Roland M-5000C front view
Roland M-5000C top view
Roland M-5000C side view
Roland M-5000C rear view
Roland M5000C-22416 64x40 Digital Mixing System

Roland M5000C-22416

64x40 Digital Mixing System

Product Highlights

  • 64x40 Digital Mixing System
  • Includes (1) M-5000C Live Mixing Console & (2) S-2416 Digital Snakes
  • M-5000C: 16 + 4 Faders
  • 128 definable audio paths at 96k
  • 64 x 40 digital I/O and transport
  • Remotely placed and controlled I/O across two snake heads of 24x16
  • Powerful control from M-5000C surface as well as iPad and/or PC/Mac

Sale Price $18,495.00

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Roland M5000C-22416

This system is designed for tight spaces and packs all the power of the original M-5000. Included are two S-2416 Digital Snake heads making a 64x40 I/O count. This system is ideal for theater or broadcast applications. Package includes (1) M-5000C Live Mixing Console and (2) S-2416 Digital Snakes.

Announcing a new era in live mixing consoles: O.H.R.C.A. - Open High Resolution Configurable Architecture. In a quickly evolving world, adaptability is required to rise above the competition. OHRCA brings the power of adaptability into the sphere of live audio mixing. It caters to the needs of both the application and the user by providing 128 freely definable audio paths, versatile user interface, intuitive workflow, expandable protocols, and multi format I/O choices - all delivered at a premium 24-bit/ 96kHz audio quality. These features and innovations are contained in an ideal frame size, opening a new door of opportunity in the world of live sound.

 

 

Roland M5000C-22416 Key Features:

  • 64x40 Digital Mixing System
  • Includes (1) M-5000C Live Mixing Console & (2) S-2416 Digital Snakes
  • M-5000C: 16 + 4 Faders
  • 128 definable audio paths @ 96k
  • 64 x 40 digital I/O & transport
  • Remotely placed & controlled I/O across 2 snake heads of 24x16
  • Powerful control from M-5000C surface and iPad and/or PC/Mac

(1) Roland M-5000C:

Balanced Size, Power & Workflow:

The M-5000C is the full potential of OHRCA in a compact format. The perfect balance of compact size, powerful mixing capabilities and intuitive workflow. Portable and power ful. With dimensions of just 740(W) × 725(D) × 346 (H)mm, the M-5000C is  designed to be highly portable and provide a lot of mixing power where there is not a lot of available space. Mixing even high channel counts is easy with the four fixed assignable faders sixteen scrollable and isolatable faders that feature anchor  points and DCA spill work flows. With ORHCA at its core, productions requiring as many as 128 audio channel resources and direct patching of up to 300 inputs and 288 outputs (at 96kHz; 460 inputs and 448 outputs at 48kHz).

Power and Portability:

Although the size of M-5000C is more compact, it maintains the full power of M-5000. Along with 96kHz sampling rate for superb sound quality, M-5000C has 72-bit summing bus, newly designed discrete analog circuitry and optional redundant power supply. What's more, in addition to 16 inputs and 8  outputs on  the  console,  the  M-5000C  features  two expansion  interface  slots  that  can  accommodate  REAC, Dante, MADI,  Waves  SoundGrid  and  other  XI-Series  expansion cards.  All of these features allow the M-5000C
to  achieve  the  innovative  and  flexible  performance  of  O.H.R.C.A  with  enhanced  mobility  for  applications with tight production spaces.

 

 

(2) Roland S-2416 Digital Snake:

A new standard in digital stage units. The Roland S-2416 digital snake stage unit expands the line-up by offering a 24 input x 16 output analog and 8 input x 8 output digital, for a total of 32 input and 24 output channels. In addition to the analog and digital I/O the S-2416 has two REAC ports enabling the ability to cascade an additional snake for expanded I/O or for a fully redundant, zero-loss audio back-up solution. In addition, the discrete mic preamps are newly developed high-grade ensuring highest-quality uncolored sound.

  • 24 input x 16 output analog + 8 input x 8 output digital (AES/EBU) = 32 input x 24 output
  • 2 REAC ports to either cascade additional snake or for redundant connection
  • Newly developed high-grade mic preamps
  • 4U adjustable front or rear rack-mount design
  • Supports 24-bit 96kHz, 48kHz, or 44.1 kHz sample rates
  • Word clock in & out
  • Remote control via any V-Mixer console, R-1000, S-4000R dedicated remote unit, and S-4000 RCS via USB (Windows/Mac)

 

 

 

(Above: M5000C-22416 System Diagram)

 

About O.H.R.C.A. (Open High Resolution Configurable Architecture):

Open:

“Open" refers to the console’s ability to adapt to many different formats of inputs, outputs, and protocols. This not only includes the large variety of Roland digital snakes already in the lineup but also protocols, such as Dante, MADI, Waves SoundGrid, additional REAC ports, and other formats and solutions to come.

High Resolution:

“High Resolution” refers firstly to everything running at 96kHz – end to end. All of the Roland Pro A/V peripherals have been 96kHz-capable from the start. From the preamps running high-end 24-bit AD/DA converters to all the carefully selected components and processors, you can be guaranteed pristine sound that is noticeably better.

  • Oustanding 24-bit, 96kHz sound quality
  • High-precision 72-bit linear summing circuitry
  • High-end discrete preamps onboard and available in remote snake options

Configurable Architecture:

“Configurable Architecture” is the console’s ability to adapt to the application - allowing you to essentially “build” the mixer you need. How many input channels? How many auxiliary buses, groups, matrices? All of the elements that are typically fixed in most mixers are flexible with OHRCA. How you work with faders, buttons, and knobs and screen are also adaptable to how you are used to working already.

  • 128 audio paths assignable as channels, auxes, subgroups, matrices, mix minus, etc.
  • Easily adaptable to many applications including font-of-house, monitor position, or broadcast

Extensibility:

  • Unrestricted patching for up to 300 inputs/296 outputs (M-5000) and 300 inputs/ 288 outputs (M-5000C) at 96kHz (More at 48kHz).
  • Support for 2 of the 7 available optional expansion cards. Redundant audio transmission and optional redundant power supply

Flexible Workflow:

  • 12" touch screen with integrated "touch and turn"
  • 28 freely scrollable, isolatable, or assignable faders (20 with M-5000C)
  • Dedicated, freely assignable user section of buttons and knobs

Remote Control & Live Recording:

Remote Control Software (RCS):

Use  the  M-5000  RCS  program  to  operate  the  console  from  a  computer  (Mac/Windows).  Connection  can  be  made  via  USB  or  REMOTE connector, allowing  operation over a LAN. The GUI for the  M-5000 RCS  allows  multiple  windows,  and  features  support  for high resolution displays and other optimizations. This enables use of a second display for viewing even more windows such as a large meter view of inputs and outputs. *The  M-5000  RCS  is  available  as  a  free  download  from  Roland's  website. *Available in Q4, 2015.

Remote control using an iPad:

The dedicated M-5000 Remote app supports remote control from an  iPad.  Any  of  three  methods  can  be  used  for  connecting  the iPad:  a)  wired  hookup  using  the  Dock  connector,  b)  through  a router connected to the LAN port, or c) direct ad-hoc connection using  a  Wireless  USB  LAN  Adapter. When dock  connected, stereo  recording  and  stereo  playback  is  possible  to  the  iPad. The remote-control iPad can be used to control recording and playback, and input sources and output channels can be assigned as desired. The  GUI  for  the  iPad  app  features  full  suport  of  Retina  displays enabling crystal clear graphics. M-5000 Remote: Dedicated iPad app for remote control. Free download from Apple Store* Available in Q4, 2015.

 

(Above: M-5000 w/ Ipad)

Built-in Engineer's M-48 Monitor function:

For the monitor engineer using M-48 Personal Mixers, the M-5000 offers an Engineering Monitor function that mirrors the musician's M-48  enabling  the  engineer  to  check  the  mix  and  hear  exactly what the musician is hearing. The M-5000 allows selection of the REAC  A  or  B  port  for  the  monitor  feed,  and  an  M-48  unit  can  be  connected  directly  to  the  M-5000's  backup  port  which  is equipped with Embedded Power.

 

(Above: M-5000 w/ M-48 Personal Mixer)


Roland M5000C-22416

Roland M-5000C Specs:

  • Mixing Channels: Up to 128 CH (combination of INPUT CHANNEL,MAIN, SUBGROUP, AUX, MIX-MINUS, MATRIX, MONITOR, COMM, OSC,HEADPHONES)
  • Internal Processing: 72 bits (fixed point, bussumming)
  • Frequency Response: PHONES jacks (1, 2): -2 dB / +0 dB (32 ohms load, 150 mW, 20 Hz to 40 kHz), OUTPUT jacks (1 - 16): -2 dB / +0 dB (20k ohms load, +4 dBu, 20 Hz to 40 kHz)
  • Power Consumption: 180 W
  • Dimensions (W x D x H): 934 x 725 x 346 mm (36-13/16 x28-9/16 x 13-5/8 inches)

Roland S-2416 Specs:

  • Number of Channels: 32 in 24 out
  • Frequency Response: -2 dB / +0 dB (@ +4 dBu, 10 Hz to 40 kHz,Sample Rate : 96 kHz, typ.)
  • Input Impedance: INPUT jacks (1 to 24): 7 k ohms
  • Nominal Output Level: OUTPUT jacks (1 to 16): +4 dBu (Loadimpedance: 10 k ohms, typ.)
  • Maximam Output Level: OUTPUT jacks (1 to 16): +22 dBu (Loadimpedance: 10 k ohms, typ.)
  • Power Consumption: 62 W
  • Operation Temperature: +0 to +40 degrees Celsius, (+32 to+104 degrees Fahrenheit)
  • Dimensions (W x d x h): 482 mm x 348 mm x 17 mm (19 x 13 3/5x 177 inches)
  • Weight: 9.7 kg; 21 lbs 7 oz

Call 1-877-477-6432 for any technical questions or if you need SPECIAL PRICING regarding this product

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