Avid SC48 Remote

So you thought the Sc48 was easy to use and had everything you needed, well think again, the new Avid SC48 remote version is the next big thing and it comes with Protools 10.  You can also  upgrade your original SC48 to the remote version within 15 min. ask us how 877-477-6432 ex 101

Yamaha CL-1 

A truly useful sound reinforcement console is one that can keep pace with the rapidly and dramatically changing demands of live sound applications. Efficient, intuitive operation is essential. Yamaha’s acclaimed Centralogic concept is the core of a refined user interface that offers a new, unprecedented level of operating efficiency in the CL series, from visual feedback right down to the form and feel of the faders and controls. The CL consoles are also ready for seamlessly integrated remote control and offline editing via an Apple iPad® or other computer. Control is familiar and intuitive, while at the same time offering extensive freedom.

Yamaha New CL Series Digital Mixer

The full impact of the most advanced digital audio technology available has been applied throughout the CL series to deliver natural sound that provides a perfect foundation for the artist’s and engineer’s imagination. This type of sonic quality cannot be realized through specifications alone. Repeated listening evaluations and refinements by some of the most reliable ears and respected minds in the business are an indispensable part of the process. The CL series digital mixing consoles are proof that the time and effort involved have been well spent.

The challenge begins right from the console’s inputs. In order to achieve the required level of sound quality, individual components, power supply, grounding, circuit layout, mechanical construction, and countless other details of the initial input stages must be selected and designed with the utmost care. Listening evaluation becomes an important part of the development process right from this first stage as well. Changing even a single electronic component can alter the sound in unexpected ways, and the tiniest variations must be noted and evaluated as development proceeds. Extreme measures have been taken to maximize AD and DA conversion performance as well, right down to making detailed spectral analyses of the AD/DA master clock and adjusting the FPGA clock signal routing so that the most natural, musical sound is achieved. Another critical part of any audio system is the power supply. Of course the capacity of the supply is important, but so are the types of capacitors used, and the grounding must be engineered to ensure the lowest possible impedance. The resultant sound is an eminently natural representation of the input signal, providing an ideal foundation for processing and effects that will lead to the final, polished sound.

In creating the best possible sound for a profusion of venues and artist requirements, sound engineers draw on their experience and imagination to make a multitude of practical as well as creative decisions. The engineer’s primary hands-on tool, the mixing console, must be able to accommodate them all. Of course the bottom line is sound quality, and this is just one of the areas in which the CL series consoles excel. They also feature some of the most advanced analog circuitry modeling technology available to add unprecedented character and shape to the sound as needed, while maintaining the utmost sonic quality.

Rupert Neve is a legend. His contributions to the fields of audio recording and production began at the dawn of the era and continue to this day in the form of microphone preamplifiers, equalizers, compressors, and mixing consoles that are the gold standards of professional audio.
Clearly Mr. Neve is very serious about his sound, so it’s an honor that he and his company, Rupert Neve Designs, have officially recognized Yamaha’s original VCM (Virtual Circuitry Modeling) technology as being the first of its kind that is capable of accurately modeling the rich, expressive analog sound they have championed for so long. With VCM technology, digital audio is at last capable of matching analog designs for sonic quality.
VCM, developed by Toshi Kunimoto (“Dr. K”) and his team at Yamaha’s innovative “K’s Lab” division, is a circuit modeling concept that effectively simulates the most detailed characteristics of individual circuit components, right down to capacitors and resistors, resulting in astonishingly realistic circuit simulations that easily outclass conventional digital simulations. But accuracy isn’t the only consideration, musicality is essential as well, and VCM modeling delivers both.
The CL series consoles come equipped with VCM models of the renowned Neve Portico 5033 equalizer and Portico 5043 compressor/limiter, both developed through close cooperation with Rupert Neve Designs. A valuable range of other VCM equalizers, compressors, and studio-quality effects is also included. You will hear the difference.

A truly useful sound reinforcement console is one that can keep pace with the rapidly and dramatically changing demands of live sound applications. Efficient, intuitive operation is essential. Yamaha’s acclaimed Centralogic concept is the core of a refined user interface that offers a new, unprecedented level of operating efficiency in the CL series, from visual feedback right down to the form and feel of the faders and controls. The CL consoles are also ready for seamlessly integrated remote control and offline editing via an Apple iPad® or other computer. Control is familiar and intuitive, while at the same time offering extensive freedom.

The way CL series functions and controls work together is a perfect example of how a whole can be greater than the sum of its parts. Within the larger framework of the user interface, the visibility, feel, and precision of individual faders, knobs, and switches are an essential part of the overall operating experience. The visual flow of the control layout across the consoles’ sweeping curves makes a significant contribution to smooth operation as well. The outstanding balance of the entire system, plus refinements such as programmable channel names/colors and user defined knobs, add up to operation that is, in a word, sublime.

Yamaha Cl-1 digital Mixer

The pursuit of perfection is ongoing and will probably never end, but along

the way Yamaha has introduced a number of innovations that have become

industry standards oering performance and familiarity that discerning users

continue to demand. By denition, “standards” are best kept as they are. With

evolutionary renements, of course.

Yamaha CL series digital mixing consoles represent a new level of renement.

They oer an evolved experience in accessible mixing, plus sonic purity with

sound shaping capabilities that will give the most imaginative engineer

unprecedented creative freedom. The CL series embodies the leading

standards in live sound in their most advanced, most expressive form.

Dual 8-fader sections in a space-saving

console that can be used alone or cascaded

to another CL console for input expansion.

• Input channels: 48 mono, 8 stereo.

• Fader configuration: 8-fader left section, 8-fader

Centralogic section, 2-fader master section .

• Meter bridge optional.

Yamaha’s new CL series digital mixing consoles offer an evolved experience in accessible mixing plus sonic purity and advanced sound shaping capabilities that will give the most imaginative engineers unprecedented creative freedom.

Yamaha CL series digital mixing consoles represent a new level of refinement. They offer an evolved experience in accessible mixing, plus sonic purity with sound shaping capabilities that will give the most imaginative engineer unprecedented creative freedom. The CL series embodies the leading standards in live sound in their most advanced, most expressive form.

The CL Series EQ and effects have been vastly expanded. They include an Effect Rack that features VCM analog circuitry modeling technology, as well as a Premium Rack that includes the Rupert Neve Designs Portico 5033 equalizer and Portico 5043 compressor/limiter, developed in close cooperation with Rupert Neve himself. Yamaha began working with Rupert Neve Designs in 2010, developing devices based on Yamaha’s VCM (Virtual Circuitry Modeling) technology. Rupert Neve had this to say about the outstanding quality of the VCM models of the Portico 5033 Equalizer and Portico 5043 Compressor: “This is a very exciting time, because for the first time we have the capability of bringing Rupert Neve sound into the live sound field. This is entirely due to the Yamaha VCM technology. I do believe that it is indistinguishable from the original analog sound.”

Two new rack-mountable I/O units, the Rio3224-D and Rio1608-D, can be used in a variety of combinations and configurations, communicating via a scalable Audinate Dante™ digital audio network. Up to eight I/O rack units can be connected to a CL series console, while multiple CL series consoles can share control of the same I/O rack unit. A new Gain Compensation function adds the ability to combine FOH and monitor control via a single network, for comprehensive digital live sound integration.

Extra flexibility is provided by the CL StageMix application for iPad, providing wireless remote control capability for setting up and operating CL consoles from anywhere on stage or in the audience seating area. The Yamaha Console File Converter is another useful computer application, allowing data to be shared between CL series, PM5D, M7CL, and LS9 consoles, so data from one show doesn’t have to be completely reprogrammed from scratch for the next, even if different consoles are used.

- Dual 8-fader sections in a space-saving console that can be used alone or cascaded to another CL console for input expansion.

- Input channels: 48 mono, 8 stereo.

- Fader configuration: 8-fader left section, 8-fader Centralogic section, 2-fader master section.

- Meter bridge optional.

- Advantages of Dante Networking:

- Large bandwidth capability

- Long cable length capability

- Uncompressed multi-channel, low-latency digital audio over a standard ethernet network

- Higher channel count and automatic configuration

- No need for masses of bulky, heavy, expensive, inflexible copper wires

- Simple, single lightweight and inexpensive cat5 cable

- Integrated media and control

- Control signals on the network without additional cabling

- Leverage off the shelf IT equipment to take full advantage of IT industry developments in functionality, reliability, availability and cost savings

The new DN-C640 from Denon Professional is, at the heart of it, a full featured, rack-mounted network CD player. But note the word “Professional” in the brand name. With a combination of flexible file formats, network control, and comprehensive inputs and outputs, this machine takes the “CD player” concept to new heights.

Clearcom has lots of different Headsets  like the CC-25

Please email us sales@muzeekworld.com and let us know what you are looking for

Yamaha M7cl-48 channel digital mixer  ” FREE SHIPP ” Order your today and we will sign you up for a Free yamaha Training Class

Allen Heath GLD-80Digital console is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n’ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive’s acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. as us at Muzeek World!

GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ‘n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

The GLD-80 connects to a range of plug ‘n play I/O racks to ‘build’ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems. Call for pricing at Muzeek World

The Denon DN-MC6000 Digital Mixer Controller delivers a flexible mixing environment for the digital laptop, or traditional hardware DJ. The DN-MC6000 is a fully functional 4-channel DJ mixer, DJ software controller and USB audio interface for your PC or MAC OS computer. The unit features a full gamut of fader, level, dial, and transport controls that completely integrate with any DJ software title.

Easily control level, EQ, effects, cuing and audio transport directly from the DN-MC6000. In addition, record or playback stereo audio to and from DAW and DJ software titles. All this and the DN-MC6000 functions as a traditional DJ mixer with analog inputs for CD decks, turntables, MP3 player devices, microphones and more.

The GigRac family of powered mixers for gigging bands and presentation systems has been joined by the most powerful version yet — the stereo GigRac 1000st, which delivers a massive 1000 watts output power (500 watts per channel into 4 ohms).

Dubbed ‘The Box that Rocks’, the new family member has the same cool styling of the GigRac 300 and 600, but is a more powerful full stereo version, featuring expanded 3-band EQ on the inputs, two 7-band graphic equalizers and 10 high-quality preset digital effects. The 1000st is slightly higher than its brothers at 5U (8.75 inches/223mm) but still this tiny package delivers awesome power and performance, with the ability to be slung over your shoulder.

Get the audio quality, versatility, and durability you need and expect from BOSE with the Panaray 802 Series III loudspeaker. BOSE has beefed up their flagship professional loudspeaker to deliver high-output performances for medium-size clubs, large indoor venues, and outdoor spaces. Special drivers and active equalization help reproduce vocals and musical instruments with improved smoothness and warmth-whether it’s live or recorded music, and at all volume levels.

High-performance sound
The Bose Panaray 802 III speaker delivers clear, lifelike sound and is designed to avoid acoustical deadspots thanks to its Bose 4.5″ drivers and Articulated Array speaker configuration. The Bose Panaray 802 Series III loudspeaker uses 8 proprietary full-range drivers to provide a more consistent sound field than conventional speakers that rely on woofers, tweeters, and crossovers. Its BOSE proprietary speaker configuration uses a baffle array for each driver to provide wide horizontal and vertical dispersion over all bandwidths.

Yamaha M7CL-48 Digital Mixer – The M7CL48 Channels, 31 Band Graphic EQ, Phantom Power, 4 Stereo Inputs, 16-Mix Buses, LCR Bus, 16 Omni Outputs, 4 Simultaneous Multi-Effect Processors. The M7CL 48 contains the latest digital technology.

The M7CL is a full-digital mixing console containing the latest digital technology, designed for installed systems or SR applications. 24-bit linear AD/DA converters are used to deliver up to 108 dB of dynamic range and amazing sound quality.

As input channels, it provides 48 monaural INPUT channels, and four stereo ST IN channels. As output channels, it provides 16 MIX channels, eight MATRIX channels, a STEREO channel, and a MONO channel. L/C/R three-channel output using the STEREO/ MONO channels is also supported.

Yamaha LS9-32 32 Channel Digital Live Mixer

email or call for the best price!

The Yamaha LS9-32 is a full-digital mixing console designed for installed systems or SR applications, and in spite of its compact size, provides functionality and a channel count comparable to large-format consoles. 24-bit linear AD/DA converters are used to deliver up to 108 dB of dynamic range and amazing sound quality.

As input channels, it provides 32 (LS9-16 model) or 64 (LS9-32 model) monaural INPUT channels, and four stereo ST IN channels. As output channels, it provides 16 MIX channels, eight MATRIX channels, a STEREO channel, and a MONO channel. L/C/R three-channel output using the STEREO/ MONO channels is also supported.

Allen Heath GLD-80 Digital console is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n’ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive’s acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. as us at Muzeek World!

GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ‘n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

The GLD-80 connects to a range of plug ‘n play I/O racks to ‘build’ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems. Call for pricing at Muzeek World

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath’s ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD’s extensive soft-patching.

The Yamaha LS9-32 consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The LS9 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

LIGHTWEIGHT AND COMPACT FOR SUPERIOR PORTABILITY AND HANDLING

While maintaining the functionality, sound quality, and operability of high-end Yamaha digital mixers such as the PM1D, the LS9 series consoles are small and light enough to be easily transported and set by a single person LS9-32=43 lbs, LS9-16= 26.5 lbs (LS9-32 = 19.4 kg, LS9-16 = 12.0 kg). Either of these remarkably manageable consoles can deliver advanced features and performance for a wide range temporary live sound systems as well as permanent installations

CHOOSE THE MODEL THAT SUITS YOUR NEEDS

The LS9 series includes the 32-mic/line input 64-channel LS9-32 and the 16-mic/line input 32 channel LS9-16. With it’s greater input capacity and bus complement the LS9-32 is an idea choice for larger live sound applications with complex input and output requirements, while the LS9-16 offers maximum handling and operating ease for events and smaller live sound applications.

NO-COMPROMISE ANALOG CIRCUIT DESIGN DELIVERS THE BEST SOUND IN THIS CLASS

The Yamaha PM1D digital mixing console and PM5000 analog console were acclaimed by leading sound engineers around the world for their stunning sound quality. The LS9 series consoles inherit the same type of superior sonic performance thanks to painstaking parts selection and detailed attention to the design of every circuit detail… right down to the power supply and grounding. Of course special attention has been paid to the critical had amplifiers, with outstanding results. Much of the technology developed for the top-end models mentioned above has been unreservedly applied to ensure that these mixers come out at the top of their class.

INTUITIVE INTERFACE

Each input channel features a 100-millimeter fader, ON/OFF key, CUE key, and 6-segment LED level meter that allow analog-style hands-on operation of the primary channel functions. Yamaha’s popular Selected Channel interface allows smooth, intuitive access to the more detailed channel functions via a color LCD display and an array of logically arranged encoders. And no matter what display is showing, you can instantly return to the main display by simply pressing the HOME key. This interface has been refined and proven over many generations of Yamaha digital mixing consoles.

Steinberg CI2 + Production Kit Audio Interface

With the CI2+ Production Kit, hardware most skillfully meets software by combining the best of two worlds with the CI2+ USB audio interface bundled together with Cubase AI 6 and WaveLab LE 7. The CI2+ houses two major functions: the two-channel XLR combo interface equipped with two sophisticated microphone preamps and phantom power, one Hi-Z for direct guitar input and a footswitch connector for hands-free recording, while seconded by the controller section featuring the innovative AI Knob that provides intuitive control with Cubase. With the CI2+ Production Kit you get all the tools you need for recording and production projects of any kind in a single box.

Avid Digidesign Mbox 2 ™ is a next-generation USB-powered audio/MIDI production system that builds on the performance and simplicity of the original Mbox™-Digidesign’s most popular personal studio product ever. Featuring a wide range of connection options-including analog, digital, and MIDI I/O-Mbox 2 delivers professional performance in an incredibly compact package. Mbox 2 also includes award-winning, easy-to-use Digidesign™ Pro Tools LE™ software-offering many of the same features that top studios rely on to record, edit, mix, and master commercial albums and blockbuster film sound. In addition, Mbox 2 includes the Pro Tools Ignition Pack™, which features several powerful plug-ins, applications, and additional tools to help customers professionally produce and promote their music. With the addition of the Pro Tools Ignition Pack, Mbox 2 includes more than 50 plug-ins and instruments.

AKG C12VR Premium Recording Microphone is ne of the most famous tube microphones in the history of recording was the legendary AKG C 12 . In spite of vast changes in microphone engineering, these microphones in good condition are still very much sought after and extremely expensive. Therefore, studio engineers vigorously demanded a rerun.

The C 12 VR is an exact replica of the original C 12, from the cap-sule sound to the original 6072A vacuum tube. The only difference is that its self noise and some components were optimized to meet the current state of the art. No less than nine remotely selectable polar patterns, the legendary large-diaphragm capsule, and an original 6072A vacuum tube provide a sound that is simply beyond words.

Design Focus
The Crest Pro 9200 Series professional power amplifiers offer Crest’s renowned sonic integrity while providing exceptionally high power ratings (6500 W bridged on the Pro 9200) in a compact, lightweight (under 25 lbs.) 2U package. The Pro 200 Series amps feature Automatic Clip Limiting (ACL) to protect connected drivers; IGM Impedance Sensing to accommodate varying impedance outputs; tunnel-cooled, high efficiency heat sinksl and veriable-speed DC fans to limit the operating temperature and extend amplifier life.

• 8 Ohm Stereo – 1300 W
• 4 Ohm Stereo – 2200 W
• 2 Ohm Stereo – 3250 W
• 4 Ohm Bridged – 6500 W

The Denon DN-4500 is a professional dual CD player designed for mobile DJs and night club installation. The DN-4500 incorporates the convenience of both CD and MP3 CD compatibility, making it easier for mobile and club jocks to access hundreds of titles without the extra weight.

MP3 File Search System allows you to locate in seconds hundreds of MP3 tracks on a CD-R/RW by artist name, song title or folder. In addition, MP3 ID3 tags and Audio CD Text are supported on a large, easy-to-read dot matrix fluorescent tube display.

Powerful CD features on the DN-D4500 include a Memo function, which can store Cue Point, Playback Pitch and Range, Pitch On/Off, Key Adjust On/Off and Seamless Loop A and B data for later recall. Up to 1,000 points can be saved or recalled from either drive. The Brake effect time is now user-adjustable, and CD Text support is available.

The convenient Power On Play feature allows for unattended playback on power up – ideal for bars, clubs, restaurants and nightclubs at opening time. Unattended relay play is possible between the drives, with user-adjustable crossover time, an excellent feature for smooth uninterrupted playback during cocktail hour or in banquet halls.

The Denon DN-MC6000 Digital Mixer Controller delivers a flexible mixing environment for the digital laptop, or traditional hardware DJ. The DN-MC6000 is a fully functional 4-channel DJ mixer, DJ software controller and USB audio interface for your PC or MAC OS computer. The unit features a full gamut of fader, level, dial, and transport controls that completely integrate with any DJ software title.

Easily control level, EQ, effects, cuing and audio transport directly from the DN-MC6000. In addition, record or playback stereo audio to and from DAW and DJ software titles. All this and the DN-MC6000 functions as a traditional DJ mixer with analog inputs for CD decks, turntables, MP3 player devices, microphones and more.

The Denon DN-MC6000 ushers in a new product category as an integrated, full blown mixer, and ‘dual deck’ MIDI Controller. This flagship Mixer / MIDI Controller combines a 4-channel / 8-source standalone digital mixer – featuring real time channel matrix operation – USB MIDI control and 2 x stereo in / 2 x stereo out USB audio interface. A slim tabletop design with solid steel chassis, paired with the DJ software of choice, the DN-MC6000 is a complete turnkey control solution.

The LS9 series consoles follow in the distinguished footsteps of the Yamaha PM1D, PM5D, and M7CL, expanding Yamaha’s digital mixing console lineup for live sound and installations. The YAMAHA LS9-32 series consists of the 32-mic/line input 64-channel LS9-32, and the 16-mic/line input 32 channel LS9-16. While being compact and light enough for one person to move and set up easily, both models include features that have been field-proven in previous Yamaha digital consoles as well as outstanding sonic quality. In addition to an extensive range of gating, compression, and equalization capabilities, there’s also a built-in USB memory recorder/player for recording or BGM playback, and other functionality that give you everything you need for small to medium scale live sound or installed applications in remarkably compact, all-in-one consoles.

LIGHTWEIGHT AND COMPACT FOR SUPERIOR PORTABILITY AND HANDLING

While maintaining the functionality, sound quality, and operability of high-end Yamaha digital mixers such as the PM1D, the LS9 series consoles are small and light enough to be easily transported and set by a single person LS9-32=43 lbs, LS9-16= 26.5 lbs (LS9-32 = 19.4 kg, LS9-16 = 12.0 kg). Either of these remarkably manageable consoles can deliver advanced features and performance for a wide range temporary live sound systems as well as permanent installations

The Focusrite ISA 428 Pre Pack is the perfect multi-channel front end for any professional DAW. Four classic Focusrite transformer-based pre amps with switchable impedance and direct instrument inputs. An optional eight channel 192kHz ADC, preceded by the all new proprietory Soft Limiter circuit, provides the perfect path into your Pro Tools HD system

The MY16EX-CA is 16-channel I/O expansion card for use with MY16MD64 and MY16ES64, two RJ45 cascade connectors, uses standard CAT5 cables for interconnect. This card communicate seamlessly with MADI devices from other manufacturers, allowing networks of just about any size to be created to suit the widest possible range of applications requirements. MADI is also an ideal choice for connecting to computers running Steinberg DAW software for recording and production.

Yamaha LS9-16 Digital Mixer – The LS9 16 16 Channels, 4 Stereo Input Channels. The Yamaha LS9-16 is a full-digital mixing console designed for installed systems or SR applications, and in spite of its compact size.

The Yamaha LS9-16 is a full-digital mixing console designed for installed systems or SR applications, and in spite of its compact size, provides functionality and a channel count comparable to large-format consoles. 24-bit linear AD/DA converters are used to deliver up to 108 dB of dynamic range and amazing sound quality.

The Yamaha LS9-32 is a full-digital mixing console designed for installed systems or SR applications, and in spite of its compact size, provides functionality and a channel count comparable to large-format consoles. 24-bit linear AD/DA converters are used to deliver up to 108 dB of dynamic range and amazing sound quality.

As input channels, it provides 32 (LS9-16 model) or 64 (LS9-32 model) monaural INPUT channels, and four stereo ST IN channels. As output channels, it provides 16 MIX channels, eight MATRIX channels, a STEREO channel, and a MONO channel. L/C/R three-channel output using the STEREO/ MONO channels is also supported.

The Midas PRO6 is the second networked digital audio system from Midas and is at the heart of the PRO Series Live Audio Systems. The PRO6 can provide up to 64 simultaneous input processing channels and up to 35 discrete mixes in monitor mode, all of which feature Midas EQ and a choice of many dynamics processing options. By adding additional I/O hardware the PRO6’s network can be expanded up to 288 inputs and 294 outputs. These connections can be patched and routed on a scene-by-scene basis, by use of the PRO6’s powerful snapshot automation.

As with all the PRO Series the PRO6 benefits from the mix and match of all the Midas I/O box options, from the fixed configuration DL251 stage box to the highly acclaimed DL431 24 channel 5-way mic splitter. Flexibility can be further increased by adding the Klark Teknik DN9650 digital format converter offering MADI and Dante connectivity.

this is a Unique, all-in-one system delivers clear, powerful sound across the stage and throughout small to medium-sized venues. Hear what your audience hears, and eliminate conventional monitors, mixers and PA systems. Includes 2 x B1 bass module for enhanced low-end performance. You can also get the system with a single Bass, which would be the Bose L1 Model 1 Single Bass, check it out

Heres is a little about the Yamaha:

Combining high-performance power and accurate sound reproduction with remarkable versatility in a portable package, Yamaha’s STAGEPASS 250M Series Portable PA Systems are fast becoming the standard for musicians and other PA users on the go.These combination mixer/amplifier/speaker systems are exceptionally lightweight, portable and full-featured. Since virtually everything you need is in one, easy-to-use package, you can be set up and playing within a matter of minutes. And when you’re done, you can be packed and back on the road again with the same ease and speed. Yet despite the simplicity and compact size, these systems cut no corners in sound quality or versatility, and in fact give you some advanced features not normally found in systems of this class.The series now includes the new single-speaker STAGEPAS 150M and 250M, which can be expanded to a stereo system by simply adding a second speaker. They can also function either as an ultra-portable PA system, or as a powerful keyboard amplifier-with sound quality and portability that far surpasses any other conventional keyboard amp. No matter what system you choose, you have a high-power, highperformance sound system ready for a wide variety of venues and events, both indoors and out.

William Sound WIRSYS 3

This popular, two-channel listening system features a rack-mountable modulator and stylish, lightweight, under-the-chin style receivers. This turnkey system package is ideal for providing language interpretation, hearing assistance and private listening in courtrooms, military installations, embassies, consulates and political offices.

In what began as a simple AM listening system for the church, Williams Sound has since grown to offer a diverse line of consumer and commercial listening products. Whether your needs are specific to listening in church, in the classroom, at work, on the phone, or other public venue, we have a remarkable group of products designed to assist you.

Personal PA 377 FM Listening System
The Personal PA® 377 FM listening system champions the next generation of hearing assistance technology. Setting up the T35 transmitter is a snap! Quickly choose between Voice, Music, or Hearing Assistance in the Application Preset menu. The T35 configures itself to the appropriate setting – taking the guess work out of complex audio installation. Operating up to 1000 feet, the T35 is ideal for auditoriums, stadiums, theaters, or other large venues where superior coverage area is essential. The PPA 377 comes complete with four stylized single-channel R37 receivers

Avid / Aviom A-NET Aviom Integration for the SC48

With the ANO A-Net Output Card, you can transmit up to 16 discrete channels of high-quality, 24-bit/48 kHz audio from nearly any signal point of your VENUE system to Aviom® Pro16™ Series receiving devices.

Full Compatibility with Aviom Pro16 Series Devices

The ANO A-Net Output Card is fully compatible with Aviom Pro16 Series devices, including the popular Aviom A-16II Personal Mixer, making it ideal for house of worship, theater, and touring applications. The card transmits a 16-channel signal stream via a single, affordable CAT-5e Ethernet cable to an unlimited number of Aviom devices, which can be daisy-chained together to provide monitoring for the largest ensembles.

This is the result of several years of design and ergonomic refinement by the engineers at Avid, the flagship VENUE D-Show live sound console was developed with input from the world’s leading mix engineers in touring sound, theater, houses of worship, and fixed installations to provide superior ease of operation, flexibility, and reliability. D-Show is fully expandable, easy to use, and provides complete creative control of even the largest audio productions from one centrally located mixing position.

VENUE Mix Rack is the key component to one of Avid’s most affordable VENUE live sound systems. As an alternative to employing a local VENUE FOH Rack and remote Stage Rack in a system, Mix Rack combines all I/O, computer control, and processing power into a single compact enclosure. It’s compatible with VENUE D-Show and VENUE Profile consoles, offers expandable DSP for optimal TDM plug-in processing, employs VENUE D-Show control software, and enables full Pro Tools integration with an optional interface card.

Rock-Solid Reliability

The live environment is unpredictable. That’s why all VENUE systems are built to withstand the rigors of the road and designed to circumvent potential hazards for total peace of mind.

Complete Ease of Use

From consoles that give you familiar functionality, to software that’s simple to use, you gain great efficiency so you can spend more time exploring your creativity.

Seamless Pro Tools Integration

The VENUE SC48 features a built-in Pro Tools LE FireWire interface, making it easy to connect a computer (sold separately) running Pro Tools LE software (included with SC48) to record and archive live performances or for audio playback. With VENUE and Pro Tools®, you can also perform Virtual Soundcheck — a timesaving process that lets you play tracks recorded from a previous live performance, and fine-tune your mix settings before an actual show or rehearsal without requiring the band or performers to be there.

Powerful Workflow Innovations

SC48 introduces several new features — some of which you’ll only find from Avid — to optimize your workflow. Using the exclusive Channel Control, a single button press gives you immediate access and control over any channel strip function, including input parameters, EQ and dynamics, and Aux sends, using the console’s eight color-coded rotary encoders. Use the unique Flex Channel in latch mode to assign and gain perpetual access to a key channel, and never lose sight of the star of the show. Take advantage of VCA Spill, which gives you unprecedented access to specific channels within your mix without banking. And maximize your efficiency using the console’s General Purpose Interface (GPI) I/O and D-Show software to create custom macros, enabling you to perform multiple functions by simply pressing a button, stomping a footswitch, or moving a fader.

Get the amazing sound quality and rock-solid reliability of VENUE all in one compact console. VENUE SC48 is a fully integrated live sound system that combines all I/O, digital signal processing, and tactile control into a single console, making it the most affordable and portable VENUE system yet. The console not only features the celebrated characteristics of VENUE, including studio-quality plug-in support, seamless integration with Pro Tools LE systems, and complete show file portability, it offers several innovative new workflows that streamline the mixing process, allowing you to concentrate on mixing the show instead of operating the board.

Amazing Sound Quality

Don’t let its small size fool you. SC48 is a powerful performer, letting you create and deliver everything from simple to complex mixes in stunning sound quality. Its studio-grade mic preamps preserve audio fidelity and imaging for complete transparency, while built-in processing, including high-quality graphic EQ and dynamics, optimize clarity. And with support for professional plug-ins built right into the console, you can easily re-create and instantly recall an artist’s signature studio sound live on stage — no other console at this price point provides you with the sheer number and breadth of sound processing choices available at your fingertips.

The pinnacle of the Westone Series, the quad-driver Westone 4 earphone will take your listening experience to an entirely different level. Four balanced armature
drivers and a three-way crossover network deliver breathtaking clarity and realism. Westone’s True-Fit technology provides superior ergonomics and comfort

The Roland VR-5 ’s “all-in-one” solution greatly simplifies production, recording and streaming of any live event. The VR-5’s innovative design incorporates a video switcher, audio mixer, video playback, recorder, preview monitors and output for web streaming all in a single unit. As a USB Video/Audio class device, web streaming is effortless by simply connecting to a computer running a live streaming service such as USTREAM® and Stickam™, as well as any video call service such as Skype™ and iChat. The reduction in hardware equipment, setup time and connection complexity ensures a worry-free, easy to use solution for any even

The VR-5 is ideal for school meetings, churches, council meetings, panels, corporate events, live web broadcasting – any live event.

Product Highlights

• 5-Channel Video Switcher (3 video sources, PC input, video playback)
• 2 Mono and 5 Stereo Mixable Audio Channels
• Built-in scan converter for PC input
• Built-in dual LCD monitors with touch control for easy video source selection
• Three video layers for 2 video sources plus DSK (downstream keyer)
• MPEG-4 player/recorder
• USB video/audio class device for web streaming

Introducing TOA’s DA-250F and DA-250FH power amplifiers.
Featuring multiple high power outputs, advanced digital technology and compact, lightweight design, these versatile amplifiers are perfect solutions for virtually any installed sound application.

All PRX600 cabinets are built from a combination of 25mm (on the top and bottom for added rigidity) and 18mm, strong, light-weight poplar plywood made structurally sound with tongue and groove joints. All PRX600 Series cabinets are protected by JBL’s tour proven DuraFlex™ finish. Grilles are made from dent-resistant 16 gauge steel and handles are made from light-weight glass-filled nylon for added strength and durability. All M10 suspension points are constructed from 14 gauge steel and have been tested with a yield-strength of 1000 lbs. each.

Seamless roTools Integration

SC48 features a built-in Pro Tools LE FireWire interface, making it easy to connect a computer (sold separately) running Pro Tools LE software (included with SC48) to record and archive live performances or for audio playback. With VENUE and Pro Tools®, you can also perform Virtual Soundcheck — a timesaving process that lets you play tracks recorded from a previous live performance, and fine-tune your mix settings before an actual show or rehearsal without requiring the band or performers to be there.

Their user interface  now only provides power to the  speakers but also has headphone outputs as well

This system is great for Hotels, Spas, gyms, schools, and churches

for more info on  sale pricing please contact us

Last but not least is something called Wireless Workbench 6 for Windows and MAC OSX. This event planning and control software was developed with the Axient system and allows for comprehensive system coordination, monitoring and control … all from a laptop. There are many other small but important details that help define this system, such as the ability to simultaneously transmit on two independent frequencies, the inclusion of analog FM technology for super-low latency, 40 to 18 kHz frequency response and even batteries with onboard microchips able to display accuracy to within 15 minutes of remaining life.

www.muzeekworld.com

Crown XLS Amplifiers
Crown’s XLS Series stereo amps employ a PureBand crossover system where users can select crossover points (with or without PeakX limiting) from 50 to 3k Hz for matching most bi-amped speakers. Power (at 4 ohms) ranges from 350 to 775W/channel. Integrated DriveCore technology provides the highest level of performance as though a power conditioner was built directly into the amplifier. Weight is just 11 pounds.

Crown XLS2000

Lake Processing has become a standard for loudspeaker processing in live sound applications. A technological tie-up between Yamaha and Lab.gruppen now makes that same top-tier sound tailoring capability directly accessible via Yamaha digital mixing consoles.

Shizuoka, Japan (November 14th, 2011) – The MY8-LAKE implements advanced Lake Processing technology including Mesa EQ, Ideal Graphic EQ, linear-phase crossover, and other intuitive sonic tuning features in a DSP expansion card designed specifically for Yamaha digital mixing consoles. The processing power packed into this compact card is astounding, offering up to 8 inputs/8 outputs in Mesa mode (system EQ), 4 inputs/12 outputs in Contour mode (crossover), or combinations of the above to suit the application. Flexible I/O configuration via the console’s insert points as well as the card’s AES/EBU connectors, plus the ability to run at 96, 88.2, 48, or 44.1 kHz, makes it easy to integrate Lake Processing into any system. Lake Controller software installed on a compatible Windows PC allows precision control of the MY8-LAKE as well as other Lake devices in the system, while close compatibility with Smaart sound system measurement software contributes to smooth, efficient speaker system tuning. Add access to over 1,000 speaker presets and you’re ready to tweak any system for optimum performance in any environment.

Kazunori Kobayashi, General Manager of Yamaha’s Pro Audio Division states, “We have worked hard to provide Yamaha digital console users with advanced solutions via Mini-*YGDAI expansion cards. And now, through close cooperation with Lake, we are ready to offer the MY8-LAKE with leading-edge Lake processing capabilities that will add unprecedented sonic potential and broader appeal to Yamaha digital mixers. We are proud and pleased to be able to introduce this product as the centerpiece of a new system solution for live sound applications throughout the world.” *YGDAI = Yamaha General Digital Audio Interface

“We are delighted to be able to provide Lake Processing as an integrated part of Yamaha mixers, and excited by the potential of this product partnership with Yamaha to deliver the unique benefits of Lake Processing technology to a wider customer base. It further reinforces Lake’s credentials as a leader in digital audio processing and provides significant flexibility and benefits to both our existing users and those looking to integrate Lake into their systems.” says Jon Alkhagen, Managing Director of Lab.gruppen and Lake.

Pricing to be announced. Release scheduled for spring 2012.

About Yamaha Pro Audio Yamaha Pro Audio is known around the globe as a provider of innovative, top-quality solutions for the sound industry. The Yamaha lineup includes a number of world-standard mixing consoles, signal processors incorporating industry-leading DSP technology, power amplifiers based on energy-efficient drive technology, and an extensive range of speakers suitable for everything from live sound to commercial installations. Visit www.yamahaproaudio.com for the latest news and information.

About Lake What began as an idea from the late Bruce Jackson and his then business partner David McGrath in the late 1990s has since become an industry standard in the live touring market. Now under the stewardship of Swedish pro audio technology pioneers Lab.gruppen, Lake continues to provide audio professionals with unparalleled power to shape and optimize sound in a variety of environments, most recently with the introduction of the LM Series standalone Digital Audio Processors and continued evolution of its Lake Controller software. Lake is a registered trademark of Lab.gruppen AB.

http://lake.labgruppen.com/

http://www.muzeekworld.com/products/details/40508/Bose+DS16S+BLACK++FreeSpace+Bose+Surface-Mount+Loudspeaker%2C+Indoor%2C+Multi-Tap+Transformer%2C+70V%2C+16W+%40+8+Ohms%2C+Black

Bose DS40F a very Versatile, high-performance, full-range, flush-mount loudspeaker designed for foreground and background music and speech reproduction in a wide range of installed applications. High output and 125° conical pattern with a frequency range down to 70 Hz. Great for Churches, Restaurants, Schools, retail and offices. You can even use these in your home

http://www.muzeekworld.com/products/details/40511/Bose+DS40F+White+Freespace+Flush+mount+Ceiling+Speaker+70+Volt

call 877-477-6432 ex 101  for complete details

• Full-range environmental loudspeaker with one downward firing 4.5″ (114 mm) advance composite environmental full-range driver for in-ground or above-ground mounting
• Domed port grille reflects sound into the listening area for clear, consistent performance
• Cabinet shape acts as acoustic diffuser directing mid- and high-frequency energy out towards listeners. Base of loudspeaker acts as a tuned, multi-chambered ported enclosure
• Multi-tap line transformer provides easy-to-change tap settings
• Tamper-resistant design
• Internal speaker protection circuit safeguards drivers

Bose PowerMatch PM8500 Power amplifier

• PowerMATCH™ Class-D Amplifier – New, patent-applied design combines Class-D efficiency with a dual-feedback circuit that continuously monitors and controls both the current and voltage of the output devices. This combination provides the PowerMatch amplifier with the highest-quality output power, audio performance, reliability, and efficiency.
• QuadBridge™ Output Mode – Outputs can be configured as single, dual, or quad channel modes, which allows 4 kW of power to be allocated between 2 to 8 channels. These software-selectable configurations range from 8 channels at 500 watts, 4 channels at 1000 watts, 2 channels at 2000 watts, or mixed combinations. Dual or quad modes can drive either low-impedance or 70 V or 100 V loads.
• PeakBank™ Power Supply – Regenerative 4-quadrant power supply with fast-tracking PFC supports high efficiency, while improving the peak burst power for superior transient response and current reserve for bass impact.
• 8 x 500 W from Single Household AC Mains – The PM8500 delivers 4 kW rated power from a single AC mains outlet, with greater than 75% conversion efficiency.
• Optimized Loudspeaker Processing – Integrated audio DSP for loudspeaker EQ, crossover, delay, and limiting. When used with RoomMatch™ and other Bose loudspeakers, the presets provide all required signal processing with optimized protection limiting of self-powered loudspeakers.
• Software Setup and Network Monitoring – All models have USB for Bose ControlSpace^® Designer programming, with PM8500N adding Ethernet network control and monitoring.

Astounding Piano Sounds and Feel in a Customizable Keyboard!

Roland’s 88-key V-Piano gives you more than just an incredibly rich and expressive playing experience; it puts the authentic, natural sound and detail of a real piano into a standalone digital unit you simply have to hear to believe! The V-Piano lets you create your own “dream” piano, offering amazing presets as well as sound choices that extend to the smallest details (right down to the hardness of the hammer felts!). You get astoundingly natural feel and response from the keys, and an easy-to-use control panel makes it easy to get stunning sound after stunning sound from the V-Piano!

Hear it to believe it
The V-Piano soars above the limitations of past technologies with its revolutionary “living” piano core, allowing every note to respond and evolve naturally, seamlessly, and perfectly without requiring samples. With the V-Piano, there is no velocity switching, and it provides a smooth, natural decay that must be heard to be believed.

Advanced technology that’s easy to command
High technology doesn’t have to equate to high complexity for the pianist. With its clean control panel and logically designed user interface, the V-Piano is amazingly fast and friendly to navigate. Even deep-level editing is easy to access and understand. You’ll be customizing and creating new sounds within minutes of first touching the instrument.

Create your custom dream piano
With the V-Piano, you can choose from beautifully crafted vintage grand-piano presets or you can create your own custom dream collection. Vary the hardness of the virtual hammer felts. Experiment with exotic string configurations and tunings. Put a world-famous grand under your fingertips or play a futuristic piano that has never been heard before.

PHA-III Ivory Feel keyboard
Even the most demanding pianist will appreciate the V-Piano’s new PHA-III Ivory Feel keyboard with Escapement. This advanced keyboard technology reproduces the real feel of ivory for the natural keys and ebony for the sharps, and provides a true grand-piano touch and response. Even the subtle click feel when the “hammer” is released from the key (escapement) is reproduced.

The Si Compact 24 features 24 recallable mic preamps plus 4 stereo returns for a total of 32 inputs to mix. Each input is fully equipped with compressors, gates, parametric EQ, high pass filter and delay.

All Si Compact consoles have buses and output processing to match the versatility of the inputs, all mix and matrix busses feature a compressor and parametric EQ and graphic EQ always available on every one of the 25 mix buses.

To complement the channel processing, the Si Compact offers four stereo Lexicon FX processors providing a wealth of sounds and user adjustable parameters.

Flexible onboard expansion I/O options ensure the Si Compact integrates effortlessly with other system components; along with 24 mic inputs there are two pairs of stereo analog line in, AES in and out, 16 analog line outputs, headphone monitor out and a 64×64 channel expansion card slot capable of utilizing any of the Si series option cards, including AES, AVIOM, CobraNet and MADI. The MADI card, as well as being an interface to multi-track recording systems enables linking the Si Compact to the Soundcraft/Studer stageboxes which extend the I/O power and flexibility; but all this power is nothing without control and here lies the core strength of the Si compact; a comprehensive but simple to use control surface.

As you would expect from any Soundcraft digital mixer the facilities are extensive and include legendary audio quality courtesy of EMMA Lite, the same DSP platform that has helped propel the Si Series to industry standard status; this is united with all the reliability, show management, naming of channels, storing & naming cues and and other features that you expect, but what really sets Si Compact apart from all the others is the simplicity of operation.

• TOTEM – The One Touch Easy Mix; press a single key to mix to an AUX, FX or Matrix bus, the surface and monitoring instantly reconfigure to allow instant mixing to your chosen bus on the faders.
• BSS GEQ – With a BSS GEQ on every bus there is never any need to assign from a pool of resources and you never ‘run out’ of processing.
• 1 Control = 1 Function – With each control dedicated to a given function there is never any ‘layering’ of controls or navigating through screens; this allows the Si Compact controls to be labeled on the surface just as they would have been on any analog mixer.
• Global Mode Controls – A row of rotary controls above each fader assignable at the touch of a button to be GAIN, PAN or HPF for all of the inputs, allowing instant acces to the core functions.
• Soundcraft FaderGlow – Illuminates the fader slots according to function with clearly defined colors for FX, Stereo, Linked Mono, GEQ, POST Fade Aux, PRE Fade Aux; you’ll never be lost again.
• Instant Access Keys – Dedicated keys on the front panel for STORE, RECALL, NEXT, MUTE 1-4, TAP TEMPO and more negate the need to dive into screen and context menus.

Key Features

• 24 Mono Inputs
• 4 Stereo Channels
• 14 Mono Aux Busses
• 4 FX Busses
• 4 Matrix Busses
• LRC Mix Busses
• 4 Stereo Lexicon Effects Engines
• 4 Mute Groups
• Harman HiQnet Integration

he GIGRAC 1000ST is a great P.A. solution for musicians on the road schools and houses of worship

When integrated with the V-Mixing System, the R-1000 is a powerful tool that will help musicians improve their performance, enable sound techs to deliver a better mix and provide a better interaction between musician, band leader and sound tech.

Fully Integrated System

The R-1000 integrates seamlessly with your customer’s existing V-Mixing System. It installs easily between the Digital Snake and V-Mixer with Cat5e cables allowing the R-1000 to see all 160 channels of audio flowing from Snake to V-Mixer and audio patched to the REAC A and B output patchbays on the V-Mixer.

The R-1000 is seamlessly controlled right from the V-Mixer’s interface for easy patching and arming of tracks for recording along with song selection, marker editing and transport controls.

* Firmware updates for all V-Mixer consoles will be available from RolandSystemsGroup.com shortly.

Instant Virtual Rehearsal

Because the R-1000 is seamlessly integrated with the V-Mixing System, recorded multi-track audio can be played back instantly without any re-patching of digital snake inputs from stage or changing to a special mode.

Now musicians can “hop off stage” and instantly hear their rehearsal performance to check for tuning, tempo and an overall understanding of how their playing fits in the mix. Musicians also benefit by not having to replay their instrument so the sound tech can “dial them in”. One pass by a singer can be looped over and over saving their voice while the sound tech works on mixing their vocal.

For sound techs, they can work on the mix later, on their own schedule without needing the band present. The R-1000 also becomes an excellent training tool for new operators or experienced operators wanting to experiment with a new mixing technique.

Virtual Preamp Control

When engaged, the Virtual Preamp mode allows the sound tech to work on the audio tweaking of a channel including the gain stage on the pre-amp. As the sound tech is working on a virtual rehearsal with tracks playing from the R-1000, an adjustment made to the preamp on the V-Mixer channel will cause the R-1000 to attenuate the signal to simulate changing the preamp on the input. This will also change the physical Digital Snake preamp in the background so it is at the correct level for the next performance.

* Virtual Preamp control is not available for console inputs

Easiest to Use Recorder on the Market

PC recording is popular for live sound applications but it is still burdened by common computer support issues. The R-1000 is a dedicated hardware appliance built for recording. Roland is the industry leader in hardware recording with hundreds of thousands of hardware multi-track recorders in use around the world. Simple operation from the built-in touch screen interface, Mac or PC RCS (Remote Control Software) and deep control integration from the V-Mixer make the R-1000 simple and accessible to any level of user.
R-1000: 48-Track Recorder/Player
Dedicated 48-Track Audio Recorder and Player
Ideally Suited for Many Configurations and Applications

The R-1000 is an intuitive stand alone, dedicated recorder/player designed to work with the V-Mixing System in any live event or production. You can also connect and use the R-1000 with any digital console that has MADI output capabilities by using the Roland S-MADI REAC MADI Bridge.

The R-1000 is based on REAC (Roland Ethernet Audio Communication) and eliminates the bulk and noise susceptibility typically associated with analog snakes and replaces it with Cat5e/6 (Ethernet/LAN) cable.

Records in Standard Broadcast WAV Format
Records up to 48 tracks of 24-bit audio in BWF format
Removable Hard disk drive ensures smooth integration with DAWs
Approximately 20 hours recording (44.1/48 kHz) using 500GB HDD
Stable and reliable capturing live audio
Multitrack Playback for a Variety of Applications
Plays up to 48 tracks of 24-bit audio via REAC
Data can be loaded from external devices
Marker function enables playback at any designated point
Analog monitor output and a headphone output
Flexible Enough to Fit into any Configuration
Connect with any V-Mixer and control directly from the console
Connect with any REAC Digital Snake product
Versatile feature set including video sync, timecode, GPI and RS-232C
USB ports for backing up data and connecting PC for further software control
Use with any MADI equipped console in combination with optional S-MADI
Ideal for Virtual Sound Checks, Rehearsals, Playback and Training
Connect the R-1000 inline between V-Mixer and Digital Snake for selectable playback or record
Channels can be set to “pass thru” live from the digital snake inputs, record live input or playback from recorder
Run a complete sound check to tune the room in a new venue with no need for musicians to come early
Select the musicians (channels) missing from a rehearsal and continue anyway
Select all or group of channels for selective audio engineering training

StageMix provides remote control of LS9 functions via a simple, intuitive graphical interface from anywhere within wireless range. The software has been specifically designed to allow engineers to adjust monitor mixes from the performers’ positions on stage, directly controlling mix parameters via the iPad rather than having to rely on verbal directions to a second engineer.
The result is better mixes in less time: a huge advantage during high-pressure pre-show setup. StageMix does not provide remote control of all LS9 parameters, but is focused on the requirements for adjusting monitor mixes on stage.

While maintaining the functionality, sound quality, and operability of high-end Yamaha digital mixers such as the PM1D, the LS9 series consoles are small and light enough to be easily transported and set by a single person (LS9-32 = 19.4 kg, LS9-16 = 12.0 kg). Either of these remarkably manageable consoles can deliver advanced features and performance for a wide range temporary live sound systems as well as permanent installations.

Choose the Model that Suits Your Needs
The LS9 series includes the 32-mic/line input 64-channel LS9-32 and the 16-mic/line input 32 channel LS9-16. With it’s greater input capacity and bus complement the LS9-32 is an idea choice for larger live sound applications with complex input and output requirements, while the LS9-16 offers maximum handling and operating ease for events and smaller live sound applications.

No-compromise Analog Circuit Design Delivers the Best Sound in this Class
The Yamaha PM1D digital mixing console and PM5000 analog console were acclaimed by leading sound engineers around the world for their stunning sound quality. The LS9 series consoles inherit the same type of superior sonic performance thanks to painstaking parts selection and detailed attention to the design of every circuit detail . right down to the power supply and grounding. Of course special attention has been paid to the critical had amplifiers, with outstanding results. Much of the technology developed for the top-end models mentioned above has been unreservedly applied to ensure that these mixers come out at the top of their class.

Intuitive Interface

Each input channel features a 100-millimeter fader, ON/OFF key, CUE key, and 6-segment LED level meter that allow analog-style hands-on operation of the primary channel functions. Yamaha’s popular Selected Channel interface allows smooth, intuitive access to the more detailed channel functions via a color LCD display and an array of logically arranged encoders. And no matter what display is showing, you can instantly return to the main display by simply pressing the HOME key. This interface has been refined and proven over many generations of Yamaha digital mixing consoles.

16 or 32 Mono Input Channels Plus 4 Stereo Input Channels expandable up to 32 or 64 channels in Two Layers
The LS9-32 has a total of 33 faders and the LS9-16 has 17. The LS9-32 faders control the 32 inputs and stereo output, while the LS9-16 faders control the console’s 16 inputs and stereo output. Since the LS9-32 can handle a maximum of 64 channels while the LS9-16 can handle a maximum of 32 channels, both models feature switchable channel layers with the second LS9-32 layer allowing direct control of channels 33 through 64, and the second LS9-16 layer providing access to channels 17 through 32. Input sources can be freely patched to the channels as required, and a single source can be patched to two channels, for example, with one in the first layer being used for front-of-house feed and another in the second layer for monitoring. Direct LAYER keys allow instantaneous switching between layers. Both consoles also feature four stereo inputs. When you consider the compact dimensions of these consoles, this much input capacity and versatility is a remarkable accomplishment.

Extensive Channel Functionality
The LS9 consoles feature recallable head amplifiers that cover a wide 72-dB input range, phantom power, phase switching, a high-pass filter, 4-band full parametric equalization, panning with LCR capability.all the basics. But there’s much more. You can choose from two EQ response types, and each channel features two dynamics processors that can be used for gating, compression, ducking, expansion, and even de-essing. There’s even an attenuator (with boost) that makes it possible to take full advantage of he console’s extra digital word length for extraordinary sound quality. No analog console has ever offered this amount of control.

16 Mix Buses, 8 Matrix Buses, Plus Stereo and Mono Buses with LCR Mode

The LS9-32 has 16 analog “omni” XLR outputs on the rear panel, while the LS9-16 has 8. For easy expansion the LS9-32 has two Mini-YGDAI cards slots, and the LS9-16 has a single slot. The expansion slots make it easy to expand the consoles with high-quality analog I/O, or digital I/O in a range of formats. The 16 mix buses can function in either AUX (VARI) or GROUP (FIX) mode. When the AUX (VARI) mode is selected the send point can be set PRE EQ, PRE FADER, or POST FADER. 8 matrix buses are provided in addition to the mix buses, and these can be used for side fill or recorder sends, or anywhere additional sends are required. For easy, efficient monitor mixing a SENDS ON FADER feature instantly assigns to send levels to the consoles faders. The output busses feature many of the same functions as the input channels, including 4-band full parametric EQ and dynamics, for extended output processing capability.

Virtual Rack with Top-quality Effects

There’s no need for external effect racks with an LS9 console, both models provide a Virtual Rack that’s packed with a complete range of effects that will cover just about any processing requirements. Up to 4 multi-effect processors can be used simultaneously, and you can use as many as 8 graphic equalizers. The internal effect library offers 48 preset effects . including the acclaimed REV-X reverb effects. In addition to the standard 31-band single-channel GEQ units, you also have 2-channel Flex15GEQ units that allow up to 16 15-point GEQ units to be used simultaneously. Both GEQ types allow convenient band adjustment via the console faders, and the channel ON keys can be used to instantly reset the corresponding band to zero boost/cut.

Recall Safe and Recall Focus.Right Down to Head Amp Gain

The LS9 scene memory allows instant store and recall of all console parameters, including head amp gain. The Recall Safe function can be used to exclude specified channels from scene recall operations, making it possible to leave sound effect or MC channels unaffected by scene recall, for example. There’s also the Recall Focus function that makes it possible to specify which function group will be affected by scene recall: head amp, virtual rack, input patch, output patch, input channel, or output channel.

USB Memory Recorder/Player for Convenient Recording and BGM or Effect Playback

The LS9 consoles feature a built-in 2-track USB memory recorder and player that eliminates the need for external 2-track devices for many applications. It’s easy to make live recording direct from the console, and it’s also a convenient way to play background music or sound effects. The USB memory player is compatible with MP3, AAC, and WMA file formats at 96, 128, or 196 kbps.

Detailed Access Management
LS9 series consoles allow convenient, detailed access management, which can be especially important in fixed installations. User keys (standard USB memory devices) can be issued with different access levels for different users. Access can be controlled in detail, from full console to just a fader or two, as required.

LS9 Editor Software for Enhanced Operability and Programmability

The LS9 Editor is a free software viewer/editor application for Windows-based computers. It can be used online in real time for convenient, flexible metering as well as Selected Channel parameter display. LS9 Editor is also a great way to pre-program console setups offline for significantly enhanced efficiency. In permanent installations different operators can keep their own setups individually, and load them in the console as required via a USB memory device. The Editor program is also a great way to manage safe data backups.

32 or 16 mono mic/line input channels plus 4 stereo input channels, expandable up to 64 or 32 channels in two layers.
16 mix buses, 8 matrix buses, plus stereo and mono buses with LCR mode.
Top-peformance analog mic/line preamplifers.
Compact and light enough for one person to move and set up easily.
Yamaha Selected Channel interface allows smooth, intuitive access to detailed channel functions via a color LCD display and logically arranged encoders.
Extensive gating,compression, and equalization facilities.
Built-in USB memory recorder/player for recording or BGM playback.
Virtual Rack packed with effects and EQ for just about any processing requirements.
Scene memory for instant store and recall of all console parameters, including head amp gain.
Advanced access management includes user keys (standard USB memory devices) that can be issued with different access levels for different users.
LS9 Editor Software for enhanced operability and programmability.

Stereo output for wired or wireless
The stereo output from the A-16II can be used to drive wired or wireless in-the-ear monitors, headphones, powered floor wedges, an amplifier, or spot monitors.

The A-16II Personal Mixer is fully compatible with all Pro16® Series products, including Aviom’s digital interface card for Yamaha® digital mixing consoles. Support for Aviom monitor mixing is available in the form of console interface cards from an ever- increasing list of digital console manufacturers including Digidesign®, Soundcraft®, Innovason®, etc. Look for the A-Net Active™ logo, and see our Partners page for additional information.

Daisy-chain and power
Mixers can be daisy-chained or connected in parallel using an A-Net Distributor. Parallel connections also allow power to be supplied to the mixers over the Cat-5e cable. As with all Pro16 Series products, Cat-5e cable runs of up to 500 feet (150 meters) are possible between devices, and there is no limit to the number of mixers in a system.

Aviom Personal Mixers are easy to learn, simple to use, and flexible enough to integrate into any setup regardless of what type of console you are using or whether performers are using floor wedges, headphones, or in-ear monitors.

Improve monitor and cue mixes
Improve sound on stage and in house
Streamline soundchecks
Perfect for in-ear monitors
Simple user interface; no technical skills required to use
No computer programming

How It Works

An Aviom personal mixing system distributes up to 16 channels of audio—typically a combination of inserts, direct outs, and auxes or groups—to individual performers’ Personal Mixers, which performers use to customize their monitor mix. All audio is distributed over standard Cat-5e cables, using Aviom’s A-Net® digital audio connectivity technology.

An Aviom personal mixing system can be easily tailored to meet the exact needs of any ensemble, facility, or organization. The system is fully modular, nearly infinitely expandable, and very easy to set up, so getting started building a system is simple and straightforward.

The AllFrame Multi-Modular I/O System replaces traditional analog I/O boxes with a modular digital solution. It’s the ideal answer for permanent installations in theaters, schools, conference centers, and the like, as well as touring and portable live sound. By digitizing the audio input signal where it connects to the network, the AllFrame system keeps analog cabling to a minimum, reducing system complexity and labor costs while delivering improved performance and flexibility.

Instead of soldering, terminating, and testing scores of analog connections, installing conduit, and pulling separate cables for each audio signal, the AllFrame requires only a single Cat-5e or fiber connection. The unit can be powered over the Cat-5e cable or from a dedicated DC power line, using an external power supply (sold separately).

Each AllFrame device supports Cat-5e cable runs up to 400ft (120m) between devices, with no loss of fidelity. With integrated fiber optic connectivity, cable runs can be extended to over a kilometer (multi-mode fiber) or tens of kilometers (single-mode fiber).

As part of Aviom’s revolutionary Pro64 Series, the AllFrame Multi-Modular I/O System provides robust and flexible audio connectivity. Because Pro64′s Auto Mode supports any combination of serial and parallel wiring topologies—without affecting signal flow at any point—I/O points can be placed anywhere an application requires.

RoomMatch™ RM5505 array module delivers superb audio quality for fixed-installations in almost any room size, shape, acoustic requirement or budget. Overcoming the acoustic limitations of both line array and point-source conventional designs, RoomMatch™ modules form a new class of curvilinear array that allows seamless audio quality, with consistent front-to-back and side-to-side tonal balance.

The incredible TLF218 dual 18-inch subwoofer is highly efficient and designed for use with any full-range loudspeaker system. Its ground-shaking performance is enhanced by Active-Air cooling and BCL (Balanced Cone Loading) technology. Active-Air cooling utilizes the bass ports to move outside air over the motor structures of each driver, while BCL technology improves the linearity of the device by equalizing the front and rear air loads. Both features combine to reduce operating temperatures and avoid diminishing output at higher volumes. The TLF218 is designed for easy rigging and portability. Rugged feet and recessed cups facilitate stacking, while the non-obtrusive Ergo-Grip handles insure easy handling. The cabinet is constructed of 13-ply Baltic birch plywood with Community’s abrasion-resistant Tuf-Coat™ finish.

Community’s M-Class stage monitors allow musicians, orators and vocalists to perform with confidence. This unique family of versatile and low profile monitor systems serves a vast range of demanding applications such as houses of worship, scholastic and corporate auditoriums, nightclubs, and numerous other venues that require clarity of speech, musicality and high power output. From the subtlety of the spoken word in a house of worship to energetic musical performances, Community M-Class has you covered. All M-Class monitors are available in black or white paint finishes.

M12

The premium, high performance M12 monitor is ideal for any application where low visibility is a key requirement, including televised and corporate events, houses of worship, as well as theater and stage performances. The M12’s high frequency driver is mounted to a molded one-piece asymmetrical horn with a 90-degree pattern at the top and 40 degree at the bottom, allowing full-range monitor output close up or at a distance. This unique pattern delivers even coverage while keeping energy away from stage walls. The M12 is available in low-luster black or white paint finishes, with the HF horn molded into the faceplate to either the right or left of the LF driver for “mirror-image” pairs.

MX41E

The MX41E is a small and versatile two-way full-range bass reflex floor monitor engineered for live performance. Available in a 90 x 40 (MX41E-94) or 60 x 40 (MX41E-64) degree coverage pattern, the horns are rotatable for narrower horizontal coverage. Designed for professionals, the MX41E features a Ferrofluid–cooled LF driver, solid birch plywood enclosure, 16-gauge perforated steel grille, heavy-duty steel handles, steel input panel with a Passive/Bi-amp switch, and Neutrik input connectors. The MX41E is voiced for live sound, providing excellent sound projection, exceptional vocal performance, and balanced musical reproduction.

NEW! MX8 and MX10

The ultra low profile MX8 and MX10 feature stylish looks and excellent performance capabilities. Using Community’s proprietary coaxial drivers and DYNA-TECH™ driver protection system, these compact monitors provide professional performance at affordable prices. Conical waveguides eliminate the transition anomalies that occur in most square and rectangular horns, resulting in exceptionally smooth phase and frequency response curves. Their coaxial design means that all of the sound emanates from the same point source. These innovations reduce feedback, improve intelligibility, and provide uniform coverage exactly where it’s needed.

Check out these dates:

New York NY, September 1, 2011, at 6 p.m. at Guitar Center Manhattan
Steinberg representatives will be on hand to answer any of your Steinberg related questions.

Salt Lake City UT, September 3, 2011, at 10 a.m. at Guitar Center Salt Lake City
This month’s topics will include an in-depth look at HALion 4 and discussing other virtual instrument concepts.

Washington DC, September 3, 2011, at 2 p.m. at Washington Music Center
This month we will take a look at some of the new Audio Warp time stretching features found in Cubase. We will learn how to change the tempo of multiple audio files including turning a track with tempo changes into a steady tempo. Steinberg representatives will be on hand to answer any of your questions.

Orlando FL, September 5, 2011, at 6:30 p.m. at YRS MIDI Systems
YRS MIDI Systems is located at 172 Oxford Rd., Fern Park, FL 32730.

New Jersey, September 6, 2011, at 7 p.m. at Guitar Center Totowa
Steinberg representatives will be on hand to answer any of your Steinberg related questions.

Detroit MI, September 15, 2011, at 7 p.m. at the Recording Institute of Detroit
The Recording Institute of Detroit is located at 14611 East Nine Mile Rd. Eastpoint MI 48021.

The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.

The PSM®900 Wireless Personal Monitor System from Shure offers an unprecedented combination of superb audio quality, robust RF performance, and category-leading features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button.

Precision front-end RF filtering significantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity.

When it comes to live productions, VENUE live sound systems deliver amazing sound quality, reliability, efficiency, and ease of use. From intuitive mixing consoles and software to direct Pro Tools integration and creative studio-grade processing at your fingertips, VENUE is shaping the future of live sound.

Get the amazing sound quality and rock-solid reliability of VENUE all in one compact console. VENUE SC48 is a fully integrated live sound system that combines all I/O, digital signal processing, and tactile control into a single console, making it the most affordable and portable VENUE system yet. The console not only features the celebrated characteristics of VENUE, including studio-quality plug-in support, seamless integration with Pro Tools LE systems, and complete show file portability, it offers several innovative new workflows that streamline the mixing process, allowing you to concentrate on mixing the show instead of operating the board.

http://www.roland.com/products/en/JUPITER-80/

One of the most revered prefixes in the history of synthesis returns. Welcome the arrival of the JUPITER-80—a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL technology. The JUPITER-80’s expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the all-new JUPITER-80!
Powerful integrated SuperNATURAL synthesis engines designed for legendary vintage synth sounds to realistic organic acoustic sounds and more. Single Tone is equivalent to the performance of powerful single synthesizer—stack four of these to create a mind-blowing “Live Set”
Tone Blender tweaks multiple parameters of tones in realtime for complex, emotive sonic movement during performance
Fast, friendly operation with intuitive front panel and color touchscreen optimized for live performance
76-note semi-weighted synth keyboard, and 256 polyphonic voices (varies according to sound-generator load)
USB-memory Song Player/Recorder for backing tracks or quick idea capture Easy integration with computers via built-in USB-MIDI/Audio interface

• Bose® Spatial Dispersion™ loudspeaker technology delivers sound evenly across the stage and throughout the audience—even to the extreme sides
• Two ToneMatch® channels with fixed presets for a handheld microphone and an acoustic guitar
• Integrated bass speaker in power stand
• Two setup positions: collapsed for smaller spaces or extended for larger ones
• Ideal for musical performances, mobile DJs, classrooms, business presentations and other events

Introducing the L1 Compact portable line array system. Carry it in one trip. Set it up in one minute. Fill the room with Bose sound.

The L1 Compact system combines conventional PA and monitors into one sleek unit. Positioned behind or to the side of a performer, DJ or presenter, it delivers wide, even sound coverage throughout the stage area and audience—even off to the extreme sides. It’s our smallest, lightest, easiest-to-set-up L1 system, weighing just 29 pounds.

TTL36-AS

ACTIVE LINE ARRAY SUBWOOFER MODULE

The TTL36-AS is the ideal flyable bass complement for the TTL55-A array system.

The clam-shell design guarantees the maximum output per size while the 2 x 4.5” voice coil vented 18” woofer design offers the minimum of power compression. The TTL36-AS is perfect to create flown systems for theatrical and indoor requirements. For very large outdoor systems is the perfect complement to reinforce the TTL55-A bass performance in combination with the ultra powerful TTS56-A subwoofers.

TTL55-A

ACTIVE THREE-WAY LINE ARRAY MODULE

The TTL55-A is a high power, three way, active line array module engineered to deliver an incredible output for use in indoor or outdoor large spaces. The system is designed to be easily scalable from few modules for medium and small theatres to full size arrays for very large outdoor stadia and public spaces.

The three new designs for the six neodymium transducers that power the system represent the result of many years dedicated in pioneering new solutions using the best materials available on the market. The integration of the 3500 W four channel digital amplification and the advanced digital processing set a new standard for distortion, noise and thermal efficiency.

The HME DX210 is a newly-designed, two-channel intercom system that has advanced the capabilities of the legendary DX200. The DX210’s wired intercom interface is now compatible with Clear-Com’s 2-wire systems, and provides two separate 2-wire and 4-wire interconnections. The powerful 1RU base station supports up to 16 full-duplex and 44 half-duplex beltpacks and/or wireless headsets by linking four base stations. The DX210 is paired with the rugged BP210 beltpack and All-in-One WH210 Wireless Headset COMMUNICATOR®s, which have two intercom buttons (IC1/IC2) with ISO. The system is also backward compatible with the DX200 COMMUNICATOR models such as BP200, WH200 and WS200 (Wireless Speaker Station).

One of the features in the HME DX210 is a digital auto-nulling circuit, which allows users to eliminate the return audio of the wired 2-wire intercom automatically.  The system offers 2-wire circuit protection to prevent feedback from un-terminated 2-wire channels. The DX210 also has an assignable AUX input for program. The DX210 allows for relay (GPO) actuation with ISO function from either base station or any one of the appropriately configured COMMUNICATORs.

The DX210, as with all DX Series systems, features Spectrum-Friendly™ Technology to avoid frequency conflicts and Digital Frequency-Hopping Spread Spectrum (FHSS) technology for interference-free communication. ]]> http://www.muzeekworld.com/Application/wordpress/archives/71/feed 0 http://www.muzeekworld.com/Application/wordpress/archives/70 http://www.muzeekworld.com/Application/wordpress/archives/70#comments Wed, 24 Aug 2011 20:51:49 +0000 admin http://www.muzeekworld.com/Application/wordpress/archives/70 Tempest900 900MHz Wireless Intercom System

Tempest900 is the new wireless intercom system that operates in the 900 MHz frequency band, available in 2- and 4-channel versions and comes fully-loaded with the same set of features, functions and operations as the Tempest2400; including the ability to operate in Normal, Split and Shared Modes.

The difference is that Tempest900 may provide improved coverage in areas where more structural penetration is required and in large enclosed areas where multipath interference would otherwise be a factor.

A single Tempest900 in Normal Mode can support between one and five full duplex wireless users. But, by using a BaseStation in Split or Shared Mode, it can support an unlimited number of users who need to monitor the conversation and can share talk capacity.

A total of five Tempest900 BaseStations can be co-located and connected together via their Partyline or 4-wire intercom connections offering a maximum of 25 Tempest full duplex wireless BeltStations operating in close proximity while maintaining excellent system performance. ]]> http://www.muzeekworld.com/Application/wordpress/archives/70/feed 0 http://www.muzeekworld.com/Application/wordpress/archives/68 http://www.muzeekworld.com/Application/wordpress/archives/68#comments Tue, 23 Aug 2011 16:03:43 +0000 admin http://www.muzeekworld.com/Application/wordpress/?p=68 Nexia SP - DSP Speaker Processor

Nexia SP is a digital signal processor with 4 line inputs and 8 independent mix outputs. Intended for speaker processing applications requiring line inputs feeding a larger number of discrete outputs, Nexia SP includes a broad selection of audio components, routing options, and signal processing.

The internal system design is completely user definable via PC software, and can be controlled via dedicated software screens, RS-232 control systems, and/or a variety of optional remote control devices. Multi-unit Nexia systems can be created utilizing Ethernet and NexLink digital audio linking.

http://itunes.apple.com/us/app/muzeekworld/id415993360?mt=8

The KB1 is an innovative product. In this sense it fits perfectly into the K-array brand: innovation and quality.
What makes it special is that it is immediately recognisable as a product which was developed in an environment (K-array) which is orientated towards the “professional” sector.
Some solutions which have been adopted are unique in the entire panorama of products on offer, and are the same as those used in stage setup during concerts (e.g. the medium-high speaker has the ability to electronically vary the height of sound diffusion); the completeness of the instrumentation: the capacity to load different presets simply and at any time from a PC, the control of entry sound through an integrated professional digital mixer, and the ability to electronically modify the extent and the coverage of the sound vertically, make the instrument versatile and applicable in any situation with notable levels of quality; the materials are those present only in concert systems of high calibre: steel, aluminium and wood are high-quality materials, used in professional level products. This system is going to go on sale, inquire for pricing

Live and Studio Condenser Microphone

The SCX25A is a professional studio condenser microphone with an elegant design and a patented capsule suspension system. Uniquely shockmounted within an intricate machined brass ring, the SCX25A capsule is completely isolated from the mic body and electronics. By successfully minimizing acoustic reflections and diffractions, the SCX25A delivers a pure, open-air sound with exceptional detail and realism.

With a smooth uniform frequency response from 20 Hz – 20 kHz, the SCX25A is very consistent when responding to on and off-axis signals, exhibiting excellent phase coherence and minimal proximity effect. The SCX25A is characterized with a wide cardioid polar pattern which enables the sound engineer the opportunity to blend the sound of the instrument or vocal with the sound of the room. Other features include a one-inch (25 mm) gold vapor capsule, miniaturized electronics, and an extremely small footprint. The SCX25A will handle sound pressure levels in excess of 135 dB and will provide up to 20 dB of ambient noise rejection.

In addition to vocals, the SCX25A is ideally suited to capture acoustic instruments such as piano, guitar, vibes, woodwinds, brass, percussion toys, drum overheads, orchestra and symphony sectionals.

The SCX25A, which is manufactured to exacting standards and tight tolerances, features a precision machined brass body, innovative capsule suspension system, steel mesh grill, black e-coat finish, laser etched model and serial number, Switchcraft® XLR connector, and heavy duty nylon clip.

Applications

• Studio vocals, lead and backing, Voice over, Choir, Ambient room
• Piano, drums, overheads, sax, guitar
• Innovative design with isolated capsule suspension system
• Miniaturized pre-amp. Extremely small footprint (only 4 inches long)

Reviews

Using the built in scheduler, the Flex-LT can automatically shut off displays that have been accidentally left on when the room is not in use. It can also alert the support staff if there is an issue in the room such as the lamp life getting too high in order to reduce the down time of the room.

The Flex-Able configuration utility features an easy to use method to get the most out of the system. The contractor is presented with an easy to follow drag ‘n drop programming methodology; no need to learn another programming language. Flex-Able eases device control by offering IR libraries or if a library is not available, the Flex-IR learner is a snap to use.

Aviom’s Pro16 Personal Mixing system is an easy and economical way to improve monitor mixes, lower stage volume, speed soundchecks, improve the sound in a performance space, and make recording sessions and rehearsals more efficient and more fun. For performers and recording artists in houses of worship, on concert stages, in orchestra pits, in the studio, and on the set, Aviom Personal Mixers give musicians precise, independent control over their monitor mixes.

Aviom Personal Mixers are easy to learn, simple to use, and flexible enough to integrate into any setup regardless of what type of console you are using or whether performers are using floor wedges, headphones, or in-ear monitors.

How It Works

An Aviom personal mixing system distributes up to 16 channels of audio—typically a combination of inserts, direct outs, and auxes or groups—to individual performers’ Personal Mixers, which performers use to customize their monitor mix. All audio is distributed over standard Cat-5e cables, using Aviom’s A-Net^® digital audio connectivity technology.

An Aviom personal mixing system can be easily tailored to meet the exact needs of any ensemble, facility, or organization. The system is fully modular, nearly infinitely expandable, and very easy to set up, so getting started building a system is simple and straightforward.

Metamorphosis of a Legend

One of the most revered prefixes in the history of synthesis returns. Welcome the arrival of the JUPITER-80—a live-performance powerhouse that pays homage to its legendary namesake with road-proven hardware and massive sound, yet blasts into the future with advanced SuperNATURAL® technology. The JUPITER-80’s expressive, organic approach to synthesis makes a new world of sound design possible with multilayered SuperNATURAL textures under the control of a full-color touchscreen and creative hands-on controllers. Experience the metamorphosis of a legend with the all-new JUPITER-80!

• Powerful integrated SuperNATURAL synthesis engines designed for legendary vintage synth sounds to realistic organic acoustic sounds and more
• Single Tone is equivalent to the performance of powerful single synthesizer—stack four of these to create a mind-blowing “Live Set”
• Tone Blender tweaks multiple parameters of tones in realtime for complex, emotive sonic movement during performance
• Fast, friendly operation with intuitive front panel and color touchscreen optimized for live performance
• 76-note semi-weighted synth keyboard, and 256 polyphonic voices (varies according to sound-generator load)
• USB-memory Song Player/Recorder for backing tracks or quick idea capture
• Easy integration with computers via built-in USB-MIDI/Audio interface

etamorphosis of a Legend

Past, Present, and Future Sound

The JUPITER-80 nods to its past with lethal, multi-layered SuperNATURAL® synthesizer tones so fat you’ll need a knife to cut through it, but that’s only the beginning of what this powerhouse synth will do. Gigging musicians will love the stockpile of essential sounds onboard, including Roland’s famous SuperNATURAL grand pianos, strings, brass, and much more. The JUPITER-80 puts a fast-access user interface under your fingers—a dream for live performance. Its heavyweight design, complete with metal side panels, recalls the legendary JUPITER but with a modern twist.

Tone Blender

You will love the deep possibilities of the stackable SuperNATURAL architecture and unique features such as Tone Blender, which tweaks values of multiple parameters simultaneously and lets you “Capture” any new combination and save it as a Live Set. Create complex, emotional textures that respond, react, and evolve like nothing you’ve heard before. Tone Blender can also dramatically enhance your live-performance capabilities by letting you assign its multiple parameters to controllers such as the D Beam.

Powerful Live Sets Featuring Four-Tone Structure and Registrations

JUPITER-80’s sound engine handles four x tones with dedicated DSP per tone as a basic unit “Live Set” for manual performance. Layering of Upper and Lower Live Sets, plus a specialized “SOLO” part, means the incredibly massive nine-tone-stack sound. Customized complex settings can be saved as Registrations, and easily recalled during live performance

FOR MORE INFO AND SPECIAL PRICING CALL US 877-477-6432 ex 101

The Eagle 300 is based on a modular concept allowing the system to be matched to the customer’s application while maintaining an affordable upgrade path. The three primary components are the System Controller, Video Processor and a Matrix Switch. Each Video Processor can be populated with up to 3 Mix / Effects cards allowing up to 6 layers of Picture-in-Picture and Key effects with a native resolution background and a down stream key on screen at any one time.

Up to 6 Video Processors can be used with a single controller for multi-screen applications as well as ultra-wide screen edge blended displays.

CALL 877-477-6432 for more info and special pricing

The Scalable Standard for Digital Live Sound

Since its release in 2004 the PM5D has become a standard for digital live mixing, and the first choice of legions of discerning engineers and sound companies throughout the world. Why? Simply because it offers extraordinary sound and versatility in a relatively small, lightweight system that is intuitive to use and delivers unmatched sound, control, and reliably without the need for additional outboard processing gear. Of course programmability and recall capability are of monumental importance in today’s live sound scene as well.

It’s no exaggeration to state that the PM5D Digital Mixing Console took the digital revolution to a new level. What’s more, it offers a system solution that can enhance the entire sound production process from input to output through seamless integration with digital systems including Yamaha’s DME series digital mixing engines and AD8HR 8-channel A/D converters with remote controllable preamps. But for applications that require serious I/O capacity there’s the PM5D-EX: a PM5D console plus a DSP5D Digital Mixing System that gives you the I/O and processing capacity of two PM5D consoles controlled from a single control surface, plus the added advantages of digital cabling over long distances when necessary. There’s virtually no limit to the possible configurations and applications, thanks to open architecture with the flexibility and expandability you need to handle just about any live sound and recording application.

FreeSpace^® 3 System

This high-performance, Virtually Invisible^® loudspeaker system is engineered for reproducing voice and music in background and foreground applications. The FreeSpace^® 3 system combines flush-mount, surface-mount and pendant-mount speakers to work with different room décors and layouts. It is designed for a variety of business applications including retail, restaurant and hospitality operations.

The Acoustimass^® bass module delivers deep, clear bass without audible distortion. The 200-watt Acoustimass bass module can be used as part of any new background music system, or to add bass to an existing music system.

FreeSpace® DS 40F Loudspeaker FreeSpace® DS 40F loudspeakers deliver background and foreground music with fullness, notable presence and detail, as well as clear, natural sounding speech reproduction. They are well-suited for a wide range of indoor commercial applications, such as: retail stores, restaurants, bars/nightclubs, houses of worship, hospitality venues, public spaces, offices, meeting rooms, hallways, entrance ways, lobbies and concourses. These 40-watt loudspeakers can be easily flush mounted in ceilings up to 26 feet (8m) high. They are engineered with a single 4.5″ (114.3mm) driver known for robustness and durability, and deliver full range performance from 80 Hz to 16 kHz. Clean, sleek styling visually blends into ceilings while providing exceptional acoustic presence, full bass and clear detail. FreeSpace DS 40F loudspeakers are acoustically compatible with FreeSpace DS 40SE surface-mount loudspeakers and can be combined on the same loudspeaker line. The DS 40F can be installed quickly and simply due to its integrated mounting arms. This versatile design makes the DS 40F suitable for almost any ceiling installation: flush mounted above the ceiling, pendant mounted in open ceilings or installed in air handling (plenum) spaces. It meets numerous standards for combination music and evacuation systems around the world and is backed by a transferable limited warranty.

R-1000: 48-Track Recorder/Player

Dedicated 48-Track Audio Recorder and Player

M-480: 48-Channel Live Digital Mixing Console

The Flagship Console of the V-Mixing System

Features

With superb sound quality, powerful functions, expandability and intuitive operation; the V-Mixing System continues to introduce new possibilities to the live mixing market. Now after its 2007 debut and as a direct response to actively listening to our users, the next generation V-Mixer has arrived. Equipped with a newly developed mixing engine, the M-480 provides an enhanced level of powerful and flexible audio processing.

The M-480 is the first V-Mixer to support a cascade connection that enables 96 channels of mixing by connecting a second unit – all via one simple Cat5e/6 cable. Supporting live events, mobile production, broadcasting, and sound installation the V-Mixing System with the M-480 V-Mixer at its heart provides a premium level of innovation for any live mixing venue.

M-480 Main Features

• 48 mixing channels plus 6 stereo returns for a total of 60 channels
• Main (LCR) outputs, 16 AUX buses, 8 matrices
• Configurable to 90 inputs and 90 outputs depending on Digital Snake configuration
• 4-band advanced parametric EQ, and delays on all inputs and outputs
• Compressors and Gates on all mixing channels
• Six built-in stereo (dual-mono) multi-effects and twelve graphic EQs
• Supports integration with Personal Mixing System and Multi-Channel Live Recording and Playback
• Cascade connection supports large format applications for 96 mixing channels

M-480: 48-Channel Live Digital Mixing Console

The Flagship Console of the V-Mixing System

Features

With superb sound quality, powerful functions, expandability and intuitive operation; the V-Mixing System continues to introduce new possibilities to the live mixing market. Now after its 2007 debut and as a direct response to actively listening to our users, the next generation V-Mixer has arrived. Equipped with a newly developed mixing engine, the M-480 provides an enhanced level of powerful and flexible audio processing.

The M-480 is the first V-Mixer to support a cascade connection that enables 96 channels of mixing by connecting a second unit – all via one simple Cat5e/6 cable. Supporting live events, mobile production, broadcasting, and sound installation the V-Mixing System with the M-480 V-Mixer at its heart provides a premium level of innovation for any live mixing venue.

M-480 Main Features

• 48 mixing channels plus 6 stereo returns for a total of 60 channels
• Main (LCR) outputs, 16 AUX buses, 8 matrices
• Configurable to 90 inputs and 90 outputs depending on Digital Snake configuration
• 4-band advanced parametric EQ, and delays on all inputs and outputs
• Compressors and Gates on all mixing channels
• Six built-in stereo (dual-mono) multi-effects and twelve graphic EQs
• Supports integration with Personal Mixing System and Multi-Channel Live Recording and Playback
• Cascade connection supports large format applications for 96 mixing channels

More Info

Advanced Processing Power
The processing power of the M-480 supports the widest range of venues and applications. The newly developed mixing engine provides a 4-band fully parametric EQ, gate, compressor, and delay on each input channel. 214 possible patch points with 90 discreet outputs.

Easy, intuitive and award-winning interface design
The large color display and dedicated knobs and buttons in the channel edit section offers intuitive operation. The user interface is designed to be easy to learn and easy to use. Combining the cursor buttons around the value dial provides optimized and efficient operation.

All input and output channels equipped with delay
In large format venues such as a concert halls and stadiums as well in broadcast applications, audio time alignment settings are critical. The M-480 is equipped with delays on all mixing channels and outputs buses. High quality and precise sound adjustments can be accomplished by using the built-in real time analyzer.

The cascade capability enables a solution for high channel counts
The M-480 supports a cascade connection requested by many live sound engineers. Connecting two M-480s with one REAC cable enables the mixing of up to 96 channels as well as advanced synchronization of internal buses. A mixing environment equivalent to a large format console can be created within a minimal footprint and budget.

Powerful mixing capacity
The capacity of 48 mixing channels, 6 stereo returns, main LCR outputs, 16 AUX buses, and 8 matrices supports any venue or application. The fully assignable REAC A and B patchbays allows for very flexible internal routing. A post preamp patchpoint allows direct routing from inputs to outputs without having to route through the console.

Newly developed mixing engine with powerful signal processing
All inputs and outputs are equipped with a 4-band fully parametric EQ. A gate, compressor and delay is also available on all mixing channels. Channel parameters are controlled using the dedicated knobs and buttons.
With a high resolution crystal clear color display, the M-480 provides an unprecedented audio mixing experience.

Rich effects along with Twelve GEQs/PEQs
The M-480 is equipped with six dual-mono, multi-effects processors that are available as AUX or insert effects. Each multi-effects processor has 18 algorithms of various types such as reverb, delay, chorus, pitch shift and advanced channel strip. Six types of precisely emulated legendary vintage Roland effects such as the RE-201, SDE-3000, and SRV-2000 are included. In addition, twelve 31-band graphic EQs or 8-band fully parametric EQs are included for sound adjustment. The six multi-effects and twelve GEQs/PEQs can be used simultaneously.

All inputs and outputs are equipped with delay
The M-480 is equipped with delay on all input channels and output busses. Problems with sound delay in a concert venue or broadcast application can be solved using the internal processor. Delay time is adjustable up to 400msec, and is selectable in both time and distance units between msec/feet/meters / frames. It also features a high performance graphical real time analyzer for precise and focused sound adjustment.

Remote control and offline setup using a PC
The M-480 can be controlled remotely by connecting an PC via USB. The M-480RCS control software has the same user interface as the built-in display. The M-480RCS can also be used when the M-480 is not connected allowing offline setup and configuring of the system before an event. Setup data can then be copied to a USB flash drive ready to load into the console at the venue. Using a connected PC and a wireless LAN, a tablet device can control the M-480 from a remote location like the stage or a seat in the audience.

Three live recording options
The M-480 supports live multi-channel recording. Simply connect the R-1000 with Cat5e/6 cables to easily record (or playback) up to 48 channels of 24 bit audio.
Uncompressed BWF file data is stored on a removable SSD or HDD where it can be edited later in the studio with a DAW of choice. By using Cakewalk SONAR Producer software*, up to 40 channels can be recorded directly by simply connecting a single REAC cable to a PC. In addition, the built-in USB memory recorder can record a stereo output signal from the M-480 as an
uncompressed WAV file. The USB memory recorder also supports WAV file playback for convenient playback of music and announcements.
* REAC driver kit is required to record using Cakewalk SONAR directly.
Support and management of multiple M-48 Live Personal Mixers for the ultimate in monitoring environments
For the performing musician wanting the best possible sound quality and flexibility in their individual stage mix, the M-48 Live Personal Mixer offers control over 40 audio sources that can be easily managed in 16 assignable stereo groups. Configurations are straightforward with the ability to control, save and recall all connected M-48s from an M-480, M-400, M-380 or M-300 V-Mixer allowing the FOH engineer to assist in setup and mixing. The use of IEMs (In-Ear Monitors) dramatically reduces the amount of sound picked up by stage microphones. It also eliminates feedback while providing superb sound quality for both live performance and recording.

Basic System
The basic system supports typical mid-sized live event applications.
Two S-1608 for I/O enable a total of 32 inputs and 16 outputs on the stage with 10 inputs and 10 outputs at the console.

Live Monitoring System
Expanded system for mixing live stage. Flexible I/O setup is possible by using four S-0808s. Using four M-48 and M-480, the V-Mixing System can be used as a monitoring system for any live application.

Broadcasting System
Use the M-480 for mixing TV/radio broadcasts along with recording direct preamp splits via a parallel connection using the R-1000 and SONAR REAC Recording System. Using the Roland S-MADI bridge, the sound is sent to an OB van using MADI format. The S-4000D enables easy splitting and distribution of the audio.

Audio Installation for Hall/Church
A setup of two S-0808s on the stage and an S-4000S on the side of the stage can support a variety of events. An M-480 at the FOH (front of house) position connected to a PC can be remotely controlled through a wireless LAN using a tablet PC.

48 input channels must be selected from 106 physical inputs via M-480 patchbay. *1 Wireless LAN equipment and setup are required. *2 Using S-4000M patchbay, 40 input channels must be selected from 80 physical inputs.

Multi-Channel Recording/Playback System
The R-1000 not only records multi-channel audio but can also play back 48 channels in combination with a V-Mixing System or other digital consoles using MADI. This enables playing backing track and rehearsing/training without theband present. The SONAR REAC Recording System enables multi-channel recording simultaneously.

Cascade System
Cascade connection enables up to 96 mixing channels by connecting two M-480s via a single Cat5e/6 cable. Master console shares Main/AUX/Matrix/Solo buses of Slave Console. A large format mixing system can be configured with minimum footprint.

LCR Sound Systems The LCR (Left-Center-Right) mode is supported natively.	Support for Personal Mixing and Monitoring The M-480 V-Mixer can be used to setup, configure and control multiple REAC-enabled M-48 Live Personal Mixers. The M-48 represents a breakthrough in professional personal monitoring and mixing.
Vintage Effects Access some of Roland’s legendary vintage effects within the M-480. Original sounds used by engineers the world-over extends the range of live expression.	12 GEQs Can be Switched to PEQs Any of the twelve 31-band Graphic EQs can be switched to an 8-band Parametric EQ. The Real Time Analyzer enables a quick look and instant adjustment of the acoustic characteristics of a venue.

Vintage Effects
Roland has been a leader in creating some of the world’s most popular effect processors. Included in the M-480 are six perfectly emulated popular and classic vintage effects.

Space Echo – RE-201 The world’s standard in tape echo effect. Spring Echo is also emulated perfectly.	Stereo Flange – SBF-325 Employs 3 Flangers and 1 Chorus. Supports Stereo Inputs.
Dimension D – SDD-320 The studio standard – Dimension. Also supports multi-button mode.	Digital Delay – SDE-3000 The standard Digital Delay of sound reinforcement and recording. Can be used by two channels for dual mono effect.
Phase Shifter – SPH-323 Dual channel Phaser employs LFO. Also possible to link two units modulation.	Digital Reverb – SRV-2000 The standard in Digital Reverb with a accurately modelled EQ character.

Optional Accessories
Note: The accessories listed below are not available through Roland Systems Group and are provided for informational purposes only. Please contact the respective manufacture for ordering details.

M-400/480 Labeling Template Use this PDF label template to print labels for your M-400 or M-480 unit onto standard 8.5″x11″ sticker or magnetic laser/inkjet paper. One page contains enough for one unit.

The backbone of the V-Mixing System is based on REAC – Roland’s Ethernet Audio Communication transmission protocol for low latency, high quality digital audio transfer. Products using REAC technology are installed today in many venues and have been used for high profile events worldwide. REAC’s 24-bit, 40×40 channel protocol delivers pristine digital audio via lightweight, inexpensive and easy to install cable (Cat5e/6). REAC technology is immune to externally induced signal quality degradation or hums and buzzes typically found in analog systems. You have more freedom in cable placement resulting in lower cost and better sounding. Learn more about the power and benefits of REAC.

Configuration Examples

Backing track Playback/Sound Check System
The R-1000 can be used as a 48Ch multi-track playback system for live concerts and productions. Utilizing the benefit of bi-directional audio with REAC, the R-1000 can be connected between the V-Mixer and the Digital Snake for virtual sound checks, rehearsals and training exercises.

View PDF

Large Event Mixing and Recording
96 channels of mixing with compatibility with over 20 other REAC components including digital snakes, personal mixing, multi-channel recording/playback and MADI bridge.

View PDF

More Configuration Examples
Although numerous configurations are possible, here are a few of the more popular ones. Click on a thumbnail to see the corresponding diagram.

Standard M480 V-Mixing System (42×26)View PDF

Expanded M-480 V-Mixing System (58×26)View PDF

Standard M-480 V-Mixing System with Expanded Outputs (50×34)View PDF

Example Split Configurations

Standard M-480 V-Mixing System with Analog BreakoutView PDF	Standard M-480 V-Mixing System with Personal MixingView PDF	M-480 V-Mixing System with M-380 Monitor/Broadcast PositionView PDF
Standard M-480 V-Mixing System with SONAR V-Studio 700 REAC RecordingView PDF

Main Features

Centralogic™ Touch Panel Operation Takes Another Step Forward. New M7CL-48ES Model Offers Easy EtherSound Stage Box System Setup

• Straightforward hands-on operation with no layers.
• Large touch-panel display offers intuitive control.
• CentralogicT interface allows access to all channels from a front-and-center fader group.
• Two models with onboard analog input: choose the M7CL-48 for a total of 56 inputs (48 microphone and 4 stereo line), or the M7CL-32 for a total of 40 inputs (32 microphone and 4 stereo line).
• Newly-added M7CL-48ES model with built-in EtherSound for easy digital networking and setup using EtherSound stage boxes.
• 16 mix bus and 8 matrix configuration, with an INPUT TO MATRIX function that provides 24 mix bus output capability.
• Powerful channel processing including dynamics, 4-band parametric EQ, and more.
• A versatile range of multi-effects built-in, including the REV-X Add-on Effect package.
• Memorizes up to 300 scenes, with programmable fade time.
• Three Mini-YGDAI card slots for expandability.
• M7CL Editor software provides advanced viewer/controller capability via a personal computer.
• Multi-level security features include password and USB memory key protection.
• USB memory data management capability.
• Ethernet port provided for control.
• Version 3 includes high-performance VCM effects.

[M7CL-48ES]

• Up to three SB168-ES stage box units can be directly connected in daisy chain or ring configuration via a built-in EtherSound I/O connectors.
• An AUTO CONFIGURE function provides easy automated stage box setupYamaha M7cl

All-in-One Console System Offers the Best Portability and Affordability

Overview

Get the amazing sound quality and rock-solid reliability of VENUE all in one compact console. VENUE SC48 is a fully integrated live sound system that combines all I/O, digital signal processing, and tactile control into a single console, making it the most affordable and portable VENUE system yet. The console not only features the celebrated characteristics of VENUE, including studio-quality plug-in support, seamless integration with Pro Tools LE systems, and complete show file portability, it offers several innovative new workflows that streamline the mixing process, allowing you to concentrate on mixing the show instead of operating the board.

View all VENUE SC48 videos

Key Features

• Fully integrated console offers built-in I/O for stage and ancillary sources, DSP, and tactile control for ultimate portability
• Compact footprint fits small- to mid-size clubs, houses of worship, theaters, corporate events, and more
• First-rate VENUE sound quality provides amazing audio clarity in any room
• Supports professional audio plug-ins for creating studio-quality mixes live
• Pro Tools LE FireWire interface and software included for audio recording and playback system connection
• VENUE D-Show software, the industry’s easiest, most comprehensive control software
• 48 analog mic/line XLR inputs, 16 analog line outputs (expandable to 32)
• Single expansion slot for maximizing output count or adding A-Net connectivity
• 16 Aux Sends, 8 Groups, plus 8 mono matrixes (linkable as up to 4 stereo matrixes)
• Choice of Left-Right plus Mono or Left-Center-Right Mains bus configuration
• 26 touch-sensitive, motorized faders: 16 input, 8 output master, 1 Flex Channel, and 1 Mains
• 16 assignable, push-switch rotary encoders with multi-segment LED rings enable immediate access to key parameters
• Additional I/O, including talkback, analog and digital 2-track, GPI, MIDI, and Word Clock

Call 877-477-6432 ex 101 for the best pricing and training

Shizuoka, Japan, September 11, 2010 — The new iPad app and M7CL-48ES functionality will be launched at Yamaha’s booth (1-G31) at PLASA 2010 before the release in this autumn. PLASA is the leading international trade show for the entertainment and installation industries. This year’s show will take place from 12 to 15 September at Earls Court, London.

“We are delighted to introduce the iPad “StageMix” app for M7CL consoles and AuviTran Network ASIO Streamer support for the M7CL-48ES,” said Kazunori Kobayashi, General Manager of Yamaha’s Pro Audio Division. “The iPad “StageMix” app will provide our customers with significantly enhanced monitor mixing capabilities, while AuviTran Network ASIO Streamer support for the M7CL-48ES will make high-quality live multitrack recording easier than ever before. We will continue our efforts to provide Yamaha users with functionality that’s right at the leading edge of live sound technology, and beyond.”

iPad “StageMix” App for M7CL Consoles

StageMix is an application for the Apple iPad that allows remote control of M7CL mix functions via a simple, intuitive graphical interface from anywhere within wireless range.
This allows the engineer to set up monitor mixes from the performers’ positions on stage, directly controlling mix parameters via the iPad rather than having to rely on verbal directions to a second engineer. The result is better mixes in less time: a huge advantage during high-pressure pre-show setup.

Input Channel Faders	Sends on Faders	Parametric EQs
* iPad is a trademark of Apple Inc.

System Requirements

StageMix running on an Apple iPad

Wireless connection from the iPad to a WiFi access point

Ethernet connection from the WiFi access point to the M7CL Version 3

Functions
The following M7CL Version 3 parameters are scheduled to be implemented in the StageMix.

Controllable Parameters

- Sends on Faders

- Input Channel Faders

- Input Channel On/Off

- Input Channel Parametric EQs

- Input Channel Cue

- Mix Master Faders

- Mix Bus On/Off

- Mix Bus Parametric EQs

- Mix Bus Cue

- Last Cue/Mix Cue Mode

- Clear All Cues

- Graphic EQs (*)

*Please note that this parameter may not be available in the initial release.

Display Only Parameters

- Input Channel Names

- Input Channel Meters

- Mix/Matrix Bus Names

- Mix Bus Meters

- EQ Input Meter

- EQ Output Meter

AuviTran Network ASIO Streamer support for the M7CL-48ES

The AuviTran Network ASIO Streamer brings two eminent digital audio standards together: EtherSound and ASIO. The ability to directly connect an EtherSound network to high-performance ASIO based recording and playback software makes it easy to add high-quality digital live recording and playback to EtherSound capable sound systems. A single CAT5e Ethernet cable connected between the M7CL-48ES and a Windows-based computer running Steinberg Nuendo 5 or similar DAW software allows simultaneous recording of up to 48 channels, for example.* That’s sufficient capacity to handle all 48 inputs to three SB168-ES digital stage boxes connected to the M7CL-48ES.

* The M7CL-48ES and EtherSound module firmware must be updated to latest versions, and the appropriate driver software must be installed on the computer.

About ASIO

ASIO (Audio Stream Input/Output) is a computer soundcard driver protocol for digital audio developed by Steinberg. It provides a low-latency, high fidelity interface between software applications and computer soundcards or ASIO devices. ASIO allows software to access the multi-channel capabilities of a wide range of powerful audio devices. ASIO is a trademark of, and ASIO software is a product of, Steinberg Media Technologies GmbH.

Technical Specifications

About the M7CL

Since its release, the Yamaha M7CL Digital mixing Console has become a staple of the live sound industry worldwide. Features and usability were significantly enhanced with the “Version 2″ and “Version 3″ software upgrades, effectively implementing feedback and suggestions from the field. Introduction of the EtherSound based M7CL-48ES model allowed direct digital connectivity to Yamaha SB168-ES stage boxes while maintaining the same intuitive operating environment with stunning sound in a surprisingly budget-friendly system. And this August the M7CL V3 Editor for Mac was released, giving Mac users full offline and online console editing and monitoring capability.
The M7CL series represents a highly evolved . and evolving . live sound system for a wide range of applications.

About Yamaha Pro Audio

Yamaha Pro Audio is known around the globe as a provider of innovative, top-quality solutions for the sound industry. The Yamaha lineup includes a number of world-standard mixing consoles, signal processors incorporating industry-leading DSP technology, power amplifiers based on energy-efficient drive technology, and an extensive range of speakers suitable for everything from live sound to commercial installations.

Visit http://www.yamahaproaudio.com/ for the latest news and information.

*Product and company names and logos that appear in this news release are trademarks of their respective owners