest range of venues and applications. The newly developed mixing engine provides a 4-band fully parametric EQ, gate, compressor, and delay on each input channel. 214 possible patch points with 90 discreet outputs.

  Easy, intuitive and award-winning interface design
  The large color display and dedicated knobs and buttons in the channel edit section offers intuitive operation. The user interface is designed to be easy to learn and easy to use. Combining the cursor buttons around the value dial provides optimized and efficient operation.

  All input and output channels equipped with delay
  In large format venues such as a concert halls and stadiums as well in broadcast applications, audio time alignment settings are critical. The M-480 is equipped with delays on all mixing channels and outputs buses. High quality and precise sound adjustments can be accomplished by using the built-in real time analyzer.

  The cascade capability enables a solution for high channel counts
  The M-480 supports a cascade connection requested by many live sound engineers. Connecting two M-480s with one REAC cable enables the mixing of up to 96 channels as well as advanced synchronization of internal buses. A mixing environment equivalent to a large format console can be created within a minimal footprint and budget.

  Powerful mixing capacity
  The capacity of 48 mixing channels, 6 stereo returns, main LCR outputs, 16 AUX buses, and 8 matrices supports any venue or application. The fully assignable REAC A and B patchbays allows for very flexible internal routing. A post preamp patchpoint allows direct routing from inputs to outputs without having to route through the console.

  Newly developed mixing engine with powerful signal processing
  All inputs and outputs are equipped with a 4-band fully parametric EQ. A gate, compressor and delay is also available on all mixing channels. Channel parameters are controlled using the dedicated knobs and buttons.
  With a high resolution crystal clear color display, the M-480 provides an unprecedented audio mixing experience.

  Rich effects along with Twelve GEQs/PEQs
  The M-480 is equipped with six dual-mono, multi-effects processors that are available as AUX or insert effects. Each multi-effects processor has 18 algorithms of various types such as reverb, delay, chorus, pitch shift and advanced channel strip. Six types of precisely emulated legendary vintage Roland effects such as the RE-201, SDE-3000, and SRV-2000 are included. In addition, twelve 31-band graphic EQs or 8-band fully parametric EQs are included for sound adjustment. The six multi-effects and twelve GEQs/PEQs can be used simultaneously.

  All inputs and outputs are equipped with delay
  The M-480 is equipped with delay on all input channels and output busses. Problems with sound delay in a concert venue or broadcast application can be solved using the internal processor. Delay time is adjustable up to 400msec, and is selectable in both time and distance units between msec/feet/meters / frames. It also features a high performance graphical real time analyzer for precise and focused sound adjustment.

  Remote control and offline setup using a PC
  The M-480 can be controlled remotely by connecting an PC via USB. The M-480RCS control software has the same user interface as the built-in display. The M-480RCS can also be used when the M-480 is not connected allowing offline setup and configuring of the system before an event. Setup data can then be copied to a USB flash drive ready to load into the console at the venue. Using a connected PC and a wireless LAN, a tablet device can control the M-480 from a remote location like the stage or a seat in the audience.

  Three live recording options
  The M-480 supports live multi-channel recording. Simply connect the R-1000 with Cat5e/6 cables to easily record (or playback) up to 48 channels of 24 bit audio.
  Uncompressed BWF file data is stored on a removable SSD or HDD where it can be edited later in the studio with a DAW of choice. By using Cakewalk SONAR Producer software*, up to 40 channels can be recorded directly by simply connecting a single REAC cable to a PC. In addition, the built-in USB memory recorder can record a stereo output signal from the M-480 as an
  uncompressed WAV file. The USB memory recorder also supports WAV file playback for convenient playback of music and announcements.
  * REAC driver kit is required to record using Cakewalk SONAR directly.
  Support and management of multiple M-48 Live Personal Mixers for the ultimate in monitoring environments
  For the performing musician wanting the best possible sound quality and flexibility in their individual stage mix, the M-48 Live Personal Mixer offers control over 40 audio sources that can be easily managed in 16 assignable stereo groups. Configurations are straightforward with the ability to control, save and recall all connected M-48s from an M-480, M-400, M-380 or M-300 V-Mixer allowing the FOH engineer to assist in setup and mixing. The use of IEMs (In-Ear Monitors) dramatically reduces the amount of sound picked up by stage microphones. It also eliminates feedback while providing superb sound quality for both live performance and recording.

  Basic System
  The basic system supports typical mid-sized live event applications.
  Two S-1608 for I/O enable a total of 32 inputs and 16 outputs on the stage with 10 inputs and 10 outputs at the console.

  Live Monitoring System
  Expanded system for mixing live stage. Flexible I/O setup is possible by using four S-0808s. Using four M-48 and M-480, the V-Mixing System can be used as a monitoring system for any live application.

  Broadcasting System
  Use the M-480 for mixing TV/radio broadcasts along with recording direct preamp splits via a parallel connection using the R-1000 and SONAR REAC Recording System. Using the Roland S-MADI bridge, the sound is sent to an OB van using MADI format. The S-4000D enables easy splitting and distribution of the audio.

  Audio Installation for Hall/Church
  A setup of two S-0808s on the stage and an S-4000S on the side of the stage can support a variety of events. An M-480 at the FOH (front of house) position connected to a PC can be remotely controlled through a wireless LAN using a tablet PC.

  48 input channels must be selected from 106 physical inputs via M-480 patchbay. *1 Wireless LAN equipment and setup are required. *2 Using S-4000M patchbay, 40 input channels must be selected from 80 physical inputs.

  Multi-Channel Recording/Playback System
  The R-1000 not only records multi-channel audio but can also play back 48 channels in combination with a V-Mixing System or other digital consoles using MADI. This enables playing backing track and rehearsing/training without theband present. The SONAR REAC Recording System enables multi-channel recording simultaneously.

  Cascade System
  Cascade connection enables up to 96 mixing channels by connecting two M-480s via a single Cat5e/6 cable. Master console shares Main/AUX/Matrix/Solo buses of Slave Console. A large format mixing system can be configured with minimum footprint.

  LCR Sound Systems The LCR (Left-Center-Right) mode is supported natively.	Support for Personal Mixing and Monitoring The M-480 V-Mixer can be used to setup, configure and control multiple REAC-enabled M-48 Live Personal Mixers. The M-48 represents a breakthrough in professional personal monitoring and mixing.
  Vintage Effects Access some of Roland’s legendary vintage effects within the M-480. Original sounds used by engineers the world-over extends the range of live expression.	12 GEQs Can be Switched to PEQs Any of the twelve 31-band Graphic EQs can be switched to an 8-band Parametric EQ. The Real Time Analyzer enables a quick look and instant adjustment of the acoustic characteristics of a venue.

  Vintage Effects
  Roland has been a leader in creating some of the world’s most popular effect processors. Included in the M-480 are six perfectly emulated popular and classic vintage effects.

  Space Echo – RE-201 The world’s standard in tape echo effect. Spring Echo is also emulated perfectly.	Stereo Flange – SBF-325 Employs 3 Flangers and 1 Chorus. Supports Stereo Inputs.
  Dimension D – SDD-320 The studio standard – Dimension. Also supports multi-button mode.	Digital Delay – SDE-3000 The standard Digital Delay of sound reinforcement and recording. Can be used by two channels for dual mono effect.
  Phase Shifter – SPH-323 Dual channel Phaser employs LFO. Also possible to link two units modulation.	Digital Reverb – SRV-2000 The standard in Digital Reverb with a accurately modelled EQ character.

  Optional Accessories
  Note: The accessories listed below are not available through Roland Systems Group and are provided for informational purposes only. Please contact the respective manufacture for ordering details.

  M-400/480 Labeling Template Use this PDF label template to print labels for your M-400 or M-480 unit onto standard 8.5″x11″ sticker or magnetic laser/inkjet paper. One page contains enough for one unit.

  The backbone of the V-Mixing System is based on REAC – Roland’s Ethernet Audio Communication transmission protocol for low latency, high quality digital audio transfer. Products using REAC technology are installed today in many venues and have been used for high profile events worldwide. REAC’s 24-bit, 40×40 channel protocol delivers pristine digital audio via lightweight, inexpensive and easy to install cable (Cat5e/6). REAC technology is immune to externally induced signal quality degradation or hums and buzzes typically found in analog systems. You have more freedom in cable placement resulting in lower cost and better sounding. Learn more about the power and benefits of REAC.

  Configuration Examples

  Backing track Playback/Sound Check System
  The R-1000 can be used as a 48Ch multi-track playback system for live concerts and productions. Utilizing the benefit of bi-directional audio with REAC, the R-1000 can be connected between the V-Mixer and the Digital Snake for virtual sound checks, rehearsals and training exercises.

  
  View PDF

  Large Event Mixing and Recording
  96 channels of mixing with compatibility with over 20 other REAC components including digital snakes, personal mixing, multi-channel recording/playback and MADI bridge.

  
  View PDF

  More Configuration Examples
  Although numerous configurations are possible, here are a few of the more popular ones. Click on a thumbnail to see the corresponding diagram.

  Standard M480 V-Mixing System (42×26)View PDF

  Expanded M-480 V-Mixing System (58×26)View PDF

  Standard M-480 V-Mixing System with Expanded Outputs (50×34)View PDF

  Example Split Configurations

  Standard M-480 V-Mixing System with Analog BreakoutView PDF	Standard M-480 V-Mixing System with Personal MixingView PDF	M-480 V-Mixing System with M-380 Monitor/Broadcast PositionView PDF
  Standard M-480 V-Mixing System with SONAR V-Studio 700 REAC RecordingView PDF

• Bose Model DS 16F Ceiling Speaker

  Posted In: MuzeekWorld Blog | April 1st, 2011 | Comments:

  0

  FreeSpace^® DS 16F Loudspeaker

  

  360° view

  The Bose^® FreeSpace^® DS 16F flush-mount loudspeaker reproduces music with smooth natural sound. As with all of the FreeSpace loudspeakers, its styling, performance and value make this loudspeaker well suited for background music and speech reproduction in a wide range of business environments, from retail and restaurant operations to hotels, office buildings and airports. The FreeSpace DS 16F is well suited for applications where meeting important speech intelligibility standards is required.

  The loudspeaker can be installed quickly and simply due to its integrated mounting arms. Its versatile design makes it suitable for almost any ceiling installation: flush mounted above the ceiling, pendant mounted in open ceilings or installed in plenum spaces.

  The FreeSpace DS 16F ceiling loudspeaker includes an innovative thumb wheel that lets users easily adjust the integrated transformer tap settings. Its sleek styling blends easily with interior designs and it can be painted to match almost any decor, making it an elegant choice for any commercial environment.

  The FreeSpace DS 16F is acoustically compatible with the FreeSpace DS 16S and DS 16SE loudspeakers and can be integrated on the same loudspeaker line. It meets numerous standards for combination music and evacuation systems around the world